British Muslim doctor offers top tips for positive change during last 10 days of Ramadan

Dr Hina Shahid said it is important to consume balanced meals for both sahoor and iftar. (File/Getty Images)
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Updated 01 April 2024
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British Muslim doctor offers top tips for positive change during last 10 days of Ramadan

  • Chairperson of the Muslim Doctors Association highlights the importance of continuing to consume sahoor
  • ‘It’s common for people to feel tired during this stretch,’ says general practitioner

LONDON: As Muslims enter the last 10 days of Ramadan, the grand finale of the holy month during which believers intensify their worship, keeping up energy levels is of the utmost importance.

Dr. Hina Shahid, the chairperson of the Muslim Doctors Association, spoke to Arab News about how British Muslims can maintain their stamina and equip themselves for fasting through the day while worshipping at night in search of the night of power.

The night of power, or Laylat Al-Qadr in Arabic, is a sacred night in the Islamic calendar. It commemorates the night on which the Qur’an was first revealed to Prophet Muhammad. Although its exact date is not known, it is believed to fall on one of the odd-numbered nights of the last 10 days of the holy month.

The Prophet instructed Muslims to “Seek Laylat Al-Qadr in the last 10 days of Ramadan,” and the Qur’an describes the night as “better than a thousand months” in terms of virtue.

Therefore, Muslims increase the amount of time they dedicate to prayer, supplication, and recitation of the Qur’an during the last 10 nights of Ramadan, but this can prove difficult due to the sleep deprivation and fatigue caused by fasting for the first 20 days of the holy month.

Shahid highlighted the importance of continuing to consume the early morning meal despite the temptation to sleep through it, and eating balanced meals that are rich in fluids for both sahoor and iftar, while choosing local and seasonal produce.

The general practitioner said: “There are a lot of positive changes that people can make during these last 10 days, not just to optimize their worship but also to make sure they keep their energy levels up.

“It’s common for people to feel tired during this stretch of Ramadan and skip sahoor but it’s really important to have that meal because that is what’s going to keep you going for the rest of the day.”

Shahid said it was important to consume balanced meals for both sahoor and iftar, adding: “You should have all of the major food groups at both of those meals, so that’s basing the meals on complex carbohydrates, healthy fats, healthy proteins, a bit of dairy, fruit and vegetables, and lots and lots of fluids.

“In general you should be having two liters of fluid during the day. You can stagger that during non-fasting hours, and one way of doing that and getting your fluid intake up is by making sure that you have lots of fluid-rich foods at both of those meals.”

Shahid said her personal sahoor staple was overnight oats as “you can bring in all your food groups into one dish without sapping your energy and time.”

She added that thinking about time-efficient ways of preparing meals allowed people to focus on worship during the last third of Ramadan, and highlighted the importance of choosing local and seasonal produce.

She said: “Studies have shown that local and seasonal produce is better for you in terms of your health and nutrient value. You should also choose whole foods over processed foods — looking at the harmful effects of processed foods is a big thing at the moment in the world of nutrition.”

Talking about the good habits with which Muslims can continue after the end of Ramadan, Shahid said that being mindful about their intake, increasing fluids, and quitting smoking should be high on the list.

She said: “Food is medicine. Everything that you put into your body will keep you going in terms of worship. That’s really the purpose of why you’re eating: to optimize your worship.

“We should carry that mindset forward: that food is medicine, that actually the purpose of what you’re eating is not only to feed your body, but also to feed your soul.”


Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

Updated 23 December 2025
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Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

  • 70 works by local, Mideast, international artists on Jan. 31
  • Work of late Saudi artist Safeya Binzagr will also be on sale

DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.

Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.

The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.

Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.

Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.

The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.

A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.

Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.

Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.

A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.

International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.

Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.

Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.

Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.

The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.

Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.