Filmmaker Dur Jamjoom takes emotional personal story to RSIFF

At just 23, the Dur Jamjoom already has six short films under her belt, with the 15-minute long ‘Kum-Kum’ joining the pack. (Supplied)
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Updated 07 December 2023
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Filmmaker Dur Jamjoom takes emotional personal story to RSIFF

  • ‘We have a new generation in Saudi Arabia that is coming in with great ideas and some stories that has never been heard before,’ Dur Jamjoom told Arab News
  • ‘Kum-Kum’ follows 17-year-old Duna, who witnesses the fatal drowning of a young girl called Salwa

DUBAI: Saudi filmmaker Dur Jamjoom is entering the film industry with a bang — her graduation film “Kum-Kum” is set to screen at the Red Sea International Film Festival, which runs from Nov. 30 to Dec. 9. 

At just 23, the director already has six short films under her belt, with the 15-minute long “Kum-Kum” joining the pack.

“I feel grateful and blessed that they chose my short film, and it’s just a graduation film,” Jamjoom told Arab News. “I’ve worked so hard on this film and when I heard the news that they’re showcasing it at Red Sea, I was extremely excited and my whole family were excited too.”

“Kum-Kum” is inspired by a true story that happened to Jamjoom in 2012. “It’s about my friend who passed away at the age of 12. I was 12-years-old and it was all new for me to understand the concept of death and life,” she said.

“Because I was a child, people used to call me a robot, because I showed no emotions. whenever I went to funerals, I never understood the idea of people crying because someone passed away,” she recalled.




The poster for short film 'Kum Kum.' (Supplied)

“When that time came and my friend passed away, it was all new for me. When I got into the funeral, I felt all these kinds of new emotions that started to (rise) up and I experienced new emotions that came into my mind and heart,” she said.

The short film follows 17-year-old Duna, who witnesses the fatal drowning of a young girl called Salwa. Duna is traumatized and struggles with residual feelings of hopelessness and an enduring fear of the water — until she realizes that she must go back to the beach to teach her younger sister how to swim.

“Kum-Kum” examines the philosophical aspects of life and death and “also talks about how someone’s passing can shape someone living,” Jamjoom said.

Jamjoom started working on the movie in 2022 when she took a screenwriting course at Effat University in Jeddah. “I wrote this script, but it was still a work in progress. I put it aside and I said to myself, ‘I don’t want to keep this script on the side forever. I want to work on it later on’,” she said. 

“When my graduation project came, I pulled that out from the drawer and said, ‘OK, I’m going to work on this script.”

Her love of filmmaking began at a young age, when her cousin introduced her to TikTok’s precursor, musical.ly.

“I was very introverted. I didn’t know how to express my emotions,” she said. “At the age of 11, my cousin showed me an app that is now TikTok where you record and add music. I was so fascinated, and I started using this app. Every Saturday, I’d gather up all my cousins and I’d start recording them and start making silly videos. It got really serious and we started to think about which song we should choose to match the mood of the song and started doing changing costumes and everything. I was filming and directing them,” she said.

At the end of every week, Jamjoom would present her work to her family.

Jamjoom now works at the Red Sea Film Foundation’s Red Sea Labs, which the filmmaker said “creates multiple programs for feature films, short films, TV series and music. It teaches the new upcoming filmmakers, and the ones who are experienced, how to develop their projects.

“We have a new generation in Saudi Arabia that is coming in with great ideas and some stories that has never been heard before,” she said.

“It’s like a baby growing right now. Saudi Arabia is developing so much, especially with all the new architecture, the new construction and Vision 2030. Everything is happening all at once and cinema is also a part of that development,” she said.


The Smashing Pumpkins to make UAE debut this October

Updated 20 May 2025
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The Smashing Pumpkins to make UAE debut this October

DUBAI: Alternative rock icons The Smashing Pumpkins are set to perform in the UAE for the first time, with a one-night-only concert at Abu Dhabi’s Etihad Arena on Thursday Oct. 9, 2025. The show is part of the band’s global “Rock Invasion 2025” tour and marks their  Middle East debut.

Led by founding member Billy Corgan, with longtime bandmates James Iha and Jimmy Chamberlin, the Chicago-born group will deliver a setlist spanning their three-decade career. Fans can expect to hear beloved classics such as “1979,” “Tonight, Tonight,” and “Bullet With Butterfly Wings,” alongside newer tracks like “Beguiled” and “Empires.”

The Abu Dhabi stop is the final leg of their regional tour, which also includes performances in Tokyo, Seoul, Manila, Bangkok, Singapore, and Bahrain. The tour follows the release of their ambitious rock opera “ATUM” and their latest album “Aghori Mhori Mei,” released in late 2024.

Tickets for the Etihad Arena show go on sale through Live Nation Middle East, with artist and presale tickets available starting May 21, and general public sales opening on May 23 at 12 pm.


Gazan twins in Cannes warn ‘nothing left’ of homeland

Updated 20 May 2025
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Gazan twins in Cannes warn ‘nothing left’ of homeland

CANNES: Twin Gazan filmmakers Arab and Tarzan Nasser said they never thought the title of their new film “Once Upon A Time In Gaza” would have such heartbreaking resonance.
“Right now there is nothing left of Gaza,” said Tarzan when it premiered on Monday at the Cannes film festival.
Since militants from Palestinian group Hamas attacked Israel on October 7, 2023, more than 18 months of Israeli bombardment has ravaged large swathes of the Palestinian territory and killed tens of thousands of people.
Israel has vowed to “take control of all” the besieged territory of more than two million inhabitants, where United Nations agencies have warned of famine following Israel’s two-month total blockade.
Israel allowed in several aid trucks on Monday but the UN said it was only “a drop in the ocean” of needs.
The Nasser brothers, who left Gaza in 2012, said their new film set in 2007, when Hamas Islamists seized control of the strip, explains the lead-up to today’s catastrophic war.
“Once Upon A Time In Gaza,” which screened in the festival’s Un Certain Regard section, follows friends Yahia and Osama as they try to make a little extra cash by selling drugs stuffed into falafel sandwiches.
Using a manual meat grinder that does not rely on rare electricity, student Yahia blends up fava beans and fresh herbs to make the patty-shaped fritters in the back of Osama’s small run-down eatery, while dreaming of being able to leave the Israeli-blockaded coastal strip.
Charismatic hustler Osama meanwhile visits pharmacy after pharmacy to amass as many pills as he can with stolen prescriptions, pursued by a corrupt cop.


Israel first imposed a blockade on Gaza in June 2006 after militants there took one of its soldiers, and reinforced it in September 2007 several months after Hamas took power.
“The blockade was gradually tightened, tightened until reaching the genocide we see today,” said Tarzan.
“Until today they are counting the calories that enter,” he added.
An Israeli NGO said in 2012 that documents showed Israeli authorities had calculated that 2,279 calories per person per day was deemed sufficient to prevent malnutrition in Gaza.
The defense ministry however claimed it had “never counted calories” when allowing aid in.
Despite all this, Gazans have always shown a love of life and been incredibly resilient, the directors said.
“My father is until now in northern Gaza,” Tarzan said, explaining the family’s two homes had been destroyed.
But before then, “every time a missile hit, damaging a wall or window, he’d fix it up the next day,” he said.
In films, “the last thing I want to do is talk about Israel and what it’s doing,” he added.
“Human beings are more important — who they are, how they’re living and adapting to this really tough reality.”
In their previous films, the Nasser twins followed an elderly fisherman enamoured with his neighbor in the market in “Gaza Mon Amour” and filmed women trapped at the hairdresser’s in their 2015’s “Degrade.”
Like “Once Upon A Time in Gaza,” they were all shot in Jordan.

As the siege takes its toll in “Once Upon A Time In Gaza,” a desolate Yahia is recruited to star in a Hamas propaganda film.
In Gaza, “we don’t have special effects but we do have live bullets,” the producer says in one scene.
Arab said, long before Gazan tap water became salty and US President Donald Trump sparked controversy by saying he wanted to turn their land into the “Riviera of the Middle East,” the coastal strip was a happy place.
“I remember when I was little, Gaza actually was a riviera. It was the most beautiful place. I can still taste the fresh water on my tongue,” he said.
“Now Trump comes up with this great invention that he wants to turn it into a riviera after Israel completely destroyed it?“
Hamas’s October 2023 attack resulted in the deaths of 1,218 people on the Israeli side, mostly civilians, according to an AFP tally based on official figures.
Militants also took 251 hostages, 57 of whom remain in Gaza including 34 the military says are dead.
Israel’s retaliatory offensive has killed 53,486 people in Gaza, mostly civilians, according to Gaza health authorities, whose figures the United Nations deems reliable.
Gaza health authorities said at least 44 people were killed there in the early hours of Tuesday.


Met returns looted Mesopotamian artifacts to Iraq after investigation

Updated 20 May 2025
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Met returns looted Mesopotamian artifacts to Iraq after investigation

DUBAI: Three ancient Mesopotamian artifacts once housed at the Metropolitan Museum of Art in New York have been returned to Iraq after an investigation into art trafficking linked to the late British antiquities dealer Robin Symes, authorities announced on Monday.

The return was confirmed in statements by the Met and the Manhattan district attorney’s office, which led the criminal investigation. The artifacts — a Sumerian gypsum vessel from about 2600-2500 BC and two Babylonian ceramic heads dated about 2000-1600 BC — were among 135 looted antiquities linked to Symes and seized earlier this year.

According to The New York Times, the male head sculpture was sold to the Met by Symes in 1972, while the female head and the Sumerian vessel were gifts from a private collection in 1989. All three are believed to have originated from ancient Mesopotamian sites, including Isin and Ur, now in modern-day Iraq.

Manhattan District Attorney Alvin Bragg Jr. said the seizure and return are part of broader efforts to undo the “significant damage traffickers have caused to our worldwide cultural heritage.”

The repatriation was formalized in a ceremony in Lower Manhattan attended by Iraqi officials and Met representatives. The museum said that it had acted upon “new information” received through the DA’s investigation that clarified the artifacts’ illicit provenance.

Authorities estimate the value of the 135 items trafficked through Symes and recovered in New York at $58 million.


 


Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

Updated 20 May 2025
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Lyna Khoudri-starring film ‘Eagles of the Republic’ premieres at Cannes

DUBAI: French Algerian actress Lyna Khoudri’s film “Eagles of the Republic” premiered this week at the 78th Cannes Film Festival, and it received a coveted standing ovation following the screening.

Directed by Swedish Egyptian filmmaker Tarik Saleh, the film is the final chapter in his acclaimed “Cairo Trilogy,” which includes “The Nile Hilton Incident” (2017) and “Boy From Heaven” (2022), the latter earning him the Best Screenplay award at Cannes.

Set in Cairo, “Eagles of the Republic” follows George El-Nabawi, a fading movie star who reluctantly agrees to play a role in a political biopic.

(L-R) Alexandre Desplat, Lyna Khoudri, Amr Waked, Sherwan Haji and Tarik Saleh at the premiere. (Getty Images)

Khoudri portrays Donya, a journalist who becomes entangled in the political intrigue surrounding the film’s protagonist, Fahmy.

The movie also features Swedish Lebanese actor Fares Fares — a longtime collaborator of Saleh — in the lead role, alongside French Moroccan actress Zineb Triki as Suzanne, the Western-educated wife of Egypt’s defence minister, and Egyptian actor Amr Waked as presidential adviser Dr. Mansour.

For the premiere, Khoudri wore a sculptural strapless Chanel dress featuring a voluminous skirt, a structured bodice, and folded detailing along the neckline. The gown was cinched at the waist and flared into pleats. She completed the look with white open-toe heels and a sleek bun.

She attended the premiere alongside Saleh, Waked, French film composer and conductor Alexandre Desplat, and Kurdish Finnish actor, filmmaker and writer Sherwan Haji, who also stars in the film. 

Khoudri, 32, first rose to prominence in her role as Nedjma in Mounia Meddour’s critically acclaimed drama “Papicha.” For her work in the film, she won the Orizzonti Award for best actress at the 74th Venice Film Festival, and she was nominated in the Cesar Awards’ most promising actress category.

Khoudri also starred in the 2019 mini-series “Les Sauvages” and in 2016’s “Blood on the Docks.”

She was also cast in Wes Anderson’s 2021 comedy “The French Dispatch” alongside Timothee Chalamet, Bill Murray, Tilda Swinton and Owen Wilson.

The actress also stars in Martin Bourboulon’s Afghanistan evacuation drama “In The Hell Of Kabul: 13 Days, 13 Nights,” alongside Danish Bafta-winning “Borgen” star Sidse Babett Knudsen, Roschdy Zem (“Chocolat,” “Oh Mercy!”), and theater actor Christophe Montenez.


Dubai Fashion Week set to return this autumn

Updated 20 May 2025
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Dubai Fashion Week set to return this autumn

DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).

As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.

The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.