Russian court orders journalist in Navalny case detained

Kravtsova had originally been detained hours after visiting Navalny’s grave in southern Moscow during the Russian presidential election. (AFP/File)
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Updated 29 March 2024
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Russian court orders journalist in Navalny case detained

  • SotaVision correspondent Antonina Kravtsova to be held in pre-trial detention on “extremism” charges
  • Kravtsova is accused of participating in an “extremist organization” and posting prohibited material on Navalny's platform

MOSCOW: A Moscow court on Friday ordered a journalist who covered the trials of late Kremlin critic Alexei Navalny to be held in pre-trial detention on “extremism” charges.
Prosecutors say Antonina Kravtsova, a correspondent for the independent SotaVision outlet, participated in an “extremist organization,” charges which carry up to six years in prison.
The Kremlin outlawed Navalny’s organizations as “extremist” before his death and has carried out a crackdown against his allies who stayed in Russia.
“The Basmanny District Court ordered Antonina Kravtsova to be remanded in custody for a period of two months,” the press service for Moscow courts said in a post on Telegram.
Kravtsova, who also goes by the name Antonina Favorskaya, regularly covered Navalny’s trials. She filmed a court hearing of him a day before he died in an Arctic prison colony last month.
She was arrested upon leaving jail earlier this week, where she had already served a 10-day sentence on charges of disobeying police orders.
She had originally been detained hours after visiting Navalny’s grave in southern Moscow during the Russian presidential election.
Prosecutors say Kravtsova posted materials on Navalny’s social media platforms that are banned in Russia.
In court on Friday, Kravtsova said the case was retribution for an article she wrote about how Navalny was “tortured” in prison, SotaVision reported.
The article was shared on X by Navalny’s wife, Yulia Navalnaya, who described it as an “important text.”
Navalny’s team has condemned the case and on Friday said the Russian regime was trying to create a “new wave of fear” among its critics.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.