Film Review: ‘Wicked’

(L-R) Director, Jon M. Chu and Producer, Marc Platt speak as Universal Pictures presents special New York City WICKED Screening at Metrograph on December 03, 2024 in New York City. (AFP/File)
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Updated 25 December 2024
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Film Review: ‘Wicked’

The cinematic adaptation of the beloved Broadway musical, “Wicked,” which is based on the Gregory Maguire novel, takes us on an enchanting journey through the backstory of the Wicked Witch of the West, Elphaba, and her friendship with Glinda.

From the outset, I found the story’s premise captivating. It cleverly reimagines the classic tale from “The Wizard of Oz,” providing depth and context to characters often seen as mere villains.

Elphaba, played with fierce determination and vulnerability by Cynthia Erivo, grapples with her identity in a world that judges her for her green skin. Glinda, portrayed with charm and humor by Ariana Grande, offers a contrasting perspective, embodying the complexities of friendship and loyalty.

One of the film’s strengths lies in its stunning visuals. The vibrant colors, elaborate costumes, and breathtaking set designs transport one to the whimsical land of Oz. Each scene is a feast for the eyes, making it hard not to get swept away by the magic of it all.

The cinematography captures the grandeur of Oz while maintaining an intimate feeling during character-driven moments.

However, while the visuals are remarkable, I felt that some aspects of the storyline fell short. At times, the pacing felt uneven, particularly in the second act. Certain plot points were rushed, leaving me wanting more character development and emotional resonance.

For instance, Elphaba’s transformation into the Wicked Witch felt somewhat abrupt, and I wished for deeper exploration of her motivations and struggles.

The music, a hallmark of “Wicked,” also deserves mention. Iconic songs including “Defying Gravity” resonate with empowerment and hope, leaving a lasting impact. Yet, I found myself wishing for more original compositions to enhance the film’s narrative depth.

What is particularly exciting is that this film is part of a larger story. The second and final installment, titled “Wicked: For Good,” is set for release in November 2025. The news, shared in a joint Instagram post from the stars and director, has me eagerly anticipating what comes next.

In conclusion, despite some narrative shortcomings, “Wicked” explores friendship, identity, and societal judgment, making it a worthwhile experience. As someone who has long cherished the story of Oz, I appreciated this new take, even if it did not fully meet my expectations.

Ultimately, “Wicked” is a testament to the power of storytelling and the complexities of good and evil, leaving one with much to ponder long after the credits roll.


Adelaide Writers’ Week cancelled after backlash over disinviting Palestinian author

Updated 13 January 2026
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Adelaide Writers’ Week cancelled after backlash over disinviting Palestinian author

  • Writers withdrew after AWW dropped Randa Abdel-Fattah
  • Abdel-Fattah slams board’s apology, ‘adds insult to injury’

DUBAI: The Adelaide Writers’ Week 2026, a milestone event in the Australian literary calendar, has been cancelled after more than 180 authors and speakers dropped out in protest at the decision to disinvite the Palestinian-Australian author Randa Abdel-Fattah.

The Adelaide festival board announced that the event, which was scheduled to begin on Feb. 28, would no longer go ahead.

According to The Guardian on Tuesday, all the members of the board have resigned, with the exception of the Adelaide city council representative, whose term expires in February.

The decision to cancel the AWW entirely came five days after the board announced it had dropped Abdel-Fattah, citing “cultural sensitivities” after an attack at Bondi Beach, that resulted in the death of several people, including Jews.

On Tuesday, the board apologized to Abdel-Fattah “for how the decision was represented.”

“(We) reiterate this is not about identity or dissent but rather a continuing rapid shift in the national discourse around the breadth of freedom of expression in our nation following Australia’s worst terror attack in history,” it added.

“As a board we took this action out of respect for a community experiencing the pain from a devastating event. Instead, this decision has created more division and for that we express our sincere apologies,” the board stated.

In a statement, Abdel-Fattah said she rejected the board’s apology, accusing it of being “disingenuous” and saying it “adds insult to injury.”

She added: “The board again reiterates the link to a terror attack I had nothing to do with, nor did any Palestinian.

“The Bondi shooting does not mean I or anyone else has to stop advocating for an end to the illegal occupation and systematic extermination of my people — this is an obscene and absurd demand.”

Several people were killed in last month’s shooting on Bondi Beach, where a Jewish Hanukkah celebration was also taking place.

Sajid Akram and his son Naveed have been accused of opening fire at the famed surf beach, killing 15 people in a shooting spree reportedly inspired by the Daesh group.