MBC’s Shahid platform announces premiere of ‘Grendizer U’
Anime series set to be released July 24 on world’s largest Arabic streaming service
Updated 02 July 2024
Arab News
RIYADH: MBC’s Shahid, the world’s leading Arabic streaming platform, announced on Tuesday that the remake of the original “Grendizer” anime series is set to premiere worldwide this July 2024.
Launched in partnership with Manga Productions, a subsidiary of the Mohammed Bin Salman Foundation, Misk, the new series brings back the beloved characters Duke Fleed and Kouji Kabuto.
Manga Productions has unveiled a third promotional video for “Grendizer U” as well as a new key visual for the new anime series.
Dr. Essam Bukhary, CEO of Manga Productions, commented: “We are pleased to announce the continuation of our partnership with Shahid, confirming that this partnership is an extension of our previous successful collaborations.
“It is worth mentioning that there have been several previous partnerships between Manga Productions and Shahid in showcasing prominent works such as ‘The Journey’ movie, and the ‘Future’s Folktales’ and ‘Captain Tsubasa’ series. It is noteworthy that ‘The Journey’ has made it to the top five anime films on the Shahid platform.”
Tareq Al-Ibrahim, director of content at Shahid, and director of MBC1 and MBC Drama, said: “Our strategic partnership with Manga Productions brings significant value to our audiences, appealing to a wide range of viewer categories and age groups.
“What sets Manga Productions apart in its industry is its commitment to high production and artistic standards, fused with creative content that delivers valuable social messaging and storytelling.”
He added: “This type of content and its messages align with the region’s culture values and resonate with audiences throughout the region, providing Arab families with a sophisticated, enjoyable, and entertaining viewing experience.”
In 2022, a strategic partnership was announced between Dynamic Planning and Manga Productions to license “UFO Robo Grendizer” — more commonly known as “Grendizer” — and use it in products and characters for cities and entertainment events worldwide, except Japan.
The new series is based on Go Nagai’s “UFO Robo Grendizer”. The general director for “Grendizer U” is Mitsuo Fukuda, with series composition and script by Ichiro Okouchi, with Tatsuhito Higuchi also writing the script.
Character design is handled by Yoshiyuki Sadamoto, while Mari Araki is responsible for sub-character design. Mechanical design is crafted by Wataru Inata, AF_KURO, and Junichi Akutsu (Astrays), with design works by Pinakes, Tomoyuki Aoki, Zenseava, and Masato Yoshinaga.
The main animators include Hiroyuki Taiga, Takashi Hashimoto, Masahiro Yamane, and Toru Yoshida. Art direction is managed by Hiroshi Kato and Hirofumi Sakagami (Totonyan), while Tomoe Yoshimura handles color design and Atsushi Usuta (Nexus) manages cinematography.
Yukio Nagasaki serves as sound director, with sound effects by Toshiya Wada and Maki Takuma (Swara Pro). The music is composed by Kohei Tanaka, and music production is handled by Pony Canyon. Animation production is done by Gaina.
A look back at how Arab News marked its 50th anniversary
In a year crowded with news, the paper still managed to innovate and leverage AI to become available in 50 languages
Golden Jubilee Gala, held at the Diplomatic Quarter in Riyadh, now available to watch on YouTube
Updated 25 sec ago
Arab News
RIYADH: In 2025, the global news agenda was crowded with headlines concerning wars, elections and rapid technological change.
Inside the newsroom of Arab News, the year carried additional weight: Saudi Arabia’s first English-language daily marked its 50th anniversary.
And with an industry going through turmoil worldwide, the challenge inside the newsroom was how to turn a midlife crisis into a midlife opportunity.
For the newspaper’s team members, the milestone was less about nostalgia than about ensuring the publication could thrive in a rapidly changing and evolving media landscape.
“We did not want just to celebrate our past,” said Faisal J. Abbas, editor-in-chief of Arab News. “But more importantly, we were constantly thinking of how we can keep Arab News relevant for the next five decades.”
Faisal J. Abbas, editor-in-chief of Arab News. (Supplied)
The solution, he added, came down to two words: “Artificial intelligence.”
For the Arab News newsroom, AI was not a replacement for journalism but as a tool to extend it.
“It was like having three eyes at once: one on the past, one on the present, and one on the future,” said Noor Nugali, the newspaper’s deputy editor-in-chief.
Noor Nugali, deputy editor-in-chief of Arab News. (Supplied)
One of the first initiatives was the 50th anniversary commemorative edition, designed as a compact historical record of the region told through Arab News’ own reporting.
“It was meant to be like a mini history book, telling the history of the region using Arab News’ archive with a story from each year,” said Siraj Wahab, acting executive editor of the newspaper.
The issue, he added, traced events ranging from the outbreak of the Lebanese civil war in 1975 to the swearing-in of Donald Trump, while also paying homage to former editors-in-chief who shaped the newspaper’s direction over five decades.
The anniversary edition, however, was only one part of a broader strategy to signal Arab News’ focus on the future.
To that end, the paper partnered with Google to launch the region’s first AI-produced podcast using NotebookLM, an experimental tool that synthesizes reporting and archival material into audio storytelling.
The project marked a regional first in newsroom-led AI audio production.
The podcast was unveiled during a special 50th anniversary ceremony in mid-November, held on the sidelines of the Arab Media Forum, hosted by the Dubai Future Foundation. The event in the UAE’s commercial hub drew regional media leaders and officials.
Remarks at the event highlighted the project as an example of innovation in legacy media, positioning Arab News as a case study in digital reinvention rather than preservation alone.
“This is a great initiative, and I’m happy that it came from Arab News as a leading media platform, and I hope to see more such initiatives in the Arab world especially,” said Mona Al-Marri, director-general of the Government of Dubai Media Office, on the sidelines of the event.
“AI is the future, and no one should deny this. It will take over so many sectors. We have to be ready for it and be part of it and be ahead of anyone else in this interesting field.”
Behind the scenes, another long-form project was taking shape: a documentary chronicling Arab News’ origins and its transformation into a global, digital-first newsroom.
“While all this was happening, we were also working in-house on a documentary telling the origin story of Arab News and how it transformed under the current editor into a more global, more digital operation,” said Nugali.
The result was “Rewriting Arab News,” a documentary examining the paper’s digital transformation and its navigation of Saudi Arabia’s reforms between 2016 and 2018. The film charted editorial shifts, newsroom restructuring and the challenges of reporting during a period of rapid national change.
The documentary was screened at the Frontline Club in London, the European Union Embassy, Westminster University, and the World Media Congress in Bahrain. It later became available on the streaming platform Shahid and onboard Saudi Arabian Airlines.
The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)
It was also nominated for an Association for International Broadcasting award.
In early July, a special screening of the documentary took place at the EU Embassy in Riyadh. During the event, EU Ambassador to Saudi Arabia Christophe Farnaud described the film as an “embodiment” of the “incredible changes” that the Kingdom is undergoing.
“I particularly appreciate … the historical dimension, when (Arab News) was created in 1975 — that was also a project corresponding to the new role of the Kingdom,” Farnaud said. “Now the Kingdom has entered a new phase, a spectacular phase of transformation.”
Part of the documentary is narrated by Prince Turki Al-Faisal, the former Saudi ambassador to the US, who in the film delves into the paper’s origins.
Prince Turki Al-Faisal, the former Saudi ambassador to the US. (AN photo)
The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter.
Hosted by the Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama, the evening featured a keynote address by Prince Turki, who spoke about Arab News’ founding under his father, the late King Faisal, and its original mission to present the Kingdom to the English-speaking world.
The Dean of Diplomatic Corps in Saudi Arabia and Ambassador of Djibouti to Riyadh Dya-Eddine Said Bamakhrama (far left). (AN photo)
Arab News was established in Jeddah in 1975 by brothers Hisham and Mohammed Ali Hafiz under the slogan to give Arabs a voice in English while documenting the major transformations taking place across the Middle East.
The two founders were honored with a special trophy presented by Prince Turki, Assistant Media Minister Abdullah Maghlouth, Editor-in-Chief Abbas, and family member and renowned columnist Talat Hafiz on behalf of the founders.
During the gala, Abbas announced Arab News’ most ambitious expansion yet: the launch of the publication in 50 languages, unveiled later at the World Media Congress in Madrid in cooperation with Camb.AI.
The grand slam of the anniversary year was the Golden Jubilee of Arab News gala, held in late September in Riyadh’s Diplomatic Quarter. (AN photo)
The Madrid launch in October underscored Arab News’ aim to reposition itself not simply as a regional paper, but as a global platform for Saudi and Middle Eastern perspectives.
The event was attended by Princess Haifa bint Abdulaziz Al-Mogrin, the Saudi ambassador to Spain; Arab and Spanish diplomats; and senior editors and executives.
As the anniversary year concluded, Arab News released the full video of the Golden Jubilee Gala to the public for the first time, making the event accessible beyond the room in which it was held.
For a newspaper founded in an era of typewriters and wire copy, the message of its 50th year was clear: longevity alone is not enough. Relevance, the newsroom concluded, now depends on how well journalism adapts without losing sight of its past.