More acts pull out of UK festival Latitude in protest against sponsor Barclays’ links to Israel

Barclays has been accused by the Palestine Action group, whose members this week doused 20 branches of the bank across England and Scotland with red paint, of having financial interests in Israel’s weapons trade and fossil fuel industry. (X/@Pal_action)
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Updated 12 June 2024
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More acts pull out of UK festival Latitude in protest against sponsor Barclays’ links to Israel

  • Comedians Sophie Duker, Grace Campbell and Alexandra Haddow are the latest performers to withdraw from the event in Essex next month
  • Barclays has been accused by the protest group Palestine Action of having financial interests in Israel’s weapons trade and fossil fuel industry

LONDON: Three comedians said on Tuesday they were pulling out of the UK’s Latitude Festival in protest against ties between the event’s main sponsor, Barclays, and Israel.

The withdrawals by Sophie Duker, Grace Campbell and Alexandra Haddow follow a similar decision last week by Irish singer-songwriter CMAT. Other musicians that have pulled out include Pillow Queens, Mui Zyu and Georgia Ruth, Sky News reported.

Acts such as Keane, Kasabian and London Grammar are still scheduled to perform at the event in the English county of Suffolk from July 25 to 28.

Barclays has been accused by the protest group Palestine Action of having financial interests in Israel’s weapons trade and fossil fuel industry. Members of the group this week splashed red paint on 20 of the bank’s branches across England and Scotland.

Comedian Duker posted a short video on social media in which she confirmed she would no longer be performing at the festival, despite her experience there being “magical in the past,” because she said Barclays was “profiting from the production of weaponry” used by Israeli forces in Gaza.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by DUKER (@sophiedukebox)

“I am committed to minimizing my complicity in what I consider to be a pattern of abhorrent, unlawful violence,” she said, adding that her stance had attracted “violent abuse, targeted pile-ons and death threats.”

Haddow shared a similar message on Instagram in which she said she could not “in good conscience take the fee” for performing at the event and that boycotting it was “one of the only things I can actively do.”

Barclays said it recognizes “the profound human suffering” caused by the war in Gaza but added: “We provide vital financial services to US, UK and European public companies that supply defense products to NATO and its allies.

“Barclays does not directly invest in these companies. The defense sector is fundamental to our national security, and the UK government has been clear that supporting defense companies is compatible with ESG (environmental, social and governance) considerations.

“Decisions on the implementation of arms embargoes to other nations are the job of respective elected governments.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”