Manga Productions, PepsiCo collaborate to feature cult anime ‘Grendizer’ on potato chips

The show has long enjoyed widespread popularity in Arab countries, first airing in war-torn Lebanon on Tele Liban in 1979. (MP/File)
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Updated 26 June 2024
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Manga Productions, PepsiCo collaborate to feature cult anime ‘Grendizer’ on potato chips

  • Partnership comes ahead of July’s release of ‘Grendizer U’ television series

LONDON: Saudi anime studio Manga Productions on Wednesday announced a partnership with PepsiCo to feature the popular anime UFO Robot “Grendizer” on PepsiCo’s Tasali potato chip packets.

Starting in August, the iconic character from the eponymous series will appear on Tasali potato chips sold across the Gulf countries and Jordan.

Essam Bukhary, CEO of Manga Productions, a subsidiary of the Mohammed bin Salman Foundation, or Misk, said that the new partnership “reflects our dedication to meeting the aspirations of ‘Grendizer’ fans and enhancing the presence of the beloved character in the markets.

“Grendizer,” also known as “Goldrake” and “Goldorak,” is a popular Japanese animated television series and manga created by Go Nagai in the mid-1970s. It has achieved cult status worldwide.

The initiative is part of the promotional campaign for the July release of the “Grendizer U” television series, created by Japanese animation studio Gaia and directed by Mitsuo Fukuda, the acclaimed author of award-winning anime classics “Shin Seiki GPX Cyber Formula” and “Mobile Suit Gundam SEED.”

The show has long enjoyed widespread popularity in Arab countries, first airing in war-torn Lebanon on Tele Liban in 1979. The enduring popularity of the show led Manga Productions to acquire the global distribution and marketing rights, excluding Japan.

Ahmed El-Sheikh, CEO at PepsiCo Middle East, highlighted the significance of the collaboration, saying: “At PepsiCo, we are committed to embedding ourselves in both the traditional and popular culture of the Kingdom.

“By embracing the growing popularity of animated content in Saudi Arabia, we aim to create a unique and nostalgic appeal for our consumers.

“This partnership with Manga Productions allows us to bring ‘Grendizer’ back to life on Tasali chips, and we are excited about the opportunities this collaboration will bring.”


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.