AlUla, Italian city in twinning agreement to promote cultural heritage

AlUla and Matera have inked a twinning agreement aimed at safeguarding and promoting their cultural heritage. (Supplied)
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Updated 12 December 2023
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AlUla, Italian city in twinning agreement to promote cultural heritage

  • RCU and Matera will collaborate through cultural exchanges, joint initiatives, and knowledge sharing

RIYADH: Officials from the Royal Commission for AlUla and the Italian city of Matera have inked a twinning agreement aimed at safeguarding and promoting their cultural heritage.

The signing ceremony was held at Sassi di Matera, a UNESCO World Heritage Site in the south of the country.

Matera, best known for its Sassi inhabited caves, celebrated its 30th anniversary as a World Heritage Site this year, while AlUla, home to Hegra, Saudi Arabia’s first UNESCO World Heritage Site, boasts a 2,000-year-old legacy shaped by the Nabataean kingdom.

Under the new deal, the RCU and Matera will collaborate through cultural exchanges, joint initiatives, and knowledge sharing in areas such as cultural preservation, education, economy, and social development.

RCU chief strategy and digital officer, Waleed Al-Dayel, said: “The agreement with Matera supports our efforts to create a global destination in ways that benefit the AlUla community, economy, and environment, provide opportunities for residents of both cities to learn about different cultures, build personal connections, and explore shared challenges and opportunities.

“The partnership will reimagine the ways in which destinations connect the culturally curious to history and heritage, as we continue to share Saudi Arabia’s culture with the world and understand the significance of the Arabian Peninsula in human history,” he added.

Tiziana D’Oppido, a member of the Council for Culture, Tourism, and Events and a Matera city official, said: “The exact date of the 30th anniversary since Matera became a UNESCO World Heritage Site has been the best possible day to highlight the twinning agreement between the Royal Commission for AlUla and the Municipality of Matera.

“The activities calendar that we will carry out in synergy, with a great, mutual collaborative spirit and in compliance with the sustainability objectives of the two destinations in the conservation of their respective UNESCO sites, is ambitious, operational, and rich — culture as an engine of the economy, tourism, cinema, events, design, arts, archaeology, architecture, accessibility, Sassi as a successful urban ecosystem and much more for two geographically distant realities but having many elements in common.

“Matera, European Capital of Culture in 2019, is a case study for the ability to recover the value of a city that the world has long neglected, and which risked being abandoned and forgotten by history, just like AlUla, becoming instead, both a land of redemption and virtuous examples to follow.”

The twinning program is part of a broader agreement between AlUla and Italy. Other initiatives have included a five-day Saudi village cultural gathering at Rome’s Villa Borghese in September, and a partnership with the Cortona on the Move photography exhibition at the AlUla Arts Festival in 2022.

Meanwhile, young Saudis are receiving training in heritage conservation at the Centro Conservazione e Restauro La Venaria Reale, near Turin.
 


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 40 sec ago
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Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.


REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

Updated 4 min 21 sec ago
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REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

DUBAI: When soulless, cookie-cutter franchises were but the norm, the “Planet of the Apes” reboot trilogy — starring Andy Serkis’s commanding Ceasar — cut through the noise to offer a textured, resonant story that not only did well with the critics but also broke box office records.

Coming seven years after the final instalment of that trilogy, “Kingdom of the Planet of the Apes” continues the legacy with a visually rich and emotionally layered story. It takes its inspiration from the original 1968 film, “Planet of the Apes,” which was in itself an adaptation of French author Pierre Boulle’s 1963 novel “La Planete des singes.” 

Director Wes Ball (“The Maze Runner” trilogy) continues his run of dystopian features, but this time explores it in a lush, Garden of Eden-adjacent setting.

“Kingdom of the Planet of the Apes” is set generations after Ceasar’s time, when the world has been taken over by intelligent apes. The same virus that evolved them has regressed humans into an echo of their former selves, rendering them primitive and without language.

A coming-of-age story, our protagonist is the young simian Noa (a poignant and scene-stealing Owen Teague). When his clan is murdered by a rival group of bloodthirsty apes, Noa goes on the adventure of his life as he sets out to save those he can from the tyrannical rule of Proximus Caesar (Kevin Durand). On his journey, he teams up with a human girl May (“The Witcher” star Freya Allan) and a wise orangutan named Raka (Peter Macon), who still live by the words of the original Caesar.

While the premise itself lacks the depth of the previous trilogy, Ball compensates through extensive character work. He poses thought-provoking questions about whether humanity deserves a second chance, whether the apes will continue to make the same mistakes humans did, and whether apes and humans can imagine a future of peaceful co-existence.

The action and emotions are supported by groundbreaking visuals that seamlessly blend convincing motion-capture performances with beautifully rendered CGI.

To sum up, “Kingdom of the Planet of the Apes” proves a more than worthy successor to a franchise that refuses to quit — and for good reason.


Book Review: ‘I Used to Have a Plan: But Life Had Other Ideas’ by Alessandra Olanow

Updated 11 May 2024
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Book Review: ‘I Used to Have a Plan: But Life Had Other Ideas’ by Alessandra Olanow

  • The author’s storytelling talent and introspective reflections on her personal journey make this book an excellent option for people searching for inspiration and a deeper understanding of life and human experience

“I Used to Have a Plan: But Life Had Other Ideas” is a captivating book by New York-based author Alessandra Olanow. Her book was published in 2020 and talks about a self-discovery journey and resilience.

Through her beautifully crafted stories and storytelling, she takes readers on a journey of self-discovery and invites them to learn through the unexpected experiences that shape their lives.

Through the pages of this book, Olanow shares her personal experiences of how she managed to overcome life’s unpredictable circumstances. With her honesty and interesting narrative, she speaks about the lessons learned on her life journey. From her professional experiences to her personal relationships, Olanow’s story exudes authenticity and reminds the reader that life rarely follows a straight path, which makes life realistic and beautiful at the same time.

One of the strengths of Olanow’s book is her ability to describe the depth of emotions and how she talks about her personal struggles during some of the hardest moments in her life.

She expresses her opinions and reflections on life’s challenges by encouraging the readers to reflect as well on their own journeys, motivating them to overcome their obstacles too.

Moreover, regardless of the ups and downs she encountered, she explained how she maintained a sense of hope and resilience.

Additionally, the book is enriched with evocative descriptions of the places the author has lived and traveled to. Whether she was exploring the busy streets in one city or immersing herself in the serenity of nature, her ability to paint a colorful picture through her words takes readers to these places, allowing them to travel with her in thoughts.

Overall, this book is interesting and inspiring at the same time. It reminds readers of the beauty and resilience of accepting life’s unexpected turns and celebrating the beautiful moments too.

The author’s storytelling talent and introspective reflections on her personal journey make this book an excellent option for people searching for inspiration and a deeper understanding of life and human experience.
 


Saudi Film Festival ends with honors for best production, music, acting

Updated 10 May 2024
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Saudi Film Festival ends with honors for best production, music, acting

  • Kingdom’s acclaimed wildlife documentary ‘Horizon’ and film ‘Hajjan’ win top awards

DHAHRAN: The red carpet was rolled out on the final night of the eight-day 10th Saudi Film Festival on Thursday with awards handed out for best production, music and acting.

The event, held at King Abdulaziz Center for World Culture, or Ithra, had included masterclasses, workshops, book signings and networking opportunities.

The event was held at King Abdulaziz Center for World Culture. (Supplied)

The closing ceremony was a glamorous event, as presenters handed out the Golden Palm awards on stage.

Of the 76 films that were screened, 53 titles competed for 36 awards.

The closing ceremony was a glamorous event. (Supplied)

The acclaimed 2024 wildlife documentary “Horizon” won in its category. It was produced by the Konoz Initiative in collaboration with the Ministry of Media’s Center for Government Communication and the National Center for Wildlife.

Ithra’s own award-winning “Hajjan,” about a young camel rider, won for best music, best actor for the young star Omar Alatawi, and best actress for Tulin Essam. The film also won the Jury Golden Palm.

Of the 76 films that were screened, 53 titles competed for 36 awards. (Supplied)

One of the big winners on the night was the documentary shown at the opening ceremony of the festival on May 2, “Underground,” about the music scene in Saudi Arabia.

The list of winners and the recorded stream are available on the Ithra website.


Highlights from the Middle East Institute’s ‘Louder Than Hearts’ in Washington DC

Updated 10 May 2024
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Highlights from the Middle East Institute’s ‘Louder Than Hearts’ in Washington DC

DUBAI: The Middle East Institute in Washington DC is hosting works by female photographers from the Arab world. 

Tasneem Al-Sultan 

‘Diversity Within Saudi Weddings’ 

The acclaimed Lebanon-born Palestinian-American photographer Rania Matar has curated “Louder Than Hearts,” an exhibition of work by 10 female photographers, including herself, from the Arab world and Iran that runs at the Middle East Institute in Washington DC until October 4. Saudi Arabia is represented by Riyadh-based “visual storyteller and photographer” Tasneem Al-Sultan, specifically her “Saudi Tales of Love” series, which, the MEI says, is “informed by her personal journey through marriage and divorce.” 

In wedding images such as this one, Al-Sultan “depicts the constructs and expectations of marriage, including the elaborate ceremonies, as well as the various societal constraints the Saudi women she photographed faced and triumphed over” and “delves into the complexities of relationships and the interplay of tradition and individual choice.”  

The series has garnered global recognition for Al-Sultan, featuring in Time’s “Lightbox” photo series and the international photography fair Paris Photo. 

Rania Matar 

‘Farah (In Her Burnt Car)’ 

Matar’s photography, the MEI states, “captures intimate moments that transcend borders and cultures and explores themes of personal and collective identity through photos of women in the US and the Middle East.” 

The series to which this image belongs — “Where Do I Go? Fifty Years Later” — began after the devastating explosion in Beirut Port in August 2020, and the title alludes to the fact that 2025 will be the 50th anniversary of the beginning of Lebanon’s civil war. The wave of emigration that followed the 2020 explosion was “akin to that of 1984-85 when a wave of young people including herself left the war-stricken country. By photographing these women, Matar was relating to their experiences and their dilemma of immigration (decades) later.” 

Rehaf Al-Batniji  

‘Malak’ 

This image comes from Paris-based, Gaza-born photographer Al-Batniji’s series titled “(Shatt) The Beach & (Shatta) The Chili Pepper,” a project that explores “the social and cultural anthropology” of her hometown. Shatta is a major ingredient in Palestinian cuisine, and “emblematic of Gaza, where life’s challenges can sting like this fiery spice,” while shatt is “the serene beach where residents seek solace and escape their daily reality.”  

Al-Batniji’s work, the MEI states, “offers an intimate portrayal of the territory, reflecting the struggles and intensity of life under siege, as well as the resilience and vibrancy of its communities with refreshing hopefulness. Al-Batniji rejects the brutal imagery of conflict and instead uses color as a tool of resistance.” 

Carmen Yahchouchi 

‘Victoria’ 

Mali-born Lebanese photographer Yahchouchi has work from three of her series in the exhibition, all of which “capture the enduring impact of the Lebanese Civil War on women, highlighting their pivotal roles in the middle of chaos and devastation,” the MEI’s promotional material states. “Her work offers glimpses into their resilience, strength and sacrifice as they navigated through tumultuous periods of history emerging as heroines within their communities and families and assuming new roles in the public sphere.” This piece is from her series “My Mother’s Gun,” and demonstrates Yahchouchi’s talent for photographing “the intimate spaces of human experience, inviting viewers into her subjects' unique worlds.” 

Tanya Habjouqa  

‘Inner Resistance’ 

The Jordanian photographer and journalist, who lives and works in East Jerusalem, “melds a mordant sense of irony with an unyielding examination of the repercussions of geopolitical conflicts on people’s lives,” according to the MEI. This image comes from her “Occupied Pleasures” series, which, the institute says, “presents a multidimensional portrayal of humanity’s ability to find joy amid adversity in the West Bank, Jerusalem, and Gaza, utilizing a sharp sense of humor about the absurdities produced by a 47-year occupation.”