‘Polarization of journalism’ rising amid Israel attacking, killing media workers

On Oct. 25, an airstrike in south Lebanon killed 3 and injured several journalists and media workers. (AFP)
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Updated 01 November 2024
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‘Polarization of journalism’ rising amid Israel attacking, killing media workers

  • Reporters not respected anymore, says veteran journalist Mohamad Chebaro

DUBAI: On Oct. 25, an airstrike in south Lebanon killed Al-Mayadeen TV’s camera operator Ghassan Najjar, broadcast engineer Mohammed Reda, and Hezbollah-owned Al-Manar TV’s camera operator Wissam Qassem.

It also injured several others including camera operator Hassan Hoteit and assistant camera operator Zakaria Fadel of the media production company Isol.

Other journalists hurt were photographer Hassan Hoteit from Al-Qahera channel, and Youmna Fawaz, a correspondent for MTV, according to media reports.

The Israeli army said the strike, which hit a compound housing 18 journalists from multiple media outlets, targeted Hezbollah militants; however, many believe it was a planned attack on journalists.

Lebanon’s Prime Minister Najib Mikati said the attack was deliberate and both he and Information Minister Ziad Makary labelled it a war crime.

“The Israeli enemy waited for the journalists’ nighttime break to betray them in their sleep ... This is an assassination, after monitoring and tracking, with prior planning and design, as there were 18 journalists there representing seven media institutions. This is a war crime,” Makary said in a post on X.

 

The Committee to Protect Journalists said it was appalled by the attack, and called for an independent investigation and for the perpetrators to be held to account.

The CPJ is “deeply outraged by yet another deadly Israeli airstrike on journalists,” said its program director Carlos Martinez de la Serna, adding that “deliberately targeting journalists is a war crime under international law.”

“I used to go to conflict zones in the past and journalists were received by all parties with open arms,” said Mohamad Chebaro, a British-Lebanese journalist with over 25 years of experience covering war, terrorism, defense, current affairs and diplomacy.

But “I have been increasingly witnessing the polarization of journalism” by companies or political parties wherein journalists are seen as being “with or against” entities — whether that is a corporation or a country, he told Arab News.

Chebaro explained that “warring parties” feel the need to have their own “media machine,” which makes independent journalism a rare concept. And so “killing the messenger has become easy for every party trying to control the narrative of every conflict.”

He added: “Lebanon is no different than Gaza. Gaza is no different than Syria. And Syria is no different than Iran before it.”

On Monday, Lebanon submitted a complaint to the Security Council “regarding the latest Israeli attacks that targeted journalists and media facilities in Hasbaya in south Lebanon, and the Ouzai area” in Beirut’s southern suburbs, according to the Foreign Ministry on X.

“The repeated Israeli targeting of media crews is a war crime,” and Israel must be “held to account and punished,” the statement added.

Over 400 media workers and journalists from international news organizations have condemned Israel’s attacks on Palestinian journalists in Gaza in a letter released on Oct. 30.

The letter also addresses the escalation of attacks on journalists in Lebanon. It called for the immediate medical evacuations of all injured journalists, protection of those who remain, and fair reporting on Gaza and the condition of Palestinian media workers there.

“We affirm that no one is more qualified to report and deliver the news from Gaza than local journalists, and it is the professional and personal duty of all journalists and media institutions to ensure their protection,” the letter added.

The attack on journalists is in many ways an attack on journalism and the truth, Chebaro said.

He added: “Human beings are not respected in the theater of war anymore. There is a breakdown of the respect and the sanctity of the job of a journalist.

“And unfortunately, we have gone away from the old ethos of looking at a journalist as an independent informing voice.”

As of Oct. 31, the CPJ’s preliminary investigations showed at least 134 journalists and media workers were among those killed in Gaza, the West Bank, Israel, and Lebanon since Oct. 7, 2023.

This makes it the deadliest period for journalists since the CPJ began gathering data in 1992.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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