Three Palestinian journalists injured in Israeli strike on Gaza’s Nuseirat camp

TRT reporter Sami Shehada lost his right leg in the attack. (AN Photo)
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Updated 13 April 2024
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Three Palestinian journalists injured in Israeli strike on Gaza’s Nuseirat camp

  • The 3 reporters were taken to Shohada Al-Aqsa Hospital in Deir Al-Balah
  • Journalist Sami Shehada lost his leg in the attack

GAZA: Three Palestinian journalists were injured in an Israeli airstrike on the Nuseirat refugee camp in Gaza on Friday.

Sami Shehada and Sami Barhoum were covering the events for the TRT Arabic TV channel, while Ahmad Harb was on duty for Al Arabiya News Channel at the time of the incident.

All three journalists were first taken to Al-Awda Hospital, a small facility in the north of the enclave, but later transferred to Shohada Al-Aqsa Hospital in Deir Al-Balah in the central Gaza Strip.

Shehada lost a leg in the attack, which reportedly directly targeted the media team.

“(We) were in a (relatively) safe spot, wearing our press armor and helmets,” Shehada told Arab News. “Even the car I arrived in was labeled ‘TV,’ and I’m a civilian and a journalist — they targeted us.”

Since Oct. 7, at least 122 journalists have been killed by Israeli strikes, according to UN figures, and many more have been injured.

UN experts said in February that they were “alarmed at the extraordinarily high numbers of journalists and media workers who have been killed, attacked, injured and detained in the Occupied Palestinian Territory, particularly in Gaza, in recent months, blatantly disregarding international law. We condemn all killings, threats and attacks on journalists and call on all parties to the conflict to protect them.”


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.