French artist produces rich portrayals of Saudi history, culture

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Updated 01 June 2024
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French artist produces rich portrayals of Saudi history, culture

  • Joel Alessandra sheds light on his artistic adventures in the Kingdom

JEDDAH: Joel Alessandra, the renowned French comic book artist, travelled through Saudi Arabia recently so that he could portray the nation’s rich culture and heritage.

Known for his innovative use of coffee and watercolors in his drawings, Alessandra’s visit was facilitated by the French Embassy and the Alliance Francaise Saudi Arabia.

Having visited Riyadh, Alkhobar and AlUla, Alessandra found himself captivated by the charm of Al-Balad, Jeddah’s old town.

“This part of the city of Jeddah is the one that inspired me the most. We feel the atmosphere of a time when pilgrims stopped here, we perceive this fervent activity, there is an atmosphere of a centuries-old tradition that is still palpable,” Alessandra told Arab News.

The ancient architecture was a rich source of inspiration for his sketches, including the patina-covered walls and the intricate doorways. Alessandra’s drawings during his days in Jeddah aimed to capture the essence of Al-Balad's vibrant past and present.

He also held a live performance in Jeddah, where he recreated scenes from Al-Balad, offering spectators a glimpse into his artistic process.

“The subject was an improvised walk in Al-Balad, based on my sketches from the afternoon, I reproduced them in watercolor on the screen. Scenes of life in the street, buildings from past centuries, mosque minarets from the neighborhoods you pass through,” he said.

For Alessandra, travel serves as a constant wellspring of inspiration. Drawing from his experiences across Africa, he said “it is the atmosphere and the people of a country that shape my way of drawing, my real inspiration is taken on the ground.”

Reflecting on his recent visit to the Kingdom, Alessandra said he was amazed by Saudi Arabia’s burgeoning cultural scene and the enthusiasm for artistic expression among its youth.

While Alessandra’s sketches convey a deep appreciation for Saudi Arabia’s cultural heritage, he shies away from conveying explicit messages.

“I just want to convey the emotion felt in front of all the incredible and immensely rich cultural, architectural, and historical heritage. I am lucky to know how to draw and show this emotion through my sketchbooks and my books ... I hope that my readers will also be sensitive to it,” he said.

He said AlUla left him in awe.

“It would be difficult to forget the fascination AlUla had on me. The Nabataean tombs, just imagining a vibrant life there, in the middle of the desert, at this ancient time is simply incredible.

“Also imagining that the Roman Empire pushed its armies so far from Italy is inconceivable.

“But also the old town with its shaded and covered streets. It is a paradise to inspire designers,” he said.




Joel Alessandra

Last year, he ventured out to sketch in the streets of AlUla with female students from the local art school.

“This moment is engraved in my memory as these students were attentive and wanted to produce and learn how to draw their environment. I’m not sure I’ve ever encountered such a desire among young people in other countries.”

His use of coffee as a medium adds depth and richness to his artwork, capturing the nuances of skin tones and desert landscapes.

During his stay in Jeddah, he conducted workshops focusing on the Francophonie, bringing together students from various schools to collaborate on a work of fiction through text and drawings.

Engaging French school students in a collaborative storybook project, Alessandra explored a fictionalized journey of Muslim traveler Ibn Battuta in modern-day Arabia. Through writing and drawing, students reimagined Ibn Battuta’s adventures, blending elements of history and fantasy.

“The quest for a key to access the door of time and allow Ibn Battuta to return to his century, it was very amusing to see how the young people translated this graphically,” Alessandra said.

On his growth as an artist, Alessandra said that constant practice was key, and to aspiring artists, he added: “Draw, draw, and draw some more.”

“Always have a drawing pad in your pocket and train your hand and mind every chance you get. While waiting for the bus, at the cafe, during TV commercials, take advantage of every free moment to scribble in this notebook, there are no issues, just a few lines for practice,” Alessandra added.


Deals worth $8bn signed at World Defense Show 2026

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Deals worth $8bn signed at World Defense Show 2026

  • Five-day event brought together 1,486 exhibitors from 89 countries and attracted 137,000 visitors

RIYADH: More than 60 military and defense deals worth SR33 billion ($8.8 billion) were signed at the third edition of the World Defense Show, which ended on Thursday in Riyadh.

The flagship defense exhibition is part of Saudi efforts to expand its military industries sector.

Organized by the General Authority for Military Industries, the five-day event brought together 1,486 exhibitors from 89 countries and attracted 137,000 visitors, according to official figures announced at the closing media briefing on Thursday.

Ahmad Al-Ohali, governor of the General Authority for Military Industries, said the event reflects broader efforts to localize defense spending under Vision 2030.

“When we started in 2018, the percentage of military spending from within the Kingdom of Saudi Arabia was 4 percent of total spending; by the end of 2024, it jumped to 25 percent,” he said.

Al-Ohali added that number of national cadres working in the sector increased from 25,000 male and female employees in 2020 to 34,000 — a rise of 40 percent.

Beyond attendance and displays, the exhibition served as a venue for commercial and government agreements.

The number of agreements signed reached 220, including 93 government-to-government agreements and 127 partnership agreements with companies.

Al-Ohali said the deals include technology transfer and local manufacturing projects aimed at strengthening domestic supply chains.

Aerial and static displays included 63 aircraft, alongside more than 700 pieces of military equipment exhibited across indoor and outdoor platforms. Maritime and unmanned systems were also showcased through dedicated demonstration areas.

Andrew Pearcey, CEO of the World Defense Show, said that planning for the next edition had already begun.

“So, what we do is we take stock of our successes, so we’re now starting to see what worked, and we also learned that some things that didn’t work,” Pearcey told Arab News.

“Over time, one of the key things is to try and grow; the demand for this show is huge, so we want to try and accommodate that.

“So, we need to try and build more space. Then we look at ways we brought new features to this show. So, we look at the industry and the trends, and see other new features that we can bring to the show.”

The event also introduced a “Future Talent Program” during its final two days, inviting students aged 16 to university level to explore career opportunities in the defense sector.

“The future talent program is where we invite youngsters, so from 16 up to university level, to come and look at the show, understand what career opportunities there are in the defense industry, sit and do some content programs, and meet the exhibitors that want to demonstrate some of their things,” Pearcey said.

“So, we bring around 4,000 to 5,000 students to the show. So, that’s bringing that next generation through.”