From London to Milan, Nora Attal dominates fashion week  

Nora Attal hit the runway for Burberry. (Getty Images)
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Updated 18 September 2024
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From London to Milan, Nora Attal dominates fashion week  

DUBAI: British Moroccan model Nora Attal made a mark at London Fashion Week, walking in high-profile shows such as Burberry, Simone Rocha and Nensi Dojaka — all within a span of just two days.

At the Burberry show, she showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt that was slightly tucked in at the front. Over this, she sported a muted olive green blazer with rolled-up sleeves. Her outfit was complemented by a large, quilted shoulder bag and matching beige and cream-colored loafers, the latter of which were adorned with small studs.




Attal showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt. (Getty Images)

British designer Daniel Lee has been steering Burberry’s creative direction for the past two years with innovative flair. For women, he reimagined the classic trench coat into various forms including a cropped jacket, a halter cape or a parka with shoulders covered in silk organza faux feather trims, layered over delicate dresses or skirts, blending elegance with a sportier, even military style.

For men, the influence of sportswear fashion was even stronger, with lightweight materials and functional cuts, giving rise to outfits of flowing pants and tartan zip-up jackets, paired with sneakers or loafers.




The model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. (Getty Images)

The collection also gave a nod to the resurgence of y2k fashion, with low-rise trousers, cargos and capris that end below the knee.

The show was attended by Arab figures including Saudi producer Moahmmed Al-Turki, Australia-born model Shanina Shaik — who is of Saudi, Pakistani and Lithuanian descent — and Dubai-based influencer Ola Farahat. 

For the Simone Rocha show, Attal donned an ensemble that featured a long-sleeved, sheer top with a fitted bodice. Beneath this, a satiny black dress was visible, designed with a cinched waist. The dress extended into a flowing skirt that daringly split high on the thigh. 

Meanwhile, the model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. The design included an asymmetrical neckline, with one shoulder adorned with delicate, ruffled white fabric. 

After wrapping up her appearances at London Fashion Week, the model headed to Milan to partake in its fashion week that started on Tuesday. She kicked off her runway engagements by walking for Alberta Ferretti, wearing a black strapless, figure-hugging mini dress embellished with beadwork and lace detailing.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.