In Pakistan’s Quetta, traditional drinks are perfect cure for parched throats and scorching heat

A worker picks sugarcane for fresh juices a local shop in Quetta on July 6, 2024. (AN Photo)
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Updated 07 July 2024
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In Pakistan’s Quetta, traditional drinks are perfect cure for parched throats and scorching heat

  • Locals turn to traditional sugarcane and apricot juices to beat the scorching heat in southwestern Pakistan
  • Juice sellers say despite soaring inflation, number of customers have almost doubled due to the heat wave

QUETTA: Come summer season, Hajji Baz Khan is a busy man. Eager to beat the heat and satiate their parched throats, hundreds of customers throng his shop daily for a tall glass of sugarcane juice. Khan repeatedly directs the servers at his shop to take customers’ orders, as the sound of a machine crushing the sugarcane for juice fills the air.
This is usually the scene at “Quetta Juice” shop on Jinnah Road, a busy place during summers in Pakistan’s southwestern city of Quetta. Pakistan has been in the grip of severe heat since May, with temperatures in the southern parts of the country soaring as high as 52 degrees Celsius. In Quetta, the temperature frequently crossed 40 degrees Celsius over the past few weeks.
And as the temperature rises, so does the number of customers at Quetta Juice to quench their thirst.
“Sometimes we face a shortage of glasses due to the large number of customers in the summer peak days,” Khan, 58, told Arab News. “Because people consider sugarcane juice as the source to beat the [high] temperature.”




Customers take sip of fresh juices at a local shop in Quetta on July 6, 2024. (AN Photo)

Sugarcane juice is a popular drink in Pakistan during the summer season. The juice is extracted on the spot by feeding sugarcane stalks into a machine, which is freshly squeezed out and served with ice cubes.
Pakistan’s macroeconomic crisis and double-digit inflation have made life for businesses difficult. Khan, who has been running the famous sugarcane juice shop since 1985, said he has to buy 40kg of sugarcane for Rs2500 ($9). And to make matters worse, the government has approved a surge in power tariffs.
“But yet my business is doing well, we are selling a single glass of sugarcane juice for 90 rupees ($0.32),” Khan said. “During the summer season, we use more than 100kg of sugar cane regularly for the traditional drink.”
Iftikhar Parvez, who traveled from Pakistan’s eastern city of Faisalabad to meet relatives in Quetta, couldn’t help but stop for sugarcane juice after visiting the nearby bazaar.
“In the summer season, the throat remains dry hence people prefer to drink sugarcane juice,” he said.
Wakeel Ahmed, a 44-year-old resident of Balochistan’s Sibi city who was visiting Quetta, said he had stopped for a sugarcane juice drink as he was suffering from low blood sugar.
The drink, he said, refreshed his mind and soul.
“Medically, sugarcane juice is very healthy for the human body and doctors always suggest it for hepatitis B and C patients,” Ahmed said.
‘KUSHTA’
While yogurt-based lassi, lemon sodas, milkshakes and fresh juices are popular in summer, another drink “kushta,” prepared with dried apricots and a mixture of salt and sugar, is also a much-relished beverage in Pakistan’s Balochistan province.
Ikram Ullah, 21, has been selling the drink for the last five years every summer.
“The residents love to drink apricot juice which gives me an earning of Rs3000 ($10.80) a single day,” he told Arab News.




An Apricot juice seller, Ikram Ullah, mixes his poplar juice in Quetta on July 6, 2024. (AN Photo)

“When there is any public activity in the city, I sell two 35-liter jars of apricot juice. But normally, I sell one.”
Taj Muhammad, a resident of the city’s Sariab Road, said he was roaming through the bazaar when he came across a pushcart selling kushta. That was enough of a temptation for him to stop and drink a glass of fresh apricot juice.
“There are dozens of pushcarts in Quetta from the main city center to the end of Sariab Road selling this traditional drink because the demand for this beverage increases in the summer season.” 




A vendor fills glasses with traditional sugar cane juice in Quetta on July 6, 2024. (AN Photo)

 


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.