Young Saudi artist finds beauty in the ordinary

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Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)
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Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)
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Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)
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Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)
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Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)
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Updated 16 April 2024
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Young Saudi artist finds beauty in the ordinary

  • Dana Almasoud’s works are inspired by historical Middle Eastern and European art aesthetics

RIYADH: When picking up a pencil or paintbrush to create an artwork, self-taught Saudi artist Dana Almasoud channels her inner child.

“As soon as a child picks up a pencil, they attempt to draw or capture a sense of what they see through their eyes on paper. The majority of them stop at some point in their childhood, for whatever reason,” Almasoud told Arab News.




Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)

“Fortunately, I was one of the few who never did. I had the luxury of a supportive mother who always looked forward to my next scribble.”

While pursuing her undergraduate studies in finance, as a freelance artist Almasoud explores a variety of styles, from fine art to surrealism and fantasy inspired by everyday scenes.

HIGHLIGHTS

• Much of Dana Almasoud’s work is inspired by Islamic historical art, characterized by its symbolism and emphasis on the beauty of spirituality.

• One of her first works inspired by Saudi culture was a commission from a man who wanted a portrait in the orientalist style.

• The artist says her work is an attempt to fill the void that excess simplicity and minimalism has created in recent years.

“The warm morning sun, the singing of the birds, the stoplights and the people. I am surrounded by life and I do my best to pour what I see into my work. What makes us human is how we make things from nothing,” she said.




Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)

Speaking about the “sanctuary” she has created in her room, she said: “It took me years of collecting, arranging and a lot of dedication to get it to how it is now.”

Much of Almasoud’s work is inspired by Islamic historical art, characterized by its symbolism and emphasis on the beauty of spirituality.




As a freelance artist Dana Almasoud explores a variety of styles, from fine art to surrealism and fantasy inspired by everyday scenes. (Instagram/esotericdana)

“In order for me to create things that resemble life, it only makes sense to use colors that already exist in nature,” she said.

“I take a lot of inspiration from historical art, both from Europe and the Middle East, since the pigments they used were extracted from natural sources and were perfectly saturated.”




Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)

She enjoys experimenting with new mediums, but drawing with a pencil is her preferred choice.

“I also do enjoy the occasional challenge of an ink brush, because once it sets its bristles on paper, you cannot go back. When it comes to painting with color (watercolors, acrylics, oils), I still consider myself in the process of learning,” she said.

The warm morning sun, the singing of the birds, the stoplights and the people. I am surrounded by life and I do my best to pour what I see into my work.

Dana Almasoud, Saudi artist

“I also experiment with pyrography, doll making, embroidery, linoleum block printing and, soon, murals.”

Almasoud said one of her first works inspired by Saudi culture was a commission from a man who wanted to look like an orientalist.




Almasoud’s painting of a man selling ramsi tomatoes, the seasonal heirloom fruits with green ‘shoulders’ found in Qatif. (Supplied)

Her most recent painting is of a man selling ramsi tomatoes, the seasonal heirloom fruits with green “shoulders” that are prevalent in Qatif.

“These tomatoes are known for a special flavor and a lot of farmers from various lands tried to grow it themselves, but to no avail. For some reason, these tomatoes only taste special when they grow on that specific piece of land,” Almasoud said.

She said she had been told her work had “a layer of fog, where the edges are never harsh,” which reflects the high levels of humidity in the Eastern Province where she lives.

“I can see the Arabian Gulf from the window of my room. You can imagine the high rates of humidity, which is where I think that layer came from,” she said.

“I will always wonder how this translated into what I draw, but regardless, I do love it.”

Almasoud said her art was an attempt to fill the void that excess simplicity and minimalism has created in recent years.

“My art is an attempt to inspire people back to see the beauty in complexity and the intricacy of the small things in life.”

Speaking about the importance of art in the modern world, she said: “With the increase in the pace of the world, art has become even more important. It gives people and their minds something to hang on to, for them to not lose themselves and their identities in a busy world.”

For more information about the artist visit @esotericdana on Instagram.

 


Saudi deputy foreign minister calls for Sudanese unity during meeting in Cairo

Updated 14 January 2026
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Saudi deputy foreign minister calls for Sudanese unity during meeting in Cairo

  • Waleed Al-Khuraiji says a political solution to the civil war in Sudan must be based on respect for its sovereignty
  • He rejects quasi-government formed by one of the warring factions in July, denounces external intervention in form of weapons supplies and foreign fighters

LONDON: Saudi Arabia’s deputy foreign minister, Waleed Al-Khuraiji, on Wednesday stressed the important need to maintain the territorial integrity of Sudan.

Speaking at the fifth Sudan peace coordination meeting in Cairo, he said a political solution to the civil war that began in April 2023 must be based on respect for Sudanese sovereignty and unity.

He highlighted the efforts the Kingdom is making in an attempt to ensure stability in Sudan, help reach a ceasefire agreement that ends the conflict, prevent the collapse of state institutions, and maintain the unity, territorial integrity and capabilities of the country, the Saudi Press Agency reported.

Al-Khuraiji also said that Saudi efforts to address the worsening humanitarian crisis caused by the war are continuing, in an attempt to alleviate the suffering of the Sudanese people.

It is important that the conflicting factions return to political dialogue, he added, as stated in the Jeddah Declaration of May 2023 and the short-term ceasefire deal that was agreed that same month.

The war in Sudan, between rival military factions the Sudan Armed Forces and the paramilitary Rapid Support Forces, poses a threat to regional stability, Al-Khuraiji warned.

He rejected the quasi-government formed by the Rapid Support Forces in July last year as an obstruction to ongoing efforts to resolve the crisis, a threat to the unity and sovereignty of Sudan, and a risk to regional security and the safety of the Red Sea.

“The announcement of parallel entities outside the framework of legitimate institutions is worrying and disrupts efforts through the political track to solve the crisis,” he said.

The prevention of external intervention in the conflict, including illegal support in the form of weapon supplies and foreign fighters, is crucial for efforts to achieve a ceasefire and facilitate humanitarian operations, Al-Khuraiji added.

He also called for the establishment of safe corridors so that deliveries of aid can reach those in need, similar to a mechanism established in August last year at the Adre crossing on Sudan’s border with Chad.