Artists gather in Madinah for Ministry of Culture’s ‘Paths to the Soul’ calligraphy exhibition 

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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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The exhibition highlights Arabic calligraphy’s aesthetic and functional dimensions as an art form and a symbol of identity and heritage. (Supplied)
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Updated 19 October 2023
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Artists gather in Madinah for Ministry of Culture’s ‘Paths to the Soul’ calligraphy exhibition 

  • The exhibition details the history of Arabic calligraphy through the ages

RIYADH: The “Scripts and Calligraphy: Paths to the Soul” exhibition being held at the Madinah Arts Center in the holy city is highlighting the spiritual dimensions of the art form through historical and contemporary works.

Organized by the Ministry of Culture under the patronage of Madinah Gov. Prince Faisal bin Salman, the Oct. 15 to Dec. 23 exhibition details the history of Arabic calligraphy through the ages, highlighting its aesthetic and functional dimensions as an art form and a symbol of identity and heritage.

Madinah’s hosting of the exhibition is important due to the city’s spiritual importance in Islamic civilization and history.

The exhibition gives visitors the opportunity to embark on an immersive emotional journey of discovery, realizing the value of Arabic calligraphy as a cultural treasure and a manifestation of the Kingdom’s heritage.

It also aims to highlight the importance of Arabic calligraphy as an essential element in Arab identity.

Randa Fahmy, founder and chief fesigner of Egypt’s Randa Fahmy Design Associates, who is taking part in the event as a specialist, told Arab News: “The success of the exhibition is a direct result of the incredibly passionate and creative team effort from the MoC, from traveling across continents and individually meeting artists to perfectly curating such a varied selection of items across so many mediums and cultures.

“It was my honor to create a custom piece inspired by a traditional Omani pen case, symbolizing the power of calligraphy across time — a matter that is paid homage throughout the exhibition.

“This was further extended by the Ministry of Culture through facilitating a series of panels with distinguished scholars and exhibitors — creating lasting connections and opportunities to further develop and collaborate on such an important subject,” she added.

The exhibition, first launched in 2021, is one of the main events implemented by the Ministry of Culture to celebrate Arabic calligraphy as one of the initiatives of the Year of Arabic Calligraphy (2020-2021).

Saudi Arabia also led a successful collaboration with 15 Arab countries to include Arabic calligraphy on UNESCO’s list of Intangible Cultural Heritage in 2022, consolidating its status as a global symbol of Arab culture.

The ministry commissioned a group of senior calligraphers, artists and designers to produce a group of classical and contemporary artworks for the exhibition, which includes Islamic artworks, as well as rare manuscripts from the ministry’s collections, private collections and a number of works on loan from the Museum of the Arab World Institute in Paris.

Abdelrahman El-Shahed, a participant at the exhibition, told Arab News: “I was very pleased to participate with a group of multidisciplinary artists in this important exhibition that tells the story of the interaction and integration of Arabic calligraphy with other arts and crafts.”

Another participant, Nabil Boukhari, told Arab News: “The exhibition brings together the history of ancient calligraphy with its progress and development over the ages up to today.

“The presence of an elite group of specialists in this art exhibition increased the pleasure of gathering at this significant event.”

Acclaimed architects and scenographers Jean-Paul Boulanger, Margo Renisio and Tang Tu designed the exhibition, while 34 calligraphers from 11 countries, as well as 19 artists from 12 countries, are taking part under four complementary themes: Light, Letter, Space and Poetry.

The themes embody universal spiritual values that frame the works on display and spark potent and thought-provoking dialogue.

The event opens daily from 11 a.m to 11 p.m, except on Sundays, and from 2 p.m to 11 p.m on Fridays.

Those wishing to attend can obtain free entry tickets via the link:
https://www.ticketmx.com/ar/d/4164/scripts-and-calligraphy-paths-to-the-....

In 2021, the ministey held the first edition of the exhibition at the National Museum in Riyadh under the theme “Scripts and Calligraphy: A Timeless Journey.”


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”