QUETTA/PESHAWAR: Pakistan suffered the loss of 21 individuals, predominantly military personnel, following three separate militant assaults on police and security forces conveys in the western provinces of Khyber Pakhtunkhwa and Balochistan on Friday, as confirmed by senior government functionaries and official statements.
The country has experienced an uptick in militant attacks since the year’s beginning, with a concentration of these violent incidents occurring in the two provinces along the Afghan border.
Despite the conclusion of nearly two decades of conflict following the withdrawal of international forces in August 2021, Afghanistan remains mired in crisis.
Pakistani officials have repeatedly asserted that the militants targeting their country operate from the neighboring state, urging the Taliban government in Kabul to prevent their territory from being used as a staging ground for such attacks.
“On 3 November 2023, 2 vehicles of security forces moving from Pasni to Ormara in [Balochistan’s] Gwadar District, were ambushed by the terrorists,” the army’s media wing, ISPR, said in a statement. “14 x soldiers embraced shahadat [martyrdom] in the unfortunate incident.”
Balochistan, where Pakistan and China are jointly undertaking infrastructure development and regional connectivity projects, has long been a battleground for a low-level insurgency.
Baloch nationalists argue they are fighting against the unfair extraction of the province’s resources by the federal government, an accusation Islamabad denies.
Baloch separatist groups have also expressed opposition to Pakistan’s decision to build a strategic port in Gwadar, where the recent attack took place, to gain economic advantage in the region and tap Central Asian markets.
Speaking to Arab News, the deputy commissioner of Gwadar, Major (r) Aurangzaib Badini, said the attack took place at 3pm near Pasni.
He informed the convoy was “ambushed by terrorists with an IED [improvised explosive device] blast and gunfire attacks.”
Pakistan’s caretaker interior minister Sarfraz Bugti condemned the incident in a statement circulated by his office.
“The new wave of terrorism is a matter of concern,” he said, adding that Pakistan would continue to fight until the end of militant violence.
Earlier in the day, police and security forces also came under two separate attacks in Dera Ismail Khan district of northwestern Khyber Pakhtunkhwa province, resulting in seven fatalities.
The area’s Regional Police Officer, Nasir Hussain Satti, told Arab News one of the blasts was set off by a bomb planted on a motorbike, which exploded near a police van in a congested neighborhood of the city.
“The powerful blast left six civilians dead and another 22 people, including two policemen, wounded,” he informed. “It was a planted device with initial investigations suggesting the use of eight to 10 kilograms of explosives.”
Footage released by Rescue 1122 officials shortly after the incident captured a chaotic scene, with ambulances transporting the injured to hospitals.
Mujtaba Ahmad, a property shop owner near the blast site, described the explosion as powerful enough to rattle the entire marketplace.
He informed most shops were closed for Friday prayers with many people inside mosques at the time of the blast, a factor that likely prevented further casualties and damage.
“Initially, when the explosion occurred, people didn’t know what had happened but they started running,” he continued. “When the cloud of dust settled after the blast, we saw people in blood and damaged motorcycles.”
The second blast, according to the police officer, took place in Takwarra, a small settlement on the outskirts of Dera Ismail Khan, targeting a security convoy which left soldier dead and another wounded.
Khyber Pakhtunkhwa’s caretaker information minister Feroze Jamal Shah told Arab News the militant attacks during the day had led to precious loss of life, saying medical centers across the district were put on high alert after the explosions.
Expressing grief over the two incidents, he said the government would not bow to militants and continue to fight them.
“The blasts martyred several people and wounded 23,” he added. “We condemn both acts of terrorism in the strongest words. I have directed the district administration to provide best medical care to the wounded.”
Militant attacks in western Pakistan leave 21, including 15 security personnel, dead
https://arab.news/zsjdd
Militant attacks in western Pakistan leave 21, including 15 security personnel, dead
- Militants ambushed two vehicles of security forces moving in Balochistan’s Gwadar district, killing 14 soldiers
- Seven people also lost their lives and 23 injured in dual attacks on security convoys in Dera Ismail Khan district
In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive
- Craft involves intricate process using heated wax, oil, pigments, limestone to create textured, miniature artworks
- Riaz Ahmad, who has trained his son in wax art, says he hopes to train more people to preserve traditional craft
PESHAWAR: Riaz Ahmad, 76, stirs wax in a small plastic can with a long chopstick, takes it out on the palm of his left hand and adds natural color before drawing designs on a piece of cloth.
Surrounded by several such pieces of black cloth with unique art, Ahmad strives every passing day to keep the 500-year-old, Mughal-era wax art alive at his home near the Lahori Gate in the northwestern Pakistani city of Peshawar.
Ahmad comes from a well-known family of wax artists who were based in Shillong and Darjeeling in present-day India and had migrated to Peshawar during the 1947 partition of the sub-continent.
His work remains rooted in tradition, faithfully repeating patterns passed down through generations and winning Ahmad several awards both at home and abroad in recognition of his dedication.
“I have been making the same Mughal era designs that my forefathers used to make,” he told Arab News last week.
“I went to India in 2004, where I received the UNESCO Seal of Excellence [for Handicrafts] award... On 23 March, 2012, the Government of Pakistan awarded me the Tamgha-i-Imtiaz.”
The near-extinct traditional craft, which is believed to have originated in Central Asia and refined under the Mughal patronage, particularly in Peshawar, involves an intricate process using heated wax, linseed oil, powdered pigments, and limestone to create detailed, textured and often colorful miniature artworks by hand.
Ahmad learnt wax art from his father, Miran Bakhsh, nearly six decades ago.
“My parents used to do this work in Shillong and Darjeeling [in present-day India]. They had a shop there, and after the Partition, they migrated to Peshawar, Pakistan,” he said. “When they came here, they started doing the same work.”
A basic piece of his work costs around Rs3,000 ($10.7). A larger piece made on order can fetch between Rs5,000 and Rs15,000 ($17-$53), but such orders are rare.
“Wax and colors have become expensive. When I sell a piece for Rs3,000, around Rs1,000 goes into expenses, and Rs2,000 is my daily wage,” Ahmad said.
But the 76-year-old worries more about the future of the art form, which he insists cannot be learned quickly and requires “love and dedication.”
“Some people say they want to come, some from Karachi and some from Lahore, but it becomes difficult for me to go there or for them to come here,” he said.
Most wax artists in Peshawar have abandoned the art due to a lack of institutional support, according to Ahmad, who relies primarily on exhibitions to earn a living.
“The reason [for the decline of this art form] is that the government does not pay attention. They are caught in their own conflicts, and the culture is suffering,” Ahmad said.
“Other artists have left this art. Some are selling rice and some are driving rickshaws,” he added. “I have been doing this work inside my house. If there is any event, we go there and sell our art.”
Saad Bin Awais, a spokesperson for the Khyber Pakhtunkhwa Culture and Tourism Authority (KPCTA), said the government has engaged artisans in several projects. He said some of these projects have come to an end while others are ongoing.
“Riaz Ahmad is the only wax artist in Khyber Pakhtunkhwa and the authority is serious about facilitating him,” he said, adding that the KPCTA facilitates Ahmad’s participation in exhibitions across the country to showcase his art.
“We have also been collecting data of artists in Khyber Pakhtunkhwa for an upcoming project to facilitate them in any way possible.”
Ahmad has trained his son, Fayyaz, in wax art who now practices it in Islamabad. The septuagenarian says he wishes to train more people to preserve the dying art form.
“I cannot leave this work,” he said. “I will continue this art even though my hands shake.”
