DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).

As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.

The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.

JEDDAH: As the second Islamic Arts Biennale prepares for its finale on May 25, Donya Abdulhadi, the executive director of marketing and communications at the Diriyah Biennale Foundation says its true achievement lies not only in visitor numbers, but in the cultural and educational legacy it continues to build.

“The Islamic Arts Biennale was ranked as one of the most highly visited biennales in 2023, but it is the cultural impact, influence and legacy of our work that matters the most to us,” she told Arab News.

The foundation — which oversees the Islamic Arts Biennale, the Diriyah Contemporary Art Biennale, and JAX District — alternates annually between its two flagship biennales: the Diriyah Contemporary Art Biennale, held in Riyadh’s JAX District, and the Islamic Arts Biennale, staged at the Western Hajj Terminal in Jeddah.

Launched in 2023, the Islamic Arts Biennale is the first biennale in the world dedicated to Islamic arts.

The debut Islamic Arts Biennale welcomed over 600,000 visitors, while the second edition of the Contemporary Art Biennale saw more than double the attendance of its first iteration and a 600 percent increase in digital engagement, according to organizers. 

Abdulhadi explained that the foundation measures success through cultural impact. “We assess our impact through several factors, including our success in nurturing creative expression and lifelong learning,” she said.

The foundation has seen a significant rise in institutional collaboration, too. Since the launch of its biennales, the number of partner institutions lending cultural and historical works has tripled. In turn, the number of total loans to exhibitions has nearly doubled.

Among the highlights of this iteration was the unprecedented display of rare objects such as items from the Vatican Apostolic Libraries shown alongside the Kiswah, the covering that adorns the Kaaba in Makkah. 

Between editions, the foundation remains active through initiatives such as “PlayBack,” a digital audio archive of past programming, and “PaperBack,” Saudi Arabia’s first art book fair, which welcomed more than 10,000 visitors last year. 

“Supporting generations of artists and creatives remains one of the most important ways in which we deliver cultural impact as a foundation,” she continued. “Our Biennales and the JAX District act as springboards for Saudi and international artists to be invited to the world’s most prestigious stages, but also as platforms for artists to evolve their own roles as creatives,” she concluded.