Book Review: ‘Thinking with Type’

Short Url
Updated 18 October 2024
Follow

Book Review: ‘Thinking with Type’

It has been 20 years since Ellen Lupton’s 2004 book, “Thinking with Type: A critical guide for designers, editors & students” was released, but it is still as relevant as ever.

The book opens with: “The organization of letters on a blank page — or screen — is the designer’s most basic challenge. What kind of font to use? How big? How should those letters, words and paragraphs be aligned, spaced, ordered, shaped and otherwise manipulated?”

While teaching at the Maryland Institute College of Art in Baltimore, Lupton wrote the book because she could not find one that encapsulated everything she deemed important for her students.

Lupton, a renowned graphic designer, educator and writer, has been a go-to person for typography and design theory for decades. Her work blends theory with practical insight, making complex design concepts accessible to a wider audience.

The book is divided into three sections — “Letter,” “Text” and “Grid” — which address a different aspect of typography.

In the “Letter” section, Lupton explores the anatomy of individual characters, explaining font styles, classifications and the historical evolution of typefaces.

The “Text” section focuses on how text is structured on a page, discussing important details like spacing, alignment and legibility — all of which are crucial for effective communication.

The “Grid” section explores how type can be organized to create a balanced and visually appealing layout.

The book has become a staple in classrooms and for people simply interested in typography. The pages offer a clear and engaging roadmap for the principles of working with type, in both print and digital mediums.

Lupton’s use of real-world examples — along with exercises for readers — makes the book both practical and visually stimulating.


Book Review: ‘The Alchemist’ by Paulo Coelho

Updated 21 January 2026
Follow

Book Review: ‘The Alchemist’ by Paulo Coelho

I first picked up “The Alchemist” at a time when I felt restless; not unhappy but unsettled, with the quiet sense that I was meant for something more than routine and familiarity.

From the very first pages, Paulo Coelho’s novel felt less like a story I was reading and more like one that spoke to me gently.

The book follows Santiago, a young shepherd who dares to leave behind what is comfortable in search of a dream he cannot ignore. His journey across unfamiliar lands mirrors the internal journey many of us experience but rarely act on.

I found myself reflecting on my own hesitations, the dreams I had postponed, and the fears I had allowed to guide my decisions. 

What struck me most about “The Alchemist” was its simplicity. Coelho’s writing is clear and almost meditative, yet the ideas carry emotional weight.

The concept of a “personal legend” stayed with me long after I finished the book. It made me question whether I was truly listening to my own desires or simply following the path that felt safest. 

There were moments while reading when certain lines felt uncomfortably accurate, as if the book was holding up a mirror. It reminded me how easy it is to convince ourselves that timing is wrong, that circumstances are not ideal, or that dreams can wait. Coelho challenges that thinking, suggesting that the real risk lies in never trying at all. 

While some may find the book idealistic, I found comfort in its optimism. “The Alchemist” does not promise success without struggle, but it reframes setbacks as part of the journey rather than signs of failure. That perspective felt reassuring and grounding. 

By the time I reached the final pages, I did not feel like I had found all the answers, but I did feel more aware. “The Alchemist” encouraged me to trust my instincts, accept uncertainty and believe that ambition does not need justification.

For anyone who senses there is more waiting beyond fear and familiarity, this book has the power to gently shift how you see your own path.