From trends to routines — how beauty is evolving in the Gulf region

According to Nicole Nitschke, managing director of FACES Beauty Middle East, the region has moved far beyond simply buying products. (Supplied)
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Updated 03 February 2026
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From trends to routines — how beauty is evolving in the Gulf region

DUBAI: The beauty landscape in the Gulf is shifting, driven by a new generation of consumers who see skincare, self-care and digital discovery as part of their everyday lives. According to Nicole Nitschke, managing director of FACES Beauty Middle East, the region has moved far beyond simply buying products.

“Beauty in the GCC (Gulf Cooperation Council) has evolved from being product-focused to increasingly experience-driven, with consumers seeking solutions that combine effectiveness, self-care and personalization,” she told Arab News. 

Shoppers today may browse online, but many still want to touch, test and experience products in-store, creating what she describes as a balance between digital inspiration and physical retail.

That evolution is being led by Gen Z — those born between the late 1990s and early 2010s. “Gen Z in the GCC is informed, experimental and digitally connected,” Nitschke said. “Social media plays a major role in how young consumers discover and engage with beauty trends, and routines that support both appearance and wellbeing have become especially important to them.”

One of the most powerful trends shaping this generation is the rise of Asian and Korean beauty. Nitschke said: “The success of Korean beauty in the GCC is driven by a convergence of product excellence and innovation, accessible pricing and cultural influence. K-beauty is not just about products; it represents a broader lifestyle movement.”

From K-pop to K-dramas, Korean pop culture has created an aspirational pull that resonates strongly with young consumers in the region. But it is also about results, Nitschke said: “Its products deliver high quality and visible results.” 

In the Gulf’s climate, skincare routines have also become more purposeful. “GCC consumers are gravitating toward hydration-focused and barrier-supporting products, including essences, serums, ampoules and lightweight creams,” she said, adding that multi-step routines centered on skin health and self-care are especially popular.

Shoppers in the region are also highly aware of what they are putting on their skin, she says: “They are highly ingredient-conscious, value education and seek guidance that combines expertise with accessibility.”

Looking ahead, Nitschke believes Korean beauty is here to stay: “Korean beauty has become structurally integrated into the GCC market, influencing routines, expectations, and retail offerings.” It is no longer a passing trend, but a permanent part of how beauty is understood in the region.


Berlinale responds to backlash over Gaza-related comments

Updated 26 sec ago
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Berlinale responds to backlash over Gaza-related comments

The Berlin International Film Festival has issued a statement after what organisers described as a growing “media storm” linked to comments about the war in Gaza and the broader role of politics in cinema.

Festival director Tricia Tuttle released a lengthy note late Saturday following criticism directed at several high-profile guests. The controversy began during the opening day press conference when jury president Wim Wenders was asked about the conflict in Gaza. He responded: “We have to stay out of politics because if we make movies that are dedicatedly political, we enter the field of politics,” a remark that sparked swift backlash online.

Indian author Arundhati Roy later withdrew from the festival, reportedly angered by the remarks.

Other prominent figures, including Michelle Yeoh and Neil Patrick Harris, also faced online criticism after responding cautiously to questions about politics. Harris stated that he was interested in “doing things that were ‘apolitical,’” a comment that further fuelled debate.

In her statement, Tuttle defended the festival and its participants, stressing the importance of artistic freedom. “People have called for free speech at the Berlinale. Free speech is happening at the Berlinale. But increasingly, filmmakers are expected to answer any question put to them. They are criticised if they do not answer. They are criticised if they answer and we do not like what they say. They are criticised if they cannot compress complex thoughts into a brief sound bite when a microphone is placed in front of them when they thought they were speaking about something else,” she said.

She added: “It is hard to see the Berlinale and so many hundreds of filmmakers and people who work on this festival distilled into something we do not always recognise in the online and media discourse… It is a large, complex festival.”

“Artists are free to exercise their right of free speech in whatever way they choose… nor should they be expected to speak on every political issue raised to them unless they want to,” Tuttle said.