Manicurist to the stars keeps Cairo’s golden age alive

Refaat Abdel Hakim, the stepson of Madam Lucie, tends to a client at her manicure shop in downtown Cairo on November 18, 2024. (AFP)
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Updated 01 December 2024
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Manicurist to the stars keeps Cairo’s golden age alive

CAIRO: Nestled in a hidden alley off a bustling thoroughfare in the heart of the Egyptian capital sits an unassuming little manicure shop concealing a historic legacy.
Today, Madame Lucie’s small establishment is dwarfed by the sleek facades of modern cafes, fashion boutiques and fast food chains that have all but snuffed out Cairo’s old grandeur.
But decades ago, the shop’s seats were occupied by the likes of Nobel laureate Naguib Mahfouz, international singing sensation Dalida and cinematic heartthrob Omar Sharif, all of whom sought the now 88-year-old manicurist’s expert hand.
For over six decades, Layla Abdel Hakim Mekhtegian — more commonly known by her sobriquet Madame Lucie — has presided over her little shop, standing guard over its rich history.
For those who step inside the shop, which claims to be the country’s oldest manicurist, it is a step back in time to Cairo’s cosmopolitan heyday of the 1950s and 60s.
“Everything here is as it was 64 years ago,” the French-educated woman of Armenian descent told AFP.




Madam Lucie, an 88-year-old manicurist expert, poses for a picture at her manicure shop in downtown Cairo on November 18, 2024. (AFP)

Established in December 1960, the salon exudes old-world charm.
Outside, the name Lucie greets customers in old fluorescent signage in both Arabic and French.
Inside, antique manicure tables sit in front of sepia-toned photographs of the illustrious patrons of bygone times.
“Customers tell us, ‘Don’t change a thing’,” she said.
The list of Madame Lucie’s clientele reads like a roll call of Egypt’s cultural pantheon.
“Mahfouz would come in for a trim while fans waited outside to have his autograph,” Madame Lucie recalls with a nostalgic smile.
“Dalida? Always punctual.”
“Her fans used to come here when they heard that she visits the salon,” she continues.
“And Omar Sharif,” she adds softly, “did not talk much, but he was so charming.”
Madame Lucie is part of a generation of Armenian entrepreneurs who shaped much of downtown Cairo’s commercial life in the mid-20th century.
She and her enduring salon are among just a handful of businesses that survived former president Gamal Abdel Nasser’s nationalization drive of the 1960s.
Prior to that, Egypt’s Armenian community had peaked at 45,000 in the 1950s, playing a vibrant role in the country’s cultural and economic landscape.




A client receives a manicure at Madam Lucie's manicure shop in downtown Cairo on November 18, 2024. (AFP)

Lucie acquired her craft at the age of 14 under the guidance of Marie, her mentor at Bata, the now-defunct, once-renowned department store in Cairo.
Together with her husband Jimmy and with the help of a Jewish investor, she transformed a printing house in downtown Cairo into her salon.
She has held fast to traditional nail treatments, shunning the more modern trends offered by many nail spas nowadays.
But her work goes beyond aesthetics, and many of her clients come for relief from painful conditions like calluses, ingrown nails and dead skin buildup.
She has in turn preserved not just the shop’s historic stature but also a loyal customer base for nearly as long.
“It is more of a treatment than a cosmetic thing,” said Effat Adel, a housewife in her fifties who has been visiting the salon for 37 years.
Sabry Ghoneim, an 89-year-old veteran journalist who has been a loyal customer for over four decades, said: “This place gives me peace of mind.”
Despite suggestions to expand, Lucie refuses.
“Why would I? This place is home,” she said.
“Every year, I update the sign outside to show how long we’ve been here. This December, it’ll say 65 years.”


Review: Voyna 19 — ready-to-wear pieces designed with precision

Voyna 19 represents a rising success story in contemporary fashion, redefining how modesty and elegance can coexist. (Supplied)
Updated 30 January 2026
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Review: Voyna 19 — ready-to-wear pieces designed with precision

  • The collection features pieces such as the trench jumpsuit and signature belts, which highlight attention-to-detail and create garments suited for fast-paced urban life

In today’s fashion landscape, a few brands stand out not just for selling clothes but for presenting a clear lifestyle vision.

Among these emerging names gaining attention regionally and internationally is Voyna 19, a contemporary women’s fashion label that blends modesty with modernity and offers a forward-looking take on elegance. 

At its core, Voyna 19 focuses on ready-to-wear pieces designed with precision, combining comfort with a bold artistic touch.

The brand recently launched its “Silence” fall-winter 2025/26 collection, which marks an evolution in its identity toward more structured, contemporary pieces.

The capsule emphasizes clean lines, geometric cuts and layering techniques that balance strength and femininity. Each piece is designed for flexibility and movement, catering to women seeking elegance that fits seamlessly into a modern, urban lifestyle.  

The collection features pieces such as the trench jumpsuit and signature belts, which highlight attention-to-detail and create garments suited for fast-paced urban life.

The use of textures, precise tailoring and layered silhouettes demonstrates the brand’s commitment to blending practicality with high-concept design.  

While Voyna 19 excels in blending modernity with modesty, the brand could further diversify its palette and materials to appeal to a broader range of climates and cultural contexts.

Some pieces, though visually striking, may lean toward conceptual styling that might not fully translate into everyday wear for all women. Expanding accessibility in sizing and experimenting with more versatile, seasonless designs could help the brand to strengthen its global presence.  

Voyna 19 represents a rising success story in contemporary fashion, redefining how modesty and elegance can coexist.