Designers inspired by wildlife and technology at Riyadh Fashion Week

ArAm by Arwa Al-Ammari celebrated Saudi Arabia's wildlife. (AN Photo by Huda Bashatah)
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Updated 21 October 2024
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Designers inspired by wildlife and technology at Riyadh Fashion Week

RIYADH: The third day of Riyadh Fashion Week (RFW) saw Saudi labels Mona Alshebil, Abadia, Razan Alazzouni, ArAm, and Kaf by Kaf present their latest collections, with designers exploring such themes as Saudi Arabia’s wildlife and the influence of technology on fashion.

A particular highlight was ArAm by Arwa Al-Ammari, whose fashion show was a celebration of Saudi Arabia's wildlife. The collection was inspired by the country’s rich natural heritage, focusing on animals that are seldom seen, such as the oryx, the Arabian leopard, the Arabian wolf, and the Arabian bustard. In addition to these creatures, the collection drew aesthetic influences from indigenous plants like sider (Ziziphus spina), arar (Juniper), arak (Salvadora Persica), sheh (Artemisia), sant (Acacia), gada (Haloxylon Persicum), and athoba (Senegalia Mellifera). 




ArAm by Arwa Al-Ammari celebrated Saudi Arabia's wildlife. (AN Photo by Huda Bashatah)

These animals and plants hold significant cultural importance, often featuring in Arab poetry and idioms, serving as symbols of beauty and resilience deeply rooted in Saudi heritage. 




A model shows off a look by ArAm by Arwa Al-Ammari. (AN Photo by Huda Bashatah)

 Abdullah Al-Shehri, the only Saudi model on the runway at ArAm’s show, shared his experience, stating, “I represented the work of Arwa Al-Ammari today, and honestly, the show was spectacular. The collection was so creative, and I am really glad to be a part of this show at RFW for the second year in a row.”




A model shows off a look by ArAm by Arwa Al-Ammari. (AN Photo by Huda Bashatah)

Following the show, Kaf by Kaf took to the stage with a striking presentation of designer Kawthar Alhoraish’s Spring/Summer 2025 collection, aptly titled "Artificial Beauty." The collection explored the tension between technology and nature, delving into the contradictions that arise when organic forms collide with artificial constructs.




Kaf by Kaf took to the stage with a striking presentation of designer Kawthar Alhoraish’s Spring/Summer 2025 collection. (AN Photo by Huda Bashatah)

The collection was not only a showcase of fashion but also a commentary on the interplay between the organic and the synthetic. 

Shouq, a prominent influencer who donned pieces from Kaf by Kaf, expressed her admiration for the collection. “When I first read the title 'Artificial Beauty,' I was intrigued. But when I saw the robot model strutting down the runway, everything clicked. The reflective skirts and the overall theme were executed brilliantly. I was truly wowed and found myself wanting every piece in the collection,” she told Arab News.




A robot model on the runway. (AN Photo by Huda Bashatah)

The use of a robot model was a bold choice, symbolizing the fusion of fashion and technology. It reinforced the theme of the collection, making a strong statement about the future of fashion. Kaf by Kaf’s exploration of artificial beauty challenges traditional notions and invites a conversation about the role of technology in our lives and how it shapes our understanding of aesthetics. 




The collection featured dresses and co-ords. (AN Photo by Huda Bashatah)

As Riyadh Fashion Week continues to unfold, the diverse and thought-provoking presentations from designers like Aram and Kaf by Kaf highlight the vibrant creativity within Saudi fashion.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.