Popular manga character Captain Tsubasa will continue in different formats: Creator Yoichi Takahashi

The manga creator thanked his Arab fans for their support of the manga. (AN photo)
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Updated 14 February 2024
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Popular manga character Captain Tsubasa will continue in different formats: Creator Yoichi Takahashi

  • Captain Tsubasa is known as Captain Majid in the Arab world
  • Manga series was first published in 1981 in Weekly Shonen Jump

ABU DHABI: The popular manga character Captain Tsubasa, known as Captain Majid in the Arab world, will be brought to life in other formats, says creator Yoichi Takahashi.

Speaking to Arab News Japan on Sunday, on the final day of the Middle East Film and Comic Con in Abu Dhabi, Takahashi said he would continue developing the character.

“Even when the manga series ends, there is still the animation (and that’s) where I believe the storytelling can continue, which is why I still fully intend to continue writing the story,” Takahashi said of the anime “Captain Tsubasa Magazine” that was first published in 1981, and serialized in the Weekly Shonen Jump publication.

In January, the iconic manga creator posted a statement on X, where he said the manga series would come to an end because at 60 years of age he did not feel he had the “physical” capacity for drawing on a regular basis. In addition, the COVID-19 pandemic had affected the staff support he had previously.

“If I do the math, it may take more than 40 years from here on out for all of this concept to be made into a manga,” he said in his statement. “It occurred to me that it might be possible if I concentrated only on preserving the ‘story’ in the form of a name (a kind of storyboard that serves as the basis for the creation of the manga).

 

During his interview with Arab News Japan on Sunday, he said he started considering ending the manga series around a year ago.

“Drawing the stories I have in my head into manga is something that will take a lot of time. I thought that it is better (to stop the manga series, focus on organizing stories in my head, and seek other ways to visualize the stories),” he said. “That will enable me to reach the finale of Tsubasa. That’s the route I have chosen.”

The manga creator hopes that fans will continue supporting Captain Tsubasa in its different formats. “I would appreciate it if (the fans) followed the story wherever it went,” he told Arab News Japan. “The story is not over yet. It will continue. I hope that all (the fans) continue to enjoy it in the future.”

After being dubbed into Arabic, Captain Majid became one of the most popular Japanese anime in the Middle East region. In a YouGov survey conducted by Arab News, 75 percent of the respondents across all age groups cited it as their favorite of all time.

“Soccer is beloved around the world in all nations, not just Japan. The protagonist has a big dream of being the world’s top soccer player,” Takahashi shared, reflecting on why the show became popular in the Middle East.

He thanked his Arab fans during his trip to Abu Dhabi. “To everyone in the United Arab Emirates and in the Gulf region, I want to thank you all for reading and supporting a manga from Japan, even though we are so far away. Thank you so much.”

Takahashi held a meet-and-greet session at MEFCC on Sunday. He also participated in a panel discussion titled “From the Football Fields of Shizuoka to a Global Japanese Icon,” moderated by Amy Teano, where he discussed his inspiration for the manga.


From trends to routines — how beauty is evolving in the Gulf region

Updated 03 February 2026
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From trends to routines — how beauty is evolving in the Gulf region

DUBAI: The beauty landscape in the Gulf is shifting, driven by a new generation of consumers who see skincare, self-care and digital discovery as part of their everyday lives. According to Nicole Nitschke, managing director of FACES Beauty Middle East, the region has moved far beyond simply buying products.

“Beauty in the GCC (Gulf Cooperation Council) has evolved from being product-focused to increasingly experience-driven, with consumers seeking solutions that combine effectiveness, self-care and personalization,” she told Arab News. 

Shoppers today may browse online, but many still want to touch, test and experience products in-store, creating what she describes as a balance between digital inspiration and physical retail.

That evolution is being led by Gen Z — those born between the late 1990s and early 2010s. “Gen Z in the GCC is informed, experimental and digitally connected,” Nitschke said. “Social media plays a major role in how young consumers discover and engage with beauty trends, and routines that support both appearance and wellbeing have become especially important to them.”

One of the most powerful trends shaping this generation is the rise of Asian and Korean beauty. Nitschke said: “The success of Korean beauty in the GCC is driven by a convergence of product excellence and innovation, accessible pricing and cultural influence. K-beauty is not just about products; it represents a broader lifestyle movement.”

From K-pop to K-dramas, Korean pop culture has created an aspirational pull that resonates strongly with young consumers in the region. But it is also about results, Nitschke said: “Its products deliver high quality and visible results.” 

In the Gulf’s climate, skincare routines have also become more purposeful. “GCC consumers are gravitating toward hydration-focused and barrier-supporting products, including essences, serums, ampoules and lightweight creams,” she said, adding that multi-step routines centered on skin health and self-care are especially popular.

Shoppers in the region are also highly aware of what they are putting on their skin, she says: “They are highly ingredient-conscious, value education and seek guidance that combines expertise with accessibility.”

Looking ahead, Nitschke believes Korean beauty is here to stay: “Korean beauty has become structurally integrated into the GCC market, influencing routines, expectations, and retail offerings.” It is no longer a passing trend, but a permanent part of how beauty is understood in the region.