Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix

Lindsay Lohan, center, star as Maddie, a book editor for a handsome Irish author. (Supplied)
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Updated 17 March 2024
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Review: No luck of the Irish for Lindsay Lohan’s new movie on Netflix

LONDON: We were told that Lindsay Lohan was decidedly “back” when she starred in “Falling for Christmas” at the end of 2022. That film was a run-of-the-mill festive movie which saw Lohan shrugging off her bad girl image for something a little more wholesome. Though the film was categorically average, it did seem that the Dubai-based actress was, at least a little bit, “back” after years out of the spotlight.

It’s a trend Lohan is seeking to continue with “Irish Wish,” a fantasy rom-com on Netflix which sees her star as Maddie, a book editor for handsome Irish author Paul Kennedy – who is also the subject of her unrequited love. When Paul (Alexander Vlahos) invites her to Ireland to celebrate his wedding, a heartbroken Maddie stumbles upon a magical stone chair (yes, really) presided over by a whimsical, mischievous Irish woman (yes, really) with the power to grant your heart’s desires. Maddie wishes she was the one marrying Paul and, lo and behold, she wakes up the next morning transformed into his bride-to-be. Which would be great if she hadn’t already had a contrived and clumsy meet-cute with handsome photographer James (Ed Speleers, slumming it here in sharp contrast to some of his excellent recent work). Having set up the requisite rom-com ingredients, director Janeen Damian then lets her leading lady at it — cue a series of bumbling set pieces, longing glances and awkward conversations which lead to a climactic showdown when Maddie must decide whether to stick with her new life or try to get back the one she wished away.




Lindsay Lohan stars in 'Irish Wish' on Netflix. (Supplied)

To be fair, there are few actors better than Lohan at pulling off this kind of by-the-numbers romantic fluff. But this is far from her best work and far from her best film — even by rom-com standards, “Irish Wish” is pretty dire. Every set piece feels dated and derivative, every exchange between the stars lacks any sense of natural conversation or connection.

Rom-coms often get a bit of a pass because they give audiences exactly what they expect. Sadly, in this case, what viewers should expect is some awkward faux-romance and precious little comedy.

 


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”