East London’s streets become canvas for pro-Palestine art 

A mural of Palestinian journalist Wael Al Dahdouh in London by Nacho Welles. (Creative Debuts)
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Updated 29 February 2024
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East London’s streets become canvas for pro-Palestine art 

  • Nine graffiti murals spotlight Palestinian journalists and doctors in Gaza with their Instagram handle
  • 'History will judge us all,' Creative Debuts founder says

LONDON: When exploring East London, a vibrant display of creativity and dissent is evident.

Amid the backdrop of coffee shops spinning vinyl records and speakeasies tucked away in butcher shops, the streets have become a canvas for an array of art voicing solidarity with the Palestinian people.

The latest addition has been the “Heroes of Palestine” project, a collection of nine graffiti murals celebrating the resilience of frontline workers in Gaza.




A mural of Palestinian journalist Bisan Owda in London by Lours. (Creative Debuts)

First launched by the art platform Creative Debuts in January, each mural spotlighted a civilian journalist along with their Instagram handle. They include Motaz Azaiza, Wael Dahdouh, Plestia Al-Aqad, Bisan Owda, Hind Khoudary, and Doaa Al-Baz.

Citizen journalists, who are risking their lives to document Israel’s bombardment and military invasion of Gaza, have played a crucial role in humanizing Palestinians.

Through platforms like Instagram, they have forged deep emotional bonds with a global audience, drawing attention to the death and destruction brought on by the war. 

“The murals bring it back to the human beings on the ground and the fact that there’s a huge, tremendous loss of life,” Creative Debuts founder Calum Hall told Arab News. 

“There’s a horrendous amount of casualties, with 90 percent of the population displaced. There’s obviously the situation happening in Rafah at the moment, which is devastating,” he added.

The community-driven project has captured the attention of both the local community and a global audience, with Hall noting that “as far as social media goes, the murals are by far the most engaged pieces we’ve ever done.”




A mural of Palestinian doctor Ahmed Moghrabi spray painted in Peckham, London. (Creative Debuts)

Following the campaign’s initial success, Creative Debuts expanded their project in February to include a tribute to Gaza’s doctors.

Hall says the murals, which have all been seen by their subjects in Gaza via social media, also serve to boost morale.

“Particularly, with the medical professionals, they’re dealing with such harrowing circumstances all the time. So, if we can even provide a 1 percent bit of hope, encouragement, and love, that has a knock-on effect for the people around them.

“We want the people out there to know they’re being seen, know they’re being heard, and know they’re being loved.”

Meanwhile, Hall advocated for the use of street art as a form of activism, a conduit for dialogue, and a tool to connect communities.

“Street art is for the people. It’s the most accessible art form, so it very much should be depicting what’s going on in society.

“Everyone loves it, taking photos, engaging with it. But it is a form of rebellion, it is a form of activism in itself and it’s the perfect way for us to get this campaign out.”




A mural of Palestinian journalist Plestia Alaqad in London painted by  Ed Hicks. (Creative Debuts)

Israel’s brutal war on Gaza, now in its sixth month, has killed nearly 30,000 people, the majority of whom are women and children.

As of Feb. 15, a YouGov poll indicates that 66 percent of Britons want Israel’s war to stop. However, the UK government has not called for an immediate ceasefire, nor has it halted the transfer of arms to Israel amid concerns that they might be used to commit “war crimes” against Palestinians.

London has witnessed some of Europe’s largest pro-Palestine protests since October, with regular marches on Saturdays, drawing hundreds of thousands.

“What seems to be really apparent is there’s a disconnect between how serious the issue is, how the politicians are handling it, and what the public thinks,” Hall said.

“I think that’s creating a bigger fissure between the public and the people in charge in this country,” he added.

The founder concluded: “The murals are an important legacy for all of us, to rally behind the people in Gaza but to also let our politicians know that we’re not happy about it.

“We’re not happy seeing this destruction and devastation in real time on our social media; it’s unavoidable. History will judge us all.”

Creative Debuts has launched a GoFundMe to continue the creation and documentation of the “Heroes of Palestine” murals, with funds directly allocated to the artists, materials, and the photographer.


Western media refute Trump’s claims Iran possesses Tomahawk missiles

Updated 10 March 2026
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Western media refute Trump’s claims Iran possesses Tomahawk missiles

  • Speaking to journalists, Trump suggested Tehran used US-made cruise missile in school attack that killed over 170, calling the weapon ‘very generic’
  • CNN, Sky News and analysts said that ‘neither Israel nor Iran use Tomahawk missiles,’ urged accurate identification to ensure credibility in public discourse

LONDON: Western media outlets and defense analysts have pushed back against claims by US President Donald Trump that Iran possesses Tomahawk cruise missiles, after he raised the possibility while discussing a recent strike on an Iranian school that has drawn international scrutiny.

Speaking to reporters on Monday, Trump suggested Iran may have used Tomahawks in the attack, calling the weapon “very generic” and implying that multiple countries, including Iran, could have access to the system.

However, journalists and weapons experts swiftly disputed that assertion. They noted that Tomahawk missiles are US-manufactured cruise missile systems that Washington supplies only to a small number of close allies, primarily the UK and Australia. There is no credible evidence that Iran has ever obtained the weapon.

CNN anchor Erin Burnett referenced an investigation by correspondent Isobel Yeong that concluded “neither Israel nor Iran use Tomahawk missiles, according to experts.” Sky News and other Western outlets also challenged Trump’s remarks.

Analysts pointed out that Iran has developed its own domestic cruise missile systems, such as the Soumar and Hoveyzeh, which are believed to be based partly on older Soviet-era designs.

While these systems resemble cruise missiles in concept, experts say they differ significantly from the Tomahawk in design, propulsion configuration and operational characteristics.

While Iran has made substantial advances in ballistic and domestically produced cruise missiles over the past two decades, defense analysts said there is no verified evidence that Tehran holds the American-made system.

The episode reflects a broader pattern in which statements about military technology are rapidly scrutinized by open-source investigators and defense experts.

Experts say the distinction is important: accurately identifying the type of missile used in a strike can provide clues about the likely actor responsible, the launch platform involved and the broader geopolitical consequences of a strike.

Analysts also say that accurate identification of military systems remains essential for avoiding misinformation and for maintaining credibility in public discourse surrounding regional security.

Despite the growing body of evidence, the precise circumstances of the school attack nonetheless remain unclear, with investigators hampered by a lack of weapons fragments and limited access to the site.

Norway-based rights group Hengaw said the school was holding its morning session at the time of the reported attack and had at least 168 children and 14 teachers.

Trump said the US was continuing to investigate the incident. “Whatever the report shows, I’m willing to live with that report,” he said.