Designer Abdalla Almulla creates palm installation for Dubai Design Week 

Abdalla Almulla created 'The Palm' for Dubai Design Week's Abwab section. (Supplied)
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Updated 07 November 2023
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Designer Abdalla Almulla creates palm installation for Dubai Design Week 

DUBAI: In line with the upcoming COP28 that will take place in Dubai this year from Nov. 30-Dec. 12 to find solutions to global climate change, this edition of Dubai Design Week is focusing on theme of sustainability and how designers and architects can create their work using materials and processes that are environmentally friendly. 

An annual feature is Abwab, meaning “doors” in Arabic, which is dedicated to commissioning work from across the Middle East, North Africa and South Asia with the objective of promoting local and regional creative talent. 




For this year’s Dubai Design Week, Emirati architect Abdalla Almulla created “The Palm,” a large-scale installation stationed outdoors that is made entirely from parts of the indigenous palm tree native to the United Arab Emirates. (Supplied)

For this year’s edition, Emirati architect Abdalla Almulla created “The Palm,” a large-scale installation stationed outdoors that is made entirely from parts of the indigenous palm tree native to the United Arab Emirates.  

“My task for this year’s Abwab was to conceive and execute a concept that illustrates how sustainable resources can be utilized in architecture,” Almulla told Arab News. 

“Guided by the concept of scarcity and staying true to the sustainability theme, I made the choice to leverage an existing natural resource, creatively repurposing it to extend its functionality beyond its original scope,” he said. “My objective was to highlight the remarkable versatility of the locally abundant palm tree, demonstrating its capacity to address diverse human needs.” 

 

 

Born and raised in the UAE and based in Dubai, Almulla’s work has long been inspired by the natural desert landscape, plants and animals of his home country. He is the founder of design studio MULA known for its focus on innovative designs, its exploration of the unknown and incorporation of patterns and geometry. He has participated in numerous design exhibitions regionally and internationally, including Paris Design Week, Milan Design Week and London Design Biennale. He is also the recipient of the Institut du Monde Arabe’s inaugural Emerging Talent Design Award in 2023. 

 

 

The installation features intricate floor patterns and a mesmerizing ceiling made from an array of palm-weaved mats and mirrors. “The Palm” additionally challenges his previous works by reimagining raw materials in new and multifunctional ways, according to the designer.  

Additionally, Almulla’s use of geometric references, that echo motifs found in Islamic art, can be see embedded throughout the installation.  


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."