Saudi creative brings her late mother’s cooking to life

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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)
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Updated 29 March 2024
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Saudi creative brings her late mother’s cooking to life

  • Waad Janbi’s ‘Mom’s Spaghetti’ aired on MBC Academy, portrays the love language of food

DHAHRAN: In Waad Janbi’s new animated short film, “Mom’s Spaghetti,” which aired this week on MBC Academy, the Saudi creative serves the audience a universal story of overcoming grief after the loss of a loved one, and the importance of feeding your soul — and your stomach.

The animated short follows 14-year-old Amjad as he awkwardly — and delicately — navigates dealing with the loss of his mother by attempting to recreate a beloved dish she used to prepare for him.

The story starts on the first day of Ramadan and he is seen playing ball in front of his home. He interrupts the game when his grandmother gently pokes her head out from the window overlooking the street and tells him to take it easy since it is the first day of fasting in the holy month. He tells his friends he needs to step inside to help his grandmother and cheerfully goes in to support her.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

Inside, the mood is somber. His father and sister also live with them. They break their fast mostly in silence.

For the next several days, along with his sister and grandmother, he attempts to re-create the favorite spaghetti dish that his mother used to make. They fail. Until one day, Amjad finds a blue notebook with drawings on the cover. It is his mother’s recipe book tucked away in a drawer. They try again. And again. Until one day, it smells and looks the way his mother used to make. Tears fill his eyes as he, and his family, enjoy the dish that their beloved mother used to serve them.

Janbi, who is a filmmaker and writer raised in Makkah and educated in the US, used some of her family’s real story sprinkled into this fictional narrative.

“The real inspiration came from my younger brother, Hamza. When our mother died, he was very athletic so she would prepare vegetables for him — healthy things. Right before she died, she told him that she made him something that she saved in the oven for him. ‘I kept it for you,’ she said,” Janbi told Arab News.




Waad Janbi, Saudi creative

But then she died and the household was overcome with grief. During the funeral, the dish was forgotten. Eventually, Hamza went looking for it and realized that it was gone.

“It likely went bad and someone threw it out while they were cleaning. Hamza was really sad about it, sad how the last thing our mother made for him, he couldn’t taste. So, when I wrote the story, I had him in my mind. This was the last act of love that she made but he couldn’t eat that last dish. That last serving of love was untouched,” Janbi said.

The way mama showed love and what she was most proud of was food.

Waad Janbi, Saudi creative

“Mama was a phenomenal cook. She was famous for her macarona bechamel. Our relatives would flock over just to taste her food. But I guess many don’t make that normally during Ramadan so I switched it the more widely known spaghetti,” she said.

The title was inspired by an unlikely source: the US rapper Eminem, who was popular during Janbi’s youth. In his debut, and critically acclaimeded film, “8 mile,” he famously rapped a lyric where he says: “Mom’s spaghetti.” Janbi, who uses humor to cope with grief, decided to use it.




Waad Janbi’s animated short ‘Mom’s Spaghetti’ depicts a grieving teenage boy’s quest recreate a beloved dish his mother used to prepare for him. (Supplied)

“I was being playful with the title. Eminem wasn’t ashamed of his anger, he turned it into art. And, although I’m aware that he was problematic during different times, he was a poet and that line stuck with me and it would make me snicker to myself each time I heard someone mention ‘Mom’s spaghetti’ in my short film’s title,” she said.

This film is a love letter to all the things that inspired Janbi rolled into one.

In the Janbi household growing up, they would watch MBC on the screen while preparing the food and then switch to live footage of the Haram right before Maghreb.

Fast-forward to years later, Janbi enrolled in MBC Academy’s first online cohort dedicated to screenwriting. She then took a more advanced screenwriting course and did on-site training in Dubai. Through a group chat, mentors at MBC Academy encouraged former participants to write and pitch an episode as part of a series that would air during Ramadan. They were told that seven episodes would be selected.

Janbi felt the pull of her mother and was able to scramble together her story in the nick of time. Like her mother, she used a bit of this, a dash of that, and was able to produce a story that she shared with the committee. Her story was selected and was released as the second of the seven stories.

It was important for her to write it from the point of view of a Saudi teen boy, in order to subtly shift the conversation.

“In the story, the boy was trying to learn basic skills, to feed himself and his family. I grew up with very strict rules about gender roles; me as a girl, I’d have to help with the kitchen and my brother had to help feed those fasting with father. I began to understand the pressures my brother had and wanted to let Saudi boys know that they should be active in their own lives. Helping in the kitchen is good, helping your grandmother is good. And they should learn how to feed themselves!” she said.

While food is vital to survival, certain dishes can truly make you feel alive. With curated ingredients and specific spices and herbs mixed just right, that culinary journey can turn that spoon or fork into a sort of time machine. It can bring you back to simpler times.

Janbi’s older sisters still have some of the handwritten recipes that their mother scribbled in loose notebook papers, each fragmented page tells a story of a time long gone but also serves as a treasure map to revive that magic.

“The way mama showed love and what she was most proud of was food. She would never hug us or kiss us or say ‘I love you,’ but she would lovingly prepare the dish you loved and that was her love language,” Janbi said.

Janbi was overwhelmed by the positive reception after her episode aired. Her friends flooded her inbox and tagged her on social media, praising the story that resonated deeply with viewers of all backgrounds. The storytelling was layered and complex but told in a clear way.

“Usually the artist is never satisfied with the final draft but I was happy with the way that the MBC Academy team was able to bring it to life, even though they modified some things and left things out that I was slightly upset about, like in my vision, the mother had different hair … but I also understood their decision,” she said.

Janbi especially wanted to thank MBC Academy’s Munira Altheeb, assistant project manager at MBC Academy Middle East, for her support.

But, most importantly, her family understood what she was trying to achieve. She had told her siblings about the story before it came out and when it was ready, they all watched it. Her brother, the one that inspired the story, was excited. Her older sisters cried. Her youngest sibling, a sister, was slightly upset that the story didn’t seem to include her.

“I told my little sister, ‘Don’t worry, the next film I write will feature a story from your point-of-view,’” Janbi said.

To this day, Janbi’s family have not yet perfected their mother’s green beans with shrimps dish, her favorite. But they will keep on trying.

And Janbi will keep on typing.

The short animated film, which runs just under 10 minutes, can be viewed on MBC Academy’s YouTube channel.

 


Saudi House kicks off Davos with push on Vision 2030, AI platform and ‘humanizing’ tourism

At Saudi House, ministers and executives set out how the Kingdom sees the next phase of its transformation. (Supplied)
Updated 20 January 2026
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Saudi House kicks off Davos with push on Vision 2030, AI platform and ‘humanizing’ tourism

  • Saudi ministers dominate pre-summit spotlight at Saudi pavilion, touting Vision 2030’s next phase and human capital as key to global edge
  • Ministry of Economy and Planning announced the SUSTAIN Platform which aims to accelerate AI-enabled, cross-sector collaboration for sustainable development

DAVOS: For regulars at the World Economic Forum, Monday in Davos is usually a chance to ease into the week, a time to reconnect, plan meetings and prepare for the intense schedule ahead.

This year, Saudi Arabia moved quickly to fill that lull, taking center stage with a packed program of panels ahead of Tuesday’s official opening.

At the Saudi House — the Kingdom’s official pavilion on the Promenade, returning after its debut as a standalone venue at the 2025 WEF Annual Meeting — Saudi ministers and global executives set out how the Kingdom sees the next phase of its transformation.

Monday’s speakers at the Saudi House included Minister of Finance Mohammed Al-Jadaan, Minister of Investment Khalid Al-Falih, Minister of Tourism Ahmed Al-Khateeb, and President and Vice Chairman of Meta Dina Powell McCormick. (Supplied)

Established by the Ministry of Economy and Planning, the venue is pitched as a platform for international thought leaders to tackle the challenges, opportunities and solutions shaping the global economy.

Opening a session on the Kingdom’s role at this year’s Forum and the next phase of Vision 2030 — now in its 10th year and roughly two-thirds complete — Princess Reema bint Bandar, Saudi Arabia’s ambassador to the US, said human capital “is the actual driver if you want a competitive, modern economy.”

She described one of the biggest achievements of the past decade as the emergence of a highly qualified cohort of young Saudis who could work anywhere in the world but “choose to come home, choose to build at home and choose to deliver at home,” calling this “the biggest symbol of the success of Vision 2030.”

Who can give you optimum access to opportunities while addressing risks? I contend that Saudi Arabia has been able to provide that formula.

Khalid Al-Falih, Saudi minister of investment

On the same panel, Minister of Finance Mohammed Aljadaan said this success is rooted in a “behavioral change” that has strengthened the Kingdom’s credibility with both international partners and its own citizens.

“Credibility comes from being very pragmatic, making sure that you maintain your fiscal policy discipline, but at the same time refocus your resources where it matters,” he said, warning that “markets will call your bluff if you’re not serious.”

The Saudi House, a cross-ministerial initiative led by the Ministry of Economy and Planning, is intended to underscore the Kingdom’s “commitment to global cooperation” by offering “a platform where visionary ideas are shared and shaped,” while showcasing opportunities and lessons from its “unprecedented national transformation.”

Lubna Olayan, Chair of the Corporate Board, Olayan Group

Echoing earlier comments to Arab News, Economy and Planning Minister Faisal Alibrahim said the Kingdom’s role as an anchor of stability has helped unlock its potential, stressing that while the objective is to decouple from reliance on a single commodity, “2030 is not the finishing line.”

Khalid Al-Falih, Saudi minister of investment, said Saudi Arabia has been able to enable access to opportunities while addressing major risks, arguing that few countries can match the Kingdom’s overall mix.

“No country has all of those to 100 percent,” he said. “But who can give you the mix that gives you optimum access to opportunities while addressing all of those risks?

Dr. Bedour Alrayes, Deputy CEO, Human Capability Development Program, Saudi Arabia

“I contend that Saudi Arabia has been able to provide that formula and the proof is in the pudding,” noting that local investment has doubled in recent years to reach levels comparable with India and China.

While societal transformation dominated the morning discussions, the afternoon turned to technology, tourism, sport and culture, four strategic sectors expected to spearhead Vision 2030’s next phase.

The Ministry of Economy and Planning used the day to announce the SUSTAIN Platform, due to launch in 2026, which aims to accelerate AI-enabled, cross-sector collaboration for sustainable development.

The ministry said SUSTAIN will translate the Kingdom’s public and private-sector coordination mandate into a practical national tool to help government entities, businesses, investors, academia and civil society identify credible partners, form trusted coalitions and move initiatives “from planning to implementation more efficiently,” addressing a global challenge where fragmented partnerships often slow delivery and blunt impact.

“We are in a moment in time where technology may well impact the face of humanity,” said Dina Powell McCormick, recently appointed president and vice chairman of Meta, welcoming the Kingdom’s “desire” to partner with technology companies and its embrace of innovation.

Minister of Tourism Ahmed Alkhateeb, discussing how technology is being deployed in his sector, underlined that “in travel and tourism, people are very important. We learn about other people’s culture through interacting with people. We digitalize the unnecessary and humanize the necessary.”

He added that while technological transformation is a priority, “we don’t want to replace this big workforce with technology. I think we need to protect them in Saudi Arabia, where we’re being a model. I’m an advocate of keeping the people.”

Throughout the week, Saudi House will host more than 20 sessions, including over 10 accredited by the WEF, across six themes: Bold Vision, Insights for Impact, People and Human Capability, Quality of Life, Investment and Collaboration, and Welcoming the World.

The pavilion will also launch “NextOn,” a new series of influential and educational talks featuring leading global voices.