⁠Google launches Gemini Pro in Bard and other features in MENA

Google said that it has built in safety precautions for watermarking and identifying AI-generated images. (Supplied)
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Updated 02 February 2024
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⁠Google launches Gemini Pro in Bard and other features in MENA

  • Users will also be able to use Google’s double-checking feature in Arabic

DUBAI: Google announced on Thursday that it is launching some of its most recent features and tools in the Middle East and North Africa region.

These include the Pro version of its multimodal AI model, Gemini, in its chatbot Bard; and the double-check and image-generation features.

Google integrated Gemini Pro into Bard in English last December and is now rolling out the integration in more than 40 languages, including Arabic.

A Google spokesperson told Arab News: “Now that Bard is powered by our specifically fine-tuned version of Gemini Pro, you will start to see a more conversational and lively tone in its responses; Bard is becoming a more conversational and intuitive collaborator.”

The spokesperson added: “We’ll continue to invest in fine-tuning the model and improving general language quality in a way that’s both bold and responsible.”

Last September, Google enabled users to double-check Bard’s answers through the “Google it” button, but this was only restricted to English conversations.

The feature will now be available in Arabic, so when users click on the “G” icon, Bard will evaluate whether there is content across the web to substantiate its response.

If it can be evaluated, the user can click the highlighted phrases and learn more about supporting or contradicting information found by Google Search.

The image generation feature, which allows people to generate images using Bard, is now available in the MENA region but only in English.

Google said that it has built in safety precautions, such as using SynthID, a tool for watermarking and identifying AI-generated images, which embeds a digital watermark into the pixels of an image.

This kind of watermark is not apparent to the human eye but can be detected for identification and verification.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.