Saudi opera singer Sawsan Albahiti on performing in AlUla with Andrea Bocelli

Andrea Bocelli (R), Sawsan Albahiti and Serena Gamberoni (L) on stage in AlUla on Jan. 26. (Supplied)
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Updated 28 January 2024
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Saudi opera singer Sawsan Albahiti on performing in AlUla with Andrea Bocelli

DUBAI: Some dreams really do come true. When Saudi opera singer Sawsan Albahiti was still a university student in the UAE, she had a very particular dream about performing with the artist who inspired her the most — Italian tenor Andrea Bocelli.

“I don’t know why, but he was always wearing a blue suit and I was wearing black,” she tells Arab News.

On Jan. 26, Albahiti — dressed in black — sang Bocelli’s signature song “Time To Say Goodbye” (“Con te partiro” in Italian) with Bocelli (who wore a blue tuxedo) and Italian soprano Serena Gamberoni as the closing number of his concert at AlUla’s Maraya Theater. 




Sawsan Albahiti and Andrea Bocelli backstage at the Maraya Theater on Jan. 26. (Supplied)

“To perform with the person that inspired you to do what you always dreamed of doing is, of course, the biggest deal ever,” Albahiti says. “I remember when I was studying in the UAE, whenever I went to Dubai Mall I’d go to the dancing fountains, and they would play his song with Sarah Brightman, ‘Time To Say Goodbye.’ I’d always get goosebumps and tear up. I was always so fascinated by the beauty and the magic in his voice. He made me love this whole art. I always dreamed of performing this song with him.”

Albahiti also gave a pre-show and a solo performance at the special concert, which was organized by the Royal Commission For AlUla.

Albahiti says it was typical of Bocelli to invite a local artist up on stage to perform with him, and highlights his generosity as a performer.

“Between his singing parts, he turned to me and said in Italian, ‘Prego,’ meaning ‘You are welcome here,’” she says. “There was a massive roar and a standing ovation when we finished the song.” 

This wasn’t the first time that Albahiti has met Bocelli. Their first encounter took place in 2021, and it was an emotional one.

“He was so humble and kind,” she recalls. “I told him, ‘You are the reason why I went into opera. You inspired me.’ And he teared up. His story is a very inspiring one, full of challenges. On top of the physical disability of blindness, he also faced difficulty at the start of his career getting the recognition he deserved from producers and record labels. But he kept on going. He pursued his dream.”


REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Updated 52 min 45 sec ago
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.