How Saudi Arabia is using wildlife conservation, habitat protection, and the green transition to preserve its ecosystems

Short Url
Updated 03 February 2024
Follow

How Saudi Arabia is using wildlife conservation, habitat protection, and the green transition to preserve its ecosystems

  • Harnessing renewables and promoting biodiversity are key to climate action, environmental experts tell Arab News
  • Saudi Green Initiative aims to cut emissions, plant 10 million trees and safeguard 30 percent of the Kingdom’s territory

RIYADH: Saudi Arabia aims to be at the forefront of environmental protection through initiatives aimed at restoring and maintaining the ecological balance, which promotes harmonious and flourishing ecosystems.

Climate action, clean energy, and preserving habitats are just some of the 17 Sustainable Development Goals incorporated into Saudi Arabia’s 2030 Agenda for Sustainable Development.

The SDGs serve as a blueprint for achieving a balanced ecosystem for wildlife, water, and the environment in the Kingdom.

Without balance, ecosystems face major challenges from global warming, water shortages, and the loss of biodiversity.

Carlos Duarte, a distinguished professor of marine science at the King Abdullah University of Science and Technology and Tarek Ahmed Juffali Research Chair in Red Sea Ecology, has spent 40 years researching ocean ecosystems.

 

 

“Loss of biodiversity reduces the capacity of ecosystems to maintain their functions under stress, such as under climate change,” Duarte told Arab News. “It directly impacts food security, but also by undermining pollination, the nursery role of many ecosystems for fisheries, and pest and disease control.

“It also represents the loss of natural products and genes of potential interest in pharma, cosmetic, food, energy, and environment applications before we have even discovered them.

“These are the major consequences of biodiversity loss, climate change and the impact of widespread pollution on our societies, economies, and well-being. The emerging concept is one of ‘one health,’ which recognizes that our health and that of our ecosystems are intimately linked, so that there are no healthy people on a sick planet.”

National Center for Wildlife

Established in 1986, the National Center for Wildlife is responsible for protecting and preserving plants and animals in Saudi Arabia.

The center is leading the initiative to expand the Kingdom’s protected land and sea area to 30 percent, to help rehabilitate ecosystems and enrich biodiversity.

 

DIDYOU KNOW

1

The fine for unauthorized hunting in Saudi Arabia amounts to SR10,000 ($2,666) while fines for harming living animals range from SR1,500 to SR200,000.

2

Fines for violators of logging regulations start at SR1,000 and can reach SR20 million. Penalties can be doubled for repeat violations.

3

The National Center for Wildlife prohibits the hunting of all types of animals or birds within the borders of cities, villages, centers, farms, and rest houses, within various proximities to populated areas, as well as military and industrial centers, various institutions, and within protected areas and major projects. It also prohibits hunting along the Saudi coast at an inland limit of 20 km.

4

The NCW presented an infographic pointing out article 4 of the Executive Regulations for Wildlife Hunting, which prohibits hunting predators such as the Arabian leopard, hyenas, wolves, jackals, lynxes, sand cats, common genets, and honey badgers.

5

Hunting endemic birds in the Kingdom is also prohibited, in addition to ungulates, including the Arabian oryx, the sandy-colored goitered antelope, the mountain gazelle (whether found in mountains or on the Farasan Islands), and the Nubian ibex.

It is also involved in 10 breeding programs to aid the reintroduction and propagation of endangered species including the Arabian oryx, sand gazelle, mountain ibex, bustards, and ostriches, as well as predators, such as the Arabian wolf, striped hyena, lynx, and cheetah.

The NCW recently collaborated with the Saudi Konoz Initiative, under Saudi Arabia’s Ministry of Media’s Center for Government Communication, on “Horizon,” a Netflix documentary showcasing the Kingdom’s diverse wildlife.

Saudi Green Initiative

Inaugurated in 2021, the Saudi Green Initiative features 81 projects designed to cut carbon emissions by 278 million tonnes per year, plant 10 million trees across the country, and safeguard habitats.




Caption

The SGI uses the circular carbon economy, a framework focused on managing emissions. Saudi Arabia has implemented more than 30 CCE initiatives across the energy system to date.

One of the SGI’s focus areas is “whole-of-society action,” which encourages the public and private sectors to work together and enables citizens to participate.

Red Sea Global

 

The Red Sea is home to the world’s fourth-biggest barrier reef, where marine life and coral thrive.

Established in 2018, Red Sea Global aims to transform the Kingdom’s west coast into a world-class tourism and hospitality destination.




Rendering of a Red Sea Global project off Umluj and Al-Wajh in Tabuk province. (Supplied)

Located between Umluj and Al-Wajh, the project covers an area of 28,000 square kilometers.

Omar Al-Attas, head of environmental protection and regeneration at Red Sea Global, told Arab News the firm aims to protect ecosystems by using 100 percent renewable energy and promoting “regenerative tourism.”

“One of the strategic goals that we are trying to realize is achieving 30 percent net conservation benefit by 2040 by enhancing biologically diverse habitats including mangroves, seagrass, corals, and land vegetation,” he said.

The RSG is currently working on seven SGI projects, which include establishing the largest marine-protected area in the region. It also aims to limit development and visitor footfall to protect the environment




Launched in 2017, NEOM's Oxagon project in Tabuk features a floating industrial complex, global trade hub, tourist resorts and a linear city powered by renewable energy sources. (Supplied)

“We made the decision to develop only 22 of the more than 90 islands,” Attas said. “We limited our development to accommodate no more than 1 million visitors a year at the Red Sea and 500,000 at AMAALA,” two of RSG’s luxury projects.

However, Attas believes society as a whole has a role to play in environmental protection.

“Individuals can help promote a balanced ecosystem by reducing waste, conserving water and energy, planting native species, using sustainable transportation, supporting local and sustainable food, minimizing chemical use, protecting natural habitats, educating others about environmental issues, and supporting conservation organizations,” he said.




Society as a whole has a role to play in environmental protection, says Omar Al-Attas, head of environmental protection and regeneration at Red Sea Global. (Supplied)

NEOM Green Hydrogen Company

The world’s biggest green hydrogen plant at NEOM’s Oxagon is expected to be fully operational by 2026, producing up to 600 tonnes of green hydrogen per day.

Green hydrogen is made through a process of electrolysis using only renewable energy sources, which makes it carbon free to produce. When hydrogen undergoes combustion, it produces nothing but water vapor, so it is also carbon free to use.

The Kingdom aims to be the world’s largest hydrogen energy producer and exporter, producing up to 4 million tons of clean hydrogen per year.




Illustration showing the Oxagon's green hydrogen project. (X: @NGHC_)

Duarte says these projects are raising community awareness about the importance of sustainable living.

“We can only promote a balanced ecosystem if we are aware of the broader consequences of our choices and behavior,” he said. “Our choices of energy source and delivery systems for transport or illumination, our respect for water — essential for a Bedouin culture where the respect for scarce water resources was of absolute importance — and the responsible generation and disposal of waste are all key elements of our footprint on the environment.

“Vision 2030 has not only brought about a commitment with sustainable development that is far more sincere and pervasive than I have seen in any other nation; it has also reconnected Saudi society with a heritage of sustainability and commitment as custodians of biodiversity and ecosystem that is reflected in projects around the Kingdom, from the Red Sea Project to AlUla and Diriyah Gate.”

 

 


Capturing the Kingdom a frame at a time

Mohammed Babelli’s journey into visual documentation began at an early age and evolved into a publishing project. (Supplied)
Updated 5 sec ago
Follow

Capturing the Kingdom a frame at a time

  • Photographer and publisher Mohamed Babelli has spent a lifetime documenting Saudi Arabia’s landscapes

RIYADH: Long before Saudi Arabia’s cultural and archeological treasures were known to the world, Mohamed Babelli had already developed an instinct for uncovering its archaeological gems.

Consultant engineer by profession and photographer by passion, Babelli’s journey into visual documentation began at an early age and evolved into a publishing project.

“I received my first camera as a gift from my father before a summer trip to Cyprus in 1978. Since then, photography was associated with travel,” Babelli told Arab News.

Mohammed Babelli’s journey into visual documentation began at an early age and evolved into a publishing project. (Supplied)

That early exposure shaped a lifelong habit of seeing places through a photographer’s lens. In the early 1990s, Babelli began exploring the outskirts of Riyadh with colleagues from around the world, documenting landscapes rarely photographed at the time.

His interest deepened in the mid-1990s when he collaborated with an Australian photographer on books focused on Saudi Arabia’s natural environment.

“I returned from that trip with some good photographs and a decision to work on a book about Mada’in Saleh, AlUla and the Hejaz Railway,” Babelli said.

HIGHLIGHTS

• Mohammed Babelli’s work led to the founding of Desert Publisher in Riyadh in 2008, a publishing house specializing in high-quality visual publications about the Kingdom.

• ‘Antiquity of Saudi Arabia’ began in 2009 and took 15 years to complete, with support from the Cultural Development Fund enabling its final stages.

It took five years to complete “Mada’in Saleh,” which was published in English in 2003, with text researched and written by his brother, Ibrahim Babelli. The book was among the first visual works to document Hegra, AlUla and the historic railway in a single volume.

Mohammed Babelli’s journey into visual documentation began at an early age and evolved into a publishing project. (Supplied)

His work led to the founding of Desert Publisher in Riyadh in 2008, a publishing house specializing in high-quality visual publications about the Kingdom.

Babelli said the name reflected the publisher’s strong connection to the desert and Saudi heritage, a theme evident in both the design and content of its books. The name is also inspired by a transformative expedition earlier that year across the Empty Quarter.

“The expedition had a great impression on me,” said Babelli.

Mohammed Babelli’s journey into visual documentation began at an early age and evolved into a publishing project. (Supplied)

“Saudi Arabia,” published in 2007, is a visually rich volume that takes readers on a journey across the Kingdom, covering cities, traditions, architecture, people, heritage, religion, archaeology, nature and daily life.

What set the book apart was its multilingual format. From its first edition, it was published in four languages — English, French, German and Spanish — in order to reach an international audience.

“Since a young age, I had the opportunity to travel to different countries, east and west,” said Babelli. “In Europe, and in Germany in particular, I found cultural books include at least three languages.

“My goal was to provide the viewer or reader with a beautiful picture of Saudi Arabia, along with correct information in their language, so that they can enjoy and learn about (it),” he added.

Over time, his books expanded to feature nine languages, including Arabic, English, French, German, Spanish, Russian, Chinese, Japanese and Korean. This made them a natural choice for Saudi embassies, international conferences and major global events, including conferences in Senegal and Spain, as well as Expo Shanghai in China.

In 2019, the Saudi Ministry of Foreign Affairs selected several of the publisher’s titles for distribution to the Kingdom’s diplomatic missions worldwide to mark Saudi National Day.

Having witnessed every major phase of photography, Babelli’s work reflects both technical evolution and artistic discipline.

“Photography evolved greatly since I started taking photos,” he said. “I remember I started with negative films. My first use of positive films was not successful; I came back with a film I could not develop from a visit to the Alhambra Palace in Spain in 1983.”

From manual film cameras to slide photography, medium format systems and eventually digital platforms, Babelli adapted.

“When digital cameras came into the market, I immediately started using the best of the line available,” he said. “I never went back to film.”

Despite advances in technology, Babelli remains firm in his belief that equipment alone does not define success.

“What is important is the eye of the photographer,” he said, advising young photographers to start with what they could afford and upgrade as their knowledge expands.

To date, Babelli’s most ambitious project to date is “Antiquity of Saudi Arabia.” The project began in 2009 and took 15 years to complete, with support from the Cultural Development Fund enabling its final stages.

The book, which presents Saudi Arabia’s archeological heritage in a structured chronological sequence, was published in September 2025 and unveiled at the Riyadh International Book Fair.

The 384-page volume documents antiquities from across the Kingdom, from the Stone Age and early human presence on the Arabian Peninsula to the unification of Saudi Arabia in the 1950s.

It was developed with the contribution of leading academics and archeology specialists, including university professors and former museum directors, some of whom remain actively involved in excavation work. This ensured the accuracy of the material and the correct contextual linking of images to their original archaeological sites.

“We started with the arrival of the ancient human into the Arabian Peninsula over 1.3 million years ago,” Babelli said. “The book covers the Stone Age, ancient civilizations, ancient Arab kingdoms, the Islamic era and the Saudi state.”

The volume combines art and visual storytelling with texts written by specialists and links to academic references, with photographs carefully selected from Babelli’s extensive archive.

“I took all opportunities to photograph as many objects as I was able to,” he said. “Selection of the photos was done jointly with Dr Awad Al-Zahrani and Abdulaziz Al-Omari to ensure the best representation of the subject.”

While most of Babelli’s work centers on Saudi heritage, one publication stands apart — a book dedicated to Al-Aqsa Mosque in Palestine. Published in 2017, it evolved through collaborations with international scholars and photographers.

Seeing his books reach global audiences and feature at official events remains deeply meaningful: “It is the ultimate success,” he said.

Babelli believes documenting places and history through photography is both a responsibility, legacy and faith, yet his guiding philosophy remains unchanged: “Do the best work you can to the highest quality level,” he said, quoting a verse from the Qur’an: “And say: ‘Work (righteousness): Soon will Allah observe your work, and (so will) His Messenger, and the Believers’.”