The vanishing roadside book stalls of Rawalpindi

In this photograph taken on July 20, 2024, a man reads a book at a roadside book stall in Rawalpindi. (AN Photo)
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Updated 24 July 2024
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The vanishing roadside book stalls of Rawalpindi

  • Roadside book bazaar along Rawalpindi’s main Saddar market came up in the eighties, thrived until at least 2010
  • Rise of e-books has changed reading habits, economic factors and urban development have also impacted bazaars

RAWALPINDI: For Kishwar Naheed, one of Pakistan’s greatest living Urdu poets and writers, visiting the hundreds of book stalls stretched along Rawalpindi’s main Saddar market was once a usual Sunday morning activity. 
But as the stalls have dwindled and book hawkers have disappeared, Naheed and others like her have been left only with the memories and a deep sense of loss over a disappearing literary culture and what was once the center of Rawalpindi’s intellectual life.
“Every Sunday morning, Zahid Dar [Urdu poet], Intizar [Hussain] Saab [novelist], myself, all my writer friends, we used to go there [Rawalpindi book bazaar] and try to pick up books,” Naheed told Arab News in an interview this week. “It was a craze for books.”
Rawalpindi’s open-air book stalls came up in the eighties and thrived until at least 2010 when the downfall slowly began, said Fareed-ul-Haq, a 69-year-old book stall owner. 
“I’ve been selling books in this market for 25 years and this roadside book bazaar has been around for 50 years,” he told Arab News, saying people used to travel from other cities to visit the stalls, browsing for hours and often arriving with handwritten notes of titles they wanted. 
“I have seen the high point of this market when the condition was such that it was so crowded it was difficult to walk here. Now people bring their books and it turns out they are their grandparents’ books and the grandson wants to sell them because he doesn’t value books.”
The roadside stalls offer a wide variety of new and old books: antique volumes, school books, historical works, fiction in different languages and all kinds of magazines. 
But the rise of digital media and online bookstores has impacted the viability of book bazaars, sellers and customers said, with smartphones and social media causing a shift worldwide in how people consume information and read.
“We live in an era of social media, online and virtual books and many people don’t prefer reading physical books anymore,” Noaman Sami, a media sciences student at Rawalpindi’s Riphah International University, told Arab News.
Economic factors are also behind the decline in book bazaars, according to Muhammad Hameed Shahid, a Pakistani short story writer, novelist and literary critic.
Rising rents, inflation and the increasing cost of living had made it difficult for many booksellers to sustain their businesses, while customers had less money to spend on luxuries like books. Urban development projects have also displacd book bazaars as the literary corners are repurposed for commercial or residential development.
“Ordinary people often can’t afford expensive books, but at these roadside book stalls, you would find treasures,” Shahid said. “There’s a wide variety of books available, and these vendors sitting on our footpaths deserve support so that through them the flame of knowledge stays alive and books continue to reach our children.”
The bazaar, the writer said, had been a major player in his own literary journey:
“These vendors who used to be sitting on the footpaths with books spread around them, those books, covering all sorts of topics, they played a vital role in my career, they inspired me to become a writer.”
Future generations in Rawalpindi won’t get to experience this, Haq, the bookseller, lamented. 
“I’ve seen this market crowded with people,” he said as he sat alone at his stall on a Sunday morning this month, waiting for customers. “But now, it’s nearly empty.”


Review: ‘Relay’

Updated 21 December 2025
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Review: ‘Relay’

RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic. 

I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.

There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable. 

Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.

Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.

The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely. 

The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story. 

As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.

“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties. 

Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals. 

If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.