Palestinian American comedian Amer Zahr all set to speak ‘the truth’ at Dubai show

Palestinian American comedian Amer Zahr, who is set to perform at the Dubai Comedy Festival on April 17, says he is an activist who “likes to use comedy as his tool.” (AFP)
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Updated 13 April 2024
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Palestinian American comedian Amer Zahr all set to speak ‘the truth’ at Dubai show

DUBAI: Palestinian American comedian Amer Zahr, who is set to perform at the Dubai Comedy Festival on April 17, says he is an activist who “likes to use comedy as his tool.”

In an interview with Arab News ahead of his show at the Dubai Opera, Zahr said: “Activism is about telling the truth. Being Palestinian is about telling the truth. And comedy is about telling the truth. People sometimes say to me, ‘Hey, I never know when you’re joking.’ I tell them, ‘Look, I’m always being serious. I’m always telling the truth.’ But a comedian uses humor to tell the truth.

“Because if you can make someone laugh, they listen to you and they let down their guard.

“And we Palestinians have been trying to tell our story for 75 years. And we’ve been using art, music, poetry … but for me, I found that comedy is a very effective way. So, I’m a Palestinian first who is trying to tell our stories, and comedy is my tool,” he added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Amer Zahr (@amerzahr)

Zahr, who is also a law professor and political activist, said he got hooked to stand-up comedy while in law school.

“I had thought about comedy and then in law school, the opportunity presented itself where there was a show going on, and they kind of asked if anyone wants to do some comedy before the main comedian comes on. And so, I said ‘let me try it.’ I got up there. I told a couple stories about my dad. Everybody laughed, and I got kind of hooked to the idea of being on a stage and being able to make people laugh and connect with people in that way,” said Zahr.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Amer Zahr (@amerzahr)

For Zahr, the allure of stand-up comes from the fact that it involves “speaking truth to power.”

He said: “Comedy is one of the purest art forms. When somebody sings, we’re okay with it if we learned later on that they didn’t write the song. We’re just happy they have a great voice. But when you hear a comedian, you assume that everything that that person is saying is genuine and coming from them. And if you learned later that it wasn’t, you might feel cheated.

“Comedy is a very personal art form between the audience and the comedian. And, so, that’s something that you that you grow into. And then comedy, in its purest form, is a form of protest, speaking truth to power. And, so, it kind of fits the Palestinian story perfectly,” he added.

Asked about what audiences can expect from his Dubai show, Zahr said: “It’s going to be me telling the Palestinian story from before Oct. 7, and after Oct. 7, with love, laughter and the truth. And maybe during the show, I’ll make people laugh until they cry. And sometimes I’ll make them cry until they laugh.”


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.