REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Harrison Ford, left, shines in a season that focuses on “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. (Supplied)
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Updated 19 February 2026
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.


‘Maghras’ carries Al-Ahsa’s experimental farm from oasis to page

Updated 19 February 2026
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‘Maghras’ carries Al-Ahsa’s experimental farm from oasis to page

AL-AHSA: Beneath a full moon and swaying palm trees, “Maghras: A Farm for Experimentation” was launched this month in Al-Ahsa, drawing a full crowd to Al-Sbakh Farm — the very landscape that inspired it.

Al-Ahsa, in Saudi Arabia’s Eastern Province, is home to 2.5 million date palms and is officially the largest palm oasis in the world, according to the Guinness Book of Records.

That agricultural abundance forms the foundation of Maghras, a project founded in 2024 by longtime friends Lulu Almana and Sara Al-Omran, who both grew up in the Eastern Province. Conceived as a space for experimentation, research and dialogue, Maghras centers on Al-Ahsa’s agricultural and cultural heritage.

The farm that hosts the project, Al-Sbakh, was established by the late Noura Al-Mousa, who worked alongside farmers and craftspeople for decades. Today, it is managed by her son’s Abdulmohsen Al-Rashed Humanitarian Foundation, alongside Dar Noura Al-Mousa for Culture and Arts, housed in her former home.

Earlier this year, Maghras traveled beyond the oasis. Curated by Almana and Al-Omran with US-based creative director Alejandro Stein, the project was presented at the Triennale di Milano from May 13 to Nov. 9, 2025 — marking the Kingdom’s inaugural participation. Commissioned by the Architecture and Design Commission under the Ministry of Culture, the pavilion took the form of a transplanted maghras, a traditional land unit defined by four palm trees.

The newly launched book, edited by Almana and Al-Omran alongside longtime collaborator Latifa Al-Khayat, extends that journey. Divided into five chapters — Water, Land, Infrastructure, Proximities and Lineages — it weaves imagery and text to document the farm’s evolving agro-ecosystems and seasonal harvest.

Featuring illustrations by Nada Al-Mulla and maps by Hayes Buchanan, and printed by Grafiche Mariano, Italy, and published by Kaph Books, the bilingual volume can be read in English or Arabic with identical wording.

Prince Nawaf bin Ayyaf, CEO of the Architecture and Design Commission, delivered opening remarks at the launch and is featured throughout the publication and the project’s journey.

The book is not a catalogue of the Milan activation. Instead, it captures the spirit of the experimental farm, including commissioned works by Leen Ajlan, Sawtasura (Tara Al-Dughaither), and Mohammad Al-Faraj. Developed through research and workshops circling the central maghras, the publication brings together insights, origin stories and first-person essays.

With attendees crossing from neighboring Bahrain and generations of Hasawi elders and emerging voices gathered under the palms, the launch underscored Maghras’s central premise: rooted in Al-Ahsa, yet reaching far beyond it.