What We Are Reading Today: Fear of Abandonment

Short Url
Updated 19 November 2023
Follow

What We Are Reading Today: Fear of Abandonment

Author: Allan Gyngell

The fear of abandonment lies deep in the history of European settlement in Australia.

In “Fear of Abandonment,” Allan Gyngell unpacks how Australia has thought about and acted in the world since 1942 — the people, places and ideas that have been most important since our nation has had a foreign policy of its own. 

He shows how the Australian attitude to the world has been shaped by the fear of abandonment — originally from Britain, and later from their most powwerful ally, the US.

Written by an expert and insider, this is a gripping and authoritative book about the way Australians and their governments have helped to create the world we now inhabit, according to a review in goodreads.com. 


What We Are Reading Today: ‘All the Lovers in the Night’

Photo/Supplied
Updated 03 February 2026
Follow

What We Are Reading Today: ‘All the Lovers in the Night’

  • Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction

Author: Mieko Kawakami

One of my recent reads was “All the Lovers in the Night” by Mieko Kawakami, translated from Japanese by Sam Bett and David Boyd. With its contemplative, poetic yet restrained style, the 2022 novel feels best suited to late nights or unhurried stretches of reading. 

The story follows Fuyuko, a copyeditor in her thirties living a life marked by isolation. Her days pass in careful routine until she meets Mitsutsuka, an older man whose presence subtly begins to alter her perception of the world and of herself. 

Fuyuko’s interior life is shaped by fear, hesitation and a profound sense of disconnection, captured in one of the novel’s most arresting lines: “I was so scared of failing, of being hurt, that I chose nothing. I did nothing.”

Loneliness and the longing for connection sit at the heart of the novel, alongside clear-eyed examination of the ways people wound one another, sometimes unintentionally and sometimes through their own inaction. 

Kawakami is attentive to the small fractures of human relations, the choices that accumulate into regret, and the difficulty of naming desire after years of suppression. 

Her writing style is introspective and measured, with a delicate, almost meditative prose that mirrors Fuyuko’s inner world. Through her characters, she offers subtle insight into contemporary Japanese psyche, particularly the tension between individual longing and the unspoken expectations that shape adulthood.

This underlying social commentary, especially around womanhood and what it means to be a woman in Japan, echoes Kawakami’s wider body of work and feels unmistakably her own.

Fuyuko emerges as a study in the search for meaning in our modern world with its strict benchmarks for life, intimacy and personal progress. 

The novel’s deliberate pacing may test readers accustomed to momentum or plot-driven storytelling. Little happens in the conventional sense, and that sustained inward focus may not suit every reader.

Yet for those willing to linger, “All the Lovers in the Night” offers a space to sit with the beauty of precise, thoughtful writing.