Pilgrims perform final rites of Hajj as Muslims celebrate Eid Al-Adha

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Pilgrims circumambulate the Holy Kaaba at the Grand Mosque in Makkah on Sunday as they perform the final rites of Hajj. (SPA)
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Pilgrims circumambulate the Holy Kaaba at the Grand Mosque in Makkah on Sunday as they perform the final rites of Hajj. (SPA)
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Updated 17 June 2024
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Pilgrims perform final rites of Hajj as Muslims celebrate Eid Al-Adha

  • More than 850,000 pilgrims had performed Tawaf Al-Ifadah by Sunday night in Makkah
  • The stoning is among the final rites of the Hajj, which is one of the Five Pillars of Islam

MINA: More than 850,000 pilgrims had performed Tawaf Al-Ifadah by Sunday night in Makkah, the ritual marking the final days of the Hajj and the start of the Eid Al-Adha celebrations for Muslims around the world.

The long day started with masses of pilgrims embarking on a symbolic stoning of the devil in Muzdalifah under the soaring summer heat. The stoning is among the final rites of the Hajj, which is one of the Five Pillars of Islam.

It came a day after more than 1.8 million pilgrims congregated at a sacred hill, known as Mount Arafat, outside the holy city of Makkah, which Muslim pilgrims visit to perform the annual five-day rituals of Hajj. The Tawaf Al Ifadah is performed by Hajj pilgrims after the returning from Mina.

In a press conference on Sunday night, Col. Talal bin Abdulmohsen Al-Shalhoub, spokesperson of the Saudi Ministry of Interior, said that all pilgrims safely returned to their tents in Mina after departing from Muzdalifah.

He emphasized that security forces are continuing their operations to ensure the security and safety of the Guests of Allah throughout their stay in Mina, including their rituals at the Jamarat Bridge and within the Grand Mosque.“These services encompass crowd control and management on all routes connecting their accommodations in tents, the bridge, and the Grand Mosque, as well as during their tawaf. I urge all guests to adhere strictly to the instructions governing their ritual performances,” he stated.




Pilgrims cast stones at pillars in the symbolic stoning of the devil, one of the last rites of Hajj, at the Jamarat in Mina, near the holy city of Makkah, on June 16, 2024. (SPA)

The spokesperson also advised pilgrims not to carry personal belongings when heading to the Jamarat Bridge or the Holy Mosque.

“Furthermore, I urge those intending to leave Mina on the second day of Tashreeq to follow the specified guidelines,” he added.

The days of Tashreeq are the three days that follow the 10th of Dhu al-Hijjah, Eid al-Adha, and are known for the ritual of stoning the three pillars in Mina, symbolizing the rejection of temptation and evil.

However, it is permissible for pilgrims to leave Makkah before sunset on the 12th day of Dhul Hijjah.Al-Shalhoub further reported that the 911 center in the Makkah region had received a total of 78,872 calls on the 10th of Thul Hijjah, covering security reports and service inquiries, all of which were promptly addressed.

He highlighted the close monitoring by Saudi leadership of all security sectors, noting continuous enhancements in their performance each year.“Our security personnel serve as exemplary role models in fulfilling their duties and facilitating the Hajj journey for pilgrims,” he concluded.

For his part, Ayedh Al-Ghuwainem, deputy minister of Hajj and Umrah for Hajj affairs said that the organizational plans and efforts were implemented in harmony with all the participating Hajj agencies.

“The stoning process occurred safely and tranquilly within just ten hours, achieving a compliance rate of 95 percent with the instructions,” he said.

He further added that the plans were designed to accommodate the diverse jurisprudential preferences of pilgrims using modern technology and preplanned schedules for grouping the pilgrims.Al-Ghuwainem stated that more than 800,000 pilgrims had arrived in Mina before dawn on Sunday, and by 8 a.m., all pilgrims had reached Mina.

On their arrival at the Jamarat Bridge, some 70 percent of the pilgrims used the first and fourth floors, while the rest of them went through the second and third floors, according to the deputy minister.

“Moreover, more than 850,000 worshippers have so far performed the Ifadah tawaf since midnight using shuttle bus services from and to the Grand Mosque,” he said.

The deputy minister added that the challenge they faced along with the concerned authorities was that most of the pilgrims preferred to go on foot, despite all the awareness campaigns and the availability of all means of transportation. He also urged the pilgrims to follow the instructions.


Nobel Prize winner discusses art of writing at Ithra

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Nobel Prize winner discusses art of writing at Ithra

  • Jon Fosse offers insights into storytelling at the 10th iRead celebration

DHAHRAN: Nobel Prize-winning Norwegian author and playwright Jon Fosse drew a full house to Ithra on Friday, as he discussed art, writing, and the human experience during a session entitled “Nobel Minds” at the 10th edition of the institution’s iRead program.

Fosse, who won the 2023 Nobel Prize in Literature, appeared on stage with moderator Tariq Khawaji, Ithra’s cultural consultant.

Jon Fosse, who won the 2023 Nobel Prize in Literature, appeared on stage with moderator Tariq Khawaji, Ithra’s cultural consultant. (Supplied)

Outside, the landmark Ithra building, designed by Norwegian firm Snohetta, was lit in purple to mark the celebration. 

Fosse, whose work includes more than 70 novels, plays, poems, essays, and children’s books, and has been translated into more than 50 languages, including Arabic, is known for his minimalist, introspective style. His unconventional syntax and pared-down prose have significantly influenced postdramatic theater and contemporary experimental fiction. 

HIGHLIGHTS

• The landmark Ithra building, designed by Norwegian firm Snohetta, was lit in purple to mark the 10th anniversary of the institution’s iRead program.

• During the ‘Nobel Minds’ session, Jon Fosse discussed his writing process, sources of inspiration, and how writers might develop their own signature styles.

• Tariq Khawaji told Arab News that bringing Fosse to Saudi Arabia was especially meaningful as Arabic translations of his work remain relatively new to many readers. 

Khawaji told Arab News that bringing Fosse to Saudi Arabia was especially meaningful as Arabic translations of his work remain relatively new to many readers. 

Jon Fosse, who won the 2023 Nobel Prize in Literature, appeared on stage with moderator Tariq Khawaji, Ithra’s cultural consultant. (Supplied)

At a book signing following the session, he noted that Fosse’s pared-back lyrical language is a boon to both translators and new audiences. 

“I think one of Fosse’s strengths is his extremely simple language, he always uses the simplest phrasing and avoids inflated vocabulary or difficult expressions. This is why translators often find his writing both lyrical and clear,” Khawaji said. 

If I’m writing well, I have to bring something new to the book for me, and hopefully also for other people; something that didn’t exist before.

Jon Fosse, Norwegian Nobel laureate

“I think he speaks to the world through the problem of the individual — this tendency toward the quiet, the stripped-down. And I believe the Norwegian landscape, especially the western region, plays a very strong role in shaping him. His characters often feel like they come from a place with vast silence and depth. Even outside the session, you could sense many layers in how he spoke — something almost carved by that landscape,” he continued.

On the topic of artificial intelligence, Fosse said that while it can mimic a writer’s voice, it cannot replicate the essence behind it. (Supplied)

After noting Fosse’s 18 major awards, Khawaji added: “I think his Arabic readership is still small — though his plays have been translated and performed. I believe introducing him to the Arab world will increase his readership significantly, and I think the reception will change. Readers will discover a unique, unfamiliar voice. It was important to have him here.”

During his hour-long English-language conversation with Khawaji before the book signing, Fosse discussed his writing process, sources of inspiration, and how writers might develop their own signature styles.

“I think you can say all literature, in a certain sense, comes from literature. So the more you read — and the better literature you read — the cleverer you most likely will be,” he said.

“If I’m writing well, I have to bring something new to the book for me, and hopefully also for other people; something that didn’t exist before. And to get to that, you have to leave yourself (somehow). If you don’t leave yourself, you know exactly what you knew before,” he added.

On the topic of artificial intelligence, Fosse said that while it can mimic a writer’s voice, it cannot replicate the essence behind it.

“I’ve done it myself. I asked the computer to write something (in my style) and it was like a kind of parody, but still there were some very interesting sides to it. And there were some great metaphors that happened that I couldn’t have figured out myself,” he said. 

“Perhaps it is a childish idea but I think that art has so much to do with this universal individuality of the artist. It cannot possibly be replaced by a machine,” Fosse concluded.