Morocco’s Loft Art Gallery to make its debut at Art Basel Paris

Loft Art Gallery, Marrakech. (Courtesy of Loft Art Gallery and Omar Tajmouati)
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Updated 11 October 2024
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Morocco’s Loft Art Gallery to make its debut at Art Basel Paris

DUBAI: Morocco’s Loft Art Gallery will make its debut at Art Basel Paris from Oct. 18-20, becoming the first Moroccan gallery to take part in the prominent fair.

Yasmine Berrada, co-founder of the gallery, spoke to Arab News ahead of the fair, calling the opportunity a “real milestone.”




Yasmine Berrada is co-founder of the gallery. (Supplied)

She said: “We have been working towards this for years. Since we started, we wanted to exhibit internationally.

“We want to travel with our artists, to collaborate with museums, with institutions, and so on.




Mohamed Melehi, Burri B, 1958, Mixed media on burlap, 80 x 64 cm. (Courtesy of Loft Art Gallery)

“The gallery now has a certain standing and is exhibiting alongside galleries considered to the biggest worldwide,” she added.

The gallery will showcase seven works by renowned Moroccan modernist and Casablanca Art School founder Mohamed Melehi (1936–2020), including three pieces that have never been exhibited before.




Mohamed Melehi, Untitled, 1996, Cellulosique sur bois, 110 x 95 cm. (Courtesy of Loft Art Gallery)

“We are participating with works from the famous artist Melehi, with whom we worked for 12 or 13 years until he passed. For us, it is a celebration of this great collaboration, all the success we achieved with him, and everything we accomplished together as an artist and gallery,” the gallerist said.

Melehi’s radical geometric experiments and his iconic wave motif were pivotal in shaping the aesthetic of post-independence Morocco.




Mohamed Melehi, Untitled, 2012, Mixed media on canvas, 120 x 115 cm. (Courtesy of Loft Art Gallery)

The artist, who was born in the port town of Asilah before he studied at the Ecole des Beaux-Arts in Tetouan, spread his wings in New York before returning to Morocco in the 1960s.

The gallery’s presentation of Melehi’s works taps into a growing global fascination with Moroccan art, with notable figures like pop artist Hassan Hajjaj being commissioned by the likes of Vogue US and The Royal Commission for AlUla in Saudi Arabia.




Mohamed Melehi, Untitled, 1960, Mixed media on canvas, 90 x 180 cm. (Courtesy of Loft Art Gallery)

Berrada also highlighted the increasing interest in Moroccan art, saying: “I can see it when we exhibit outside Morocco, like in France or London. People also often say, ‘Oh, we’re coming to Marrakesh next year or next month, and we want to visit your gallery’.”


OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

Updated 12 February 2026
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OPINION: Saudi Arabia’s cultural continuum: from heritage to contemporary AlUla

  • The director of arts & creative industries at the Royal Commission for AlUla writes about the Kingdom’s cultural growth

AlUla: Saudi Arabia’s relationship with culture isa long and rich. It doesn’t begin with modern museums or contemporary installations, but in the woven textiles of nomadic encampments, traditional jewellery and ceramics, and of course palm‑frond weaving traditions. For centuries, Saudi artisans have worked with materials drawn directly from their environment creating objects that are functional, but also expressions of identity and artistry.

Many of these traditions have been recognised internationally, with crafts such as Al-Sadu weaving inscribed on UNESCO’s Intangible Cultural Heritage list.

Sadu weaving. (Getty Images)

This grounding in landscapes, resources, and collective history means Saudi Arabia’s current cultural momentum is not sudden, but the natural result of decades — even centuries — of groundwork. From the preservation of heritage sites and, areas, some of which have been transformed into world-renowned art districts, to, the creation of institutions devoted to craft, the stage has been set for a moment where contemporary creativity can move forward with confidence, because it is deeply rooted.

AlUla, with its 7,000 years of human history, offers one of the clearest views into this continuum. Millennia-old inscriptions at Dadan and Jabal Ikmah stand alongside restored mudbrick homes in Old Town and UNESCO-listed Hegra. In the present, initiatives like Madrasat Addeera carry forward AlUla’s craft traditions through design residencies and material research. And, each winter, the AlUla Arts Festival knots these threads together, creating a season in which heritage and contemporary practice meet.

Hamad Alhomiedan, the director of arts & creative industries at the Royal Commission for AlUla. (Supplied)

This year, that dialogue began in the open desert with Desert X AlUla 2026. Now in its fourth edition, the exhibition feels like the pinnacle of the current moment where contemporary art, heritage, and forward-thinking meet without boundaries. The theme of Desert X AlUla 2026 was “Space Without Measure,” inspired by the work of Lebanese-American artist and writer Kahlil Gibran[HA1] [MJ2] . The theme invited artists to respond to the horizons of AlUla’s landscape and interpret its wonder through their perspective.

Works by Saudi and international figures converse directly with nature: Mohammed Al-Saleem’s modernist sculptures bring in celestial-inspired geometry; Maria Magdalena Campos-Pons translates the colour of AlUla’s sunsets; Agnes Denes “Living Pyramid” turns the oasis into a vertical landscape of indigenous plants, . The 11 artists of this year’s edition were able to capture AlUla’s essence while creating monumental works that speak directly to our relationship with the environment. 

Artist Performance at Desert X AlUla 2026 by Maria Magdelena Compos Pons and Kamaal Malak. (Courtesy of Arts AlUla and AlUla Moments)

In AlJadidah Arts District, “Material Witness: Celebrating Design From Within,” features heritage craft and material research from Madrasat Addeera alongside work by regional and international designers, showing how they translate heritage materials into contemporary forms.[HA3] [MJ4] 

Music adds another element of vitality, filling the streets of AlJadidah Arts District, with performances supported by AlUla Music Hub, featuring local musicians.

The opening of “Arduna,” the first exhibition presented byof the AlUla Contemporary Art Museum, co-curated with France’s Centre Pompidou, adds another layer to this conversation. Featuring Saudi, regional, and international artists, from Picasso and Kandinsky to Etel Adnan, Ayman Zedani and Manal AlDowayan, the [HA5] [MJ6] exhibition signals the emergence of a global institution rooted in the heritage and environment of AlUla, placing local voices in context with world masters.

Each activation in this year’s AlUla Arts Festival is part of the same Saudi cultural continuum, . This is why the Kingdom’s cultural rise feels different from rapid developments elsewhere. The scale of cultural infrastructure investment is extraordinary, but its deeper strength lies in how that investment connects to living traditions and landscapes.

The journey is only accelerating. Rooted in heritage yet open to the world, the Kingdom’s cultural future is being shaped not by sudden inspiration, but by our traditions and history meeting the imagination and creative voices of our present.