What We Are Reading Today: ‘Azazeel’

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Updated 09 September 2024
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What We Are Reading Today: ‘Azazeel’

  • Ziedan addresses the historical context of early Christianity, highlighting the schisms and debates that shaped the faith

Author: Youssef Ziedan

“Azazeel” by Youssef Ziedan, winner of the 2009 International Prize for Arabic Fiction, is a profound exploration of faith, doubt and the complexities of the human spirit. The novel is set against the backdrop of the early Christian era and unfolds through the eyes of Hypa, a young monk navigating the tumultuous world around him.  

Ziedan’s storytelling, translated by Jonathan Wright, is rich and immersive, transporting readers to the deserts of Egypt in the fifth century. His ability to weave together historical facts and fictional elements creates a vivid tapestry that illustrates the conflicts between different religious ideologies.

Hypa’s journey of self discovery, particularly his encounters with the enigmatic figure of Azazeel, invites readers to reflect on the nature of temptation and the struggle within us all.

One of the most compelling aspects of the novel for me was its exploration of the tension between science and religion. As a scholar and healer, Hypa embodies this struggle, grappling with rational thought and blind faith.

Ziedan addresses the historical context of early Christianity, highlighting the schisms and debates that shaped the faith. This was not just a personal journey for Hypa; it mirrored broader existential crises that resonate even today.

The philosophical musings and theological discussions sprinkled throughout the narrative invited me to ponder my own convictions and the nature of belief.

The lyrical quality of Ziedan’s prose brings the ancient world to life, with evocative descriptions that lingered in my mind. The characters are richly developed, each representing different facets of faith and morality.

Hypa’s internal struggles also reflect the external conflicts of a society grappling with change, a theme that resonates with many of us in today’s world.

I found some sections of the novel a bit slow, particularly where philosophical discussions took precedence over action. However, these moments are essential for the thematic depth Ziedan aims to achieve, prompting reflection and contemplation.   

“Azazeel” is a thought-provoking novel that challenges readers to confront the complexities of faith, reason, and the human experience. Ziedan’s masterful storytelling and rich historical detail make it a compelling read, especially for those interested in the intersections of religion and philosophy.

This book is not merely a journey through history, it invites us to contemplate the timeless questions that define our existence, making it a profoundly rewarding experience.

 


What We Are Reading Today: ‘All the Lovers in the Night’

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Updated 2 min 12 sec ago
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What We Are Reading Today: ‘All the Lovers in the Night’

  • Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction

Author: Mieko Kawakami

One of my recent reads was “All the Lovers in the Night” by Mieko Kawakami, translated from Japanese by Sam Bett and David Boyd. With its contemplative, poetic yet restrained style, the 2022 novel feels best suited to late nights or unhurried stretches of reading. 

The story follows Fuyuko, a copyeditor in her thirties living a life marked by isolation. Her days pass in careful routine until she meets Mitsutsuka, an older man whose presence subtly begins to alter her perception of the world and of herself. 

Fuyuko’s interior life is shaped by fear, hesitation and a profound sense of disconnection, captured in one of the novel’s most arresting lines: “I was so scared of failing, of being hurt, that I chose nothing. I did nothing.”

Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction. 

Kawakami is attentive to the small fractures of human relations, the choices that accumulate into regret, and the difficulty of naming desire after years of suppression. 

Her writing style is introspective and measured, with a delicate, almost meditative prose that mirrors Fuyuko’s inner world. Through her characters, she offers subtle insight into contemporary Japanese psyche, particularly the tension between individual longing and the unspoken expectations that shape adulthood.

This underlying social commentary, especially around womanhood and what it means to be a woman in Japan, echoes Kawakami’s wider body of work and feels unmistakably her own.

Fuyuko emerges as a study in the search for meaning in our modern world with its strict benchmarks for life, intimacy and personal progress. 

The novel’s deliberate pacing may test readers accustomed to momentum or plot-driven storytelling. Little happens in the conventional sense, and that sustained inward focus may not suit every reader.

Yet for those willing to linger, “All the Lovers in the Night” offers a space to sit with the beauty of precise, thoughtful writing.