Saudi film ‘Norah’ sets international release date

The film – entirely shot in AlUla – is set in 1990s Saudi Arabia and stars Maria Bahrawi. (Supplied)
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Updated 02 June 2024
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Saudi film ‘Norah’ sets international release date

DUBAI: “Norah” made history when it was selected as the first Saudi film to screen on the official calendar at the Cannes Film Festival in May.

The Red Sea Film Foundation has now announced the feature – which is backed by the Red Sea Fund – will be released in Saudi Arabia and international cinemas on June 20.

Director Tawfik Alzaidi's film premiered at December’s Red Sea International Film Festival in Jeddah before heading to the French Riviera last month, where it ran in the famed festival’s Un Certain Regard section.

The film – entirely shot in AlUla – is set in 1990s Saudi Arabia and stars Maria Bahrawi, Yaqoub Al-Farhan, and Abdullah Al-Satian. It follows the story of characters Norah and Nader as they encourage each other to realize their artistic potential in rural Saudi Arabia.


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 10 December 2025
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.