Media watchdog condemns Israel over killing of 4 Gaza journalists, demands accountability

According to CPJ, at least 133 journalists have been killed in Gaza since the outbreak of the conflict 15 months ago, making it the deadliest conflict for journalists since record-keeping began. (AFP/File)
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Updated 17 December 2024
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Media watchdog condemns Israel over killing of 4 Gaza journalists, demands accountability

  • Iman Al-Shanti, Mohammed Al-Qrinawi, Mohammed Balousha, and Ahmed Al-Louh were killed between Dec. 11 and 15
  • At least in two cases, the attacks were described as ‘deliberate,’ Committee to Protect Journalists reported

LONDON: The Committee to Protect Journalists has condemned Israel’s recent attacks in Gaza, which have killed four journalists in the past week alone, and renewed calls for the international community to hold Tel Aviv accountable for its actions against media workers.

“At least 95 journalists and media workers have been killed worldwide in 2024,” CPJ’s CEO Jodie Ginsberg said in New York. “Israel is responsible for two-thirds of those deaths and yet continues to act with total impunity when it comes to the killing of journalists and its attacks on the media.”

Between Dec. 11 and 15, Israeli forces carried out multiple deadly strikes targeting media workers in Gaza, killing Iman Al-Shanti, Mohammed Al-Qrinawi, Mohammed Balousha, and Ahmed Al-Louh. Sources claim that at least two of the journalists were clearly identifiable by their press vests and accused the Israeli army of deliberately targeting civilians in the area.

On Wednesday, Al-Shanti, a 36-year-old journalist who worked for Al Aqsa Radio and contributed to Al Jazeera’s AJ+ platform, was killed alongside her family in an Israeli airstrike on Gaza’s Sheikh Radwan neighborhood.

On Friday, Al-Qrinawi, editor at the local Snd news agency, was killed with his wife and three children in an Israeli strike on Al-Bureij refugee camp in central Gaza.

That same day, Balousha, a 38-year-old journalist reporting for Dubai-based Al Mashhad Media, died in a direct Israeli drone strike while returning from a medical checkup in northern Gaza City. Al Mashhad described the attack as deliberate.

On Saturday, Al-Louh, a 39-year-old freelance journalist who contributed to multiple outlets, including Al Jazeera, was killed in an Israeli airstrike on Nuseirat camp in Gaza City. He became the seventh journalist from Al Jazeera to be killed during the war.

Following Al-Louh’s death, Israeli Defense Forces spokesperson for Arabic media Avichay Adraee accused him of being a member of the Palestinian Islamic Jihad. However, as in similar past claims, Adraee failed to provide evidence to support the allegation. Al Jazeera condemned the killing as a “war crime” and part of a “systematic targeting of journalists in Gaza aimed at intimidating and deterring them.”

According to CPJ, at least 133 journalists have been killed in Gaza since the outbreak of the conflict 15 months ago, making it the deadliest conflict for journalists since record-keeping began. The real toll is believed to be significantly higher.

Media watchdogs and international organizations have repeatedly called for Israel and its leaders to be held accountable for what some human rights groups describe as ethnic cleansing. However, these demands have so far failed to produce tangible results.

The CPJ reached out to the Israeli military’s North America Media Desk, asking whether the IDF was aware of civilian presence in the areas it bombed and if journalists had been targeted for their work. The IDF replied that it required more time to investigate but did not specify a timeline for its response.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.