TOKYO: “The Queen of Villains” is a typical coming-of-age tale about a young woman’s road to empowerment and self-discovery — except it all takes place in the body-slamming, arm-twisting world of Japanese professional wrestling.
The Netflix series, which began airing last month, tells the story of Dump Matsumoto, a real-life wrestling legend from the 1980s who grew up poor with a father who was often absent or abusive.
Matsumoto grew up angry, she said, and went on to create in her wrestling persona a ferocious, almost camp villain character, known in the sport as a “heel,” complete with outlandish Kabuki-like facial makeup, chains, sticks and a grotesque scowl. She loomed large as a symbol of fearless and defiant womanhood.
“I gave it my all to be evil,” Matsumoto said.
A hefty woman with a friendly smile, Matsumoto makes a point even now to adamantly deny that she was ever a nice person or acknowledge that many people in Japan, especially women, love her.
“I still beat people up in matches. I stuck forks in them and made them bleed,” she said, adding, “All the people who pretend to be good are the truly evil ones.”
“The Queen of Villains” follows the friendship between Matsumoto and Chigusa Nagayo of the popular wrestling tag team known as the Crush Gals. Nagayo served as an adviser, trainer and choreographer for the series’ dramatized wrestling scenes.
Japanese professional wrestling fans still talk about the matches between Matsumoto and the Crush Gals, including the ones they fought in the US
The actresses in the series spent two years training for their roles. They gained weight and muscle, and learned techniques like the “giant swing,” in which a wrestler grabs her opponent’s legs and moves in a dizzying circle, or the “flying knee kick,” which involves a jump and kick to the body while airborne.
The trick in professional wrestling is to execute the punches and body slams convincingly but in a controlled way to avoid serious injuries. A wrestler also must know how to fall properly.
One key fight scene took a month to film as the actors went over each move, again and again.
“Dump played a role to be hated by the entire nation,” said Yuriyan Retriever, a professional comedian who stars as Matsumoto in the series.
“Previously, there was a limit, maybe even unintentionally, beyond which I couldn’t go. But when I played Dump, all those emotions had to come out and be expressed,” she said.
She felt like she was no longer playing a role, she said, but that she had become Dump Matsumoto.
“It’s frightening to be hated, and I don’t think anyone wants to be hated,” Retriever said.
“When I finished a cut, I was crying. And my body was shaking. I can’t express it in words, but I understood all the pressures Dump must have felt.”
The series not only presents a women-beating-the-odds story against a backdrop of sexism and abusive management but it also captures the postwar period of the Showa-era in a way that feels authentic. The scenes used thousands of extras, many of them serious wrestling fans.
Some viewers say the real-life wrestling was more intense than the dramatized version in the new series.
Rionne McAvoy, an Australian filmmaker who as a professional wrestler was hit with a stick by Matsumoto, said: “The actors often fail to capture the intensity, grit and charisma required for these roles.”
But for most viewers, it’s real enough and heartbreaking.
“This is an eternal but emotional story portraying ordinary girls who passionately pursued a dream, found friendship and also themselves,” director Kazuya Shiraishi said.
“It gave me a chance to reflect on my own 15-year filmmaking career, what I truly want to be, what kind of films I want to make. I just wanted to tell their story, which is also everyone’s story.”
Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling
https://arab.news/jvy2g
Netflix series explores women’s dreams in the body-slamming world of Japanese pro wrestling
- The Netflix series tells the story of Dump Matsumoto, a real-life wrestling legend from the 1980s who grew up poor with an abusive father
Istanbul’s historic baths keep hammam tradition alive
- For centuries, hammams were central to Ottoman society, and while they fell out of use in Turkiye with the advent of running water
ISTANBUL: For centuries, hammams were central to Ottoman society, and while they fell out of use in Turkiye with the advent of running water, many are being restored to revive an ancient ritual bathing tradition.
Often featured in older Turkish films, hammam scenes are highly entertaining, with women not only bathing but enjoying these historical bathhouses as a place to socialize, eat, drink and even dance.
Last year, the 500-year-old Zeyrek Cinili Hammam — built during the reign of Suleiman the Magnificent by the celebrated Ottoman architect Sinan — reopened to the public after a painstaking 13-year restoration.
Alongside a functioning hammam, it also houses a museum explaining its history and the Ottoman ritual of bathing.
“The restoration somehow turned into an archaeological dig” that gave insight into how the hammam once looked, museum manager Beril Gur Tanyeli told AFP.
“Around 3,000 pieces of missing tiles were found which helped solve the puzzle of why this hammam was called Cinili” — Turkish for “covered with tiles.”
The beautiful Iznik tiles that once lined its walls were exclusively produced for the hammam, with no other bathhouse having such a rich interior, museum officials say.
Although most were damaged by fires or earthquakes, or sold off to European antique dealers in the 19th century, some are still visible.
The restoration also exposed several Byzantine cisterns beneath the hammam.
“Sinan the Architect is believed to have built the hammam on top of these cisterns to use them as a foundation and as a source of water,” Tanyeli said.
In ancient Rome, bathing culture was very important and it was “traditional for traders to wash before entering the city, especially in baths at the (city) entrance,” archaeologist Gurol Tali told AFP.
During the Ottoman empire, bathing culture had its golden age, with the ritual symbolising both bodily cleanliness and purity of soul.
In Islam, a Muslim must wash before praying, in an act known as ablution.
Hammams were also a place for celebrating births and weddings.
“Baths were used not only for cleansing the body but for socialising, relaxing, healing and even celebrating important life events,” with special rites for brides, soldiers and those who had undergone circumcision, Tali said.
Since households at the time did not have running water, hammams were an essential part of life until the 19th century, with census figures from 1638 showing there were 14,536 public and private baths in Istanbul, the museum says.
And that tradition has survived until today.
“You come here to get clean and leave handsome,” said Zafer Akgul, who was visiting one of the city’s hammams in the city with his son, telling AFP he visited often, particularly during religious feasts or for a wedding.
“We don’t want this tradition to die.”
That is where Istanbul’s ancient hammams can serve a bigger purpose, Tali said.
“Restoring historical baths in Istanbul and putting them to use may be the most effective way to transfer cultural heritage to future generations,” he said.
Another nearby bath house from the same era, the Beyazid II Hammam, underwent years of restoration and reopened as a museum in 2015.
One of the largest hammams in the city at the time, some historians believe it was where a notorious male bathing attendant, or “tellak,” called Halil plotted an uprising that in 1730 overthrew Sultan Ahmed III.
For Manolya Gokgoz, who does publicity for Cemberlitas Hammam, another 16th-century bathhouse built by the royal architect Sinan, the connection is more personal: her grandmother worked there as a “natir” — a woman’s bathing attendant.
“When I was two or three years old, I would go to the baths in the morning, wash and play by myself until the evening without getting bored,” she told AFP.
For Gokgoz, the tradition lives on — although mostly among tourists, which for her is a shame.
“In the past, we used to go to the hammam with our mothers and grandmothers. Now 70 percent of our customers are foreign tourists and 30 percent locals,” she said.
These days, the hammam experience — which lets bathers relax in hot, warm or cool pools alongside extras like massages or peeling — is quite expensive, with the basic service costing around $100.
Celebrities, both Turkish and international, often visit Cemberlitas, with the last being Spanish actor Pedro Alonso — the character Berlin in the Netflix hit “Money Heist” — who visited in September.
“Hammam is not a luxury, but a need,” Gokgoz said.
“Yes, it’s not like in the past because we have hot water at our fingertips, but we need to keep this tradition alive.”
John Krasinski named People magazine’s ‘sexiest man alive’
- The actor was especially excited to tell Blunt the news, saying “there was a lot of joy involved in me telling her“
Actor and director John Krasinski was named People magazine’s “sexiest man alive” for 2024 on Wednesday, taking over the mantle from “Grey’s Anatomy” actor Patrick Dempsey.
“Just immediate blackout, actually. Zero thoughts,” Krasinski told People in reaction to the news. The actor is perhaps best known for his sardonic nice guy role in the television comedy “The Office.”
“Other than maybe I’m being punked. That’s not how I wake up, thinking, ‘Is this the day that I’ll be asked to be Sexiest Man Alive?’ And yet it was the day you guys did it. You guys have really raised the bar for me,” he added.
Krasinski, 45, said that out of all of the opportunities he’s had as an actor, being a real-life family man is most rewarding.
He prefers being a husband and father who happily lives in Brooklyn with his wife of 14 years, actress Emily Blunt, 41, and their daughters Hazel, 10, and Violet, 8.
The actor was especially excited to tell Blunt the news, saying “there was a lot of joy involved in me telling her.”
Blunt joked that she plans to wallpaper their house with the cover of Krasinski if he received the title.
“It’s that beautiful thing where when you’re married to someone, you’re constantly learning and changing and evolving,” he said.
“And I’m so lucky to go through all that with her,” he added.
Recently, Krasinski has directed the comedy “IF” and the dramas “A Quiet Place” and “A Quiet Place Part II,” both featuring Blunt in a leading role.
However, he noted that the new title will change things very little around the house.
“I think it’s going to make me do more household chores,” he joked.
The announcement is included in this link: http://people.com/sexiestmanalive
The 2025 Grammy Award nominations are about to arrive. Here’s what to know
- The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles
NEW YORK: The 2025 Grammy Award nominations are just around the corner — who will compete for the top prizes?
Nominees will be announced during a video stream live on the Grammy website and the Recording Academy’s YouTube channel on Friday at 8 a.m. Pacific and 11 a.m. Eastern, kicking off with a pre-show 15 minutes earlier.
A host of talent is on deck to announce the nominees, including Gayle King, Jim Gaffigan and a long list of past Grammy winners: Brandy Clark, Kirk Franklin, David Frost, Robert Gordon, Kylie Minogue, Gaby Moreno, Deanie Parker, Ben Platt, Mark Ronson, Hayley Williams and last year’s best new artist recipient, Victoria Monét.
Only recordings commercially released in the US between Sept. 16, 2023 through Aug. 30, 2024 are eligible for nominations, so don’t expect to see album nods for Future’s “Mixtape Pluto” (though Future and Metro Boomin’s “We Don’t Trust You” is very likely to score a nomination), George Strait’s “Cowboys and Dreamers,” Tyler, the Creator’s “Chromakopia,” or “Warriors,” Lin-Manuel Miranda’s first full post-“Hamilton” musical with Pulitzer finalist Eisa Davis.
There’s plenty of unknowns going into the announcements: Will Beyoncé and Post Malone receive nominations in the country music categories following the success of their massive albums “Cowboy Carter” and “F-1 Trillion,” respectively, even though they are megastars previously not directly associated with the genre?
Will Shaboozey’s “A Bar Song (Tipsy),” the biggest song of the year that combines his country twang with the familiar sample of J Kwon’s 2004 rap hit “Tipsy” dominate?
The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles.
Prison break: Monkeys escape from South Carolina medical research facility
- Alpha Genesis provides primates for research worldwide at its compound
- Alpha Genesis $12,600 in 2018 after dozens of primates escaped
Forty-three monkeys escaped from a compound used for medical research in South Carolina but the nearby police chief said there is “almost no danger” to the public.
“They are not infected with any disease whatsoever. They are harmless and a little skittish,” Yemassee Police Chief Gregory Alexander said Thursday morning.
The Rhesus macaque primates escaped from the Alpha Genesis facility Wednesday when a new employee didn’t fully shut an enclosure, Alexander said.
The monkeys are females weighing about 3 kilograms and are so young and small that they haven’t been used for testing, police said.
Alpha Genesis employees “currently have eyes on the primates and are working to entice them with food,” police said in a statement issued around noon Thursday.
The company usually handles escapes on site, but the monkeys got outside the compound about 1.6 kilometers from downtown Yemassee, Alexander said.
“The handlers know them well and usually can get them back with fruit or a little treat,” Alexander said by phone.
But rounding up these escapees is taking some more work. Alpha Genesis is taking the lead, setting up traps and using thermal imaging cameras to recapture the monkeys on the run, the chief said.
“There is almost no danger to the public,” Alexander said.
People living nearby need to shut their windows and doors so the monkeys can’t find a place to hide inside and if they see the primates, call 911 so company officials and police can capture them.
Alpha Genesis provides primates for research worldwide at its compound about 80 kilometers northeast of Savannah, Georgia, according to its website. The company did not respond to an email asking about Wednesday’s escape.
In 2018, federal officials fined Alpha Genesis $12,600 after dozens of primates escaped as well as for an incident that left a few others without water and other problems with how the monkeys were housed.
Officials said 26 primates escaped from the Yemassee facility in 2014 and an additional 19 got out in 2016.
The group Stop Animal Exploitation Now sent a letter to the US Department of Agriculture asking the agency to immediately send an inspector to the Alpha Genesis facility, conduct a thorough investigation and treat them as a repeated violator. The group was involved in the 2018 fine against the company.
“The clear carelessness which allowed these 40 monkeys to escape endangered not only the safety of the animals, but also put the residents of South Carolina at risk,” Michael Budkie, the executive director of the group, wrote in the Thursday morning letter.
Trump victory renews interest in ‘The Handmaid’s Tale’ and other fictional dystopias
- Margaret Atwood’s dystopian classic about a country in which women are brutally repressed has been high on the Amazon.com best seller list
NEW YORK: “The Handmaid’s Tale” is selling again.
Since President-elect Donald Trump clinched his return to the White House, Margaret Atwood’s dystopian classic about a country in which women are brutally repressed has been high on the Amazon.com best seller list. “The Handmaid’s Tale” was popular throughout Trump’s first term, along with such dark futuristic narratives as George Orwell’s “1984” and Ray Bradbury’s “Fahrenheit 451,” both of which were in the Amazon top 40 as of Thursday afternoon. Another best-seller from Trump’s previous time in office, Timothy Snyder’s “On Tyranny: Twenty Lessons from the Twentieth Century,” was in the top 10.
Pro-Trump books also were selling well. Former first lady Melania Trump’s memoir, “Melania,” was No. 1 on the Amazon list, and Vice President-elect JD Vance’s “Hillbilly Elegy” was in the top 10. Donald Trump’s photo book “Save America” was in the top 30.
At Barnes & Noble, “Fiction and non-fiction books that feature fascism, feminism, dystopian worlds and both right-and-left leaning politics rocketed up our sales charts with the election results,” according to Shannon DeVito, the chain’s director of books. She cited “Melania,” “On Tyranny” and Bob Woodward’s latest, “War,” which covers the responses of Trump and President Joe Biden to the conflicts in Ukraine and the Middle East.
DeVito also cited “a massive bump in dystopian fiction,” notably for “The Handmaid’s Tale” and “1984.”