Prominent creatives urge UK theater to reinstate Gaza cultural event

HOME Manchester shelved ‘Voices of Resilience,’ which was scheduled for April 22 and billed as a ‘celebration of Gazan writing.’ (X/@HOME_mcr)
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Updated 03 April 2024
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Prominent creatives urge UK theater to reinstate Gaza cultural event

  • More than 300 complain after ‘Voices of Resilience’ axed by HOME Manchester
  • Event canceled after complaint by Jewish Representative Council of Greater Manchester

LONDON: A theater in the British city of Manchester has been urged to reinstate a canceled cultural event in support of Palestinian literature by more than 300 actors and creatives.

HOME Manchester shelved the event, called “Voices of Resilience,” which was scheduled for April 22 and billed as a “celebration of Gazan writing,” after a complaint by the Jewish Representative Council of Greater Manchester.

The venue cited concerns over safety following “recent publicity” for the cancelation, after the JRGCM claimed that one of the participants, noted writer and Palestinian Culture Minister Atef Abu Saif, was an antisemite and a Holocaust denier.

The JRGCM also objected to use of the word “genocide” in promotional literature for the event in relation to Israel’s ongoing military operations in Gaza, which the enclave’s health authorities say has left more than 32,000 Palestinians dead.

Comma Press, which organized “Voices of Resilience” and has also published Abu Saif’s work, called the allegations against him “baseless and libellous” and has threatened legal action.

In an open letter, the signatories, including Academy Award-winning director and HOME patron Asif Kapadia, said HOME Manchester has “contributed to the silencing of Palestinian voices at a time when they most need to be heard.”

Signatories also include theater director Pooja Ghai, playwright Morgan Lloyd Malcolm, dramatist April De Angelis and actor Maxine Peake, who was due to give a reading at the event, alongside actor Kingsley Ben-Adir and author Kamila Shamsie.

The letter read: “As theatremakers, film-makers, artists and cultural workers, many of whom have had work staged at Home, we condemn this cowardly decision to silence the voices of Palestinians and to contribute to their erasure during an ongoing genocide.”

James Harker, a playwright who drafted the latter with support from Artists for Palestine UK, said: “HOME’s actions shame Manchester and they shame the arts world.”

In a statement on its website, HOME called itself “a politically neutral space, committed to welcoming the full range of artist expression. 

“Our concern for the team at HOME, our audiences and artists, and their safety is paramount. In the face of recent publicity around Voices of Resilience, we have cancelled this event.

“HOME must always be mindful of our responsibility to those who visit and work here, and our purpose of supporting a wide variety of artists and the audiences who want to experience them remains unchanged.”

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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 4 sec ago
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.