What We Are Reading Today: ‘Of Mice and Men’

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Updated 02 October 2023
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What We Are Reading Today: ‘Of Mice and Men’

“Of Mice and Men” is a novella written by the late John Steinbeck and published in 1937.

The book explores themes of friendship, dreams, loneliness, the human condition, and the inherent cruelty of society.

Set during the Great Depression in the US, the story revolves around two displaced ranch workers, George Milton and Lennie Small, who are seeking employment and a place to call their own.

They form a close friendship, and Milton serves as Small’s guardian, protecting him from the dangers and complexities of the world.

The duo finds work on a ranch in California’s Salinas Valley, where they meet other characters such as Candy, an aging ranch-employee with a missing hand, and Slim, a skilled and respected worker. They also encounter Curley, the boss’ aggressive and insecure son, and his flirtatious wife, who remains unnamed throughout the story.

Small’s mental disability creates tension and conflict throughout the narrative and leads to a tragic incident where ranch workers decide to seek revenge on him. That is when the story really takes off.

“Of Mice and Men” remains a poignant and widely studied work, highlighting the struggles faced by marginalized individuals during the Great Depression era and raising questions about the nature of compassion and the pursuit of happiness.

While Steinbeck’s formal education was not extensive, his experiences, self-study, and immersion in various environments played a significant role in shaping his perspective and informing his writing.

He wrote several other notable novels, including “East of Eden,” “Cannery Row,” “The Grapes of Wrath,” and nonfiction book “Travels with Charley: In Search of America.”

His observations of people, their struggles, and the landscapes they inhabited became integral to his storytelling and contributed to his reputation as one of America’s most influential writers.


What We Are Reading Today: ‘A Love Story from the End of the World’

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Updated 17 January 2026
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What We Are Reading Today: ‘A Love Story from the End of the World’

Author: Juhea Kim

Juhea Kim’s 2024 climate fiction work “A Love Story from the End of the World,” turns the climate catastrophe inward, offering ten stories where environmental collapse is felt in the fragile interiors of the human experience.

The short stories in this book imagine a familiar world where ecological collapse is a lived reality. Global cities are sealed inside domes to survive toxic air. Humans drift across ruined landscapes on mobile arks. Islands become landfills for the waste of richer nations. 

Yet Kim keeps her focus trained on the human scale, writing about how people continue to reach for life and one another even as the ground beneath becomes less stable.

They are all love stories, though not in the traditional sense. Some explore romance and longing, others center on family bonds, friendship, or the connection between humans and the natural world.

The writing is clear and precise, never overwrought, delivering characters’ thoughts and emotions while keeping the bigger concerns in clear view.

“Mountain, Island” follows a boy living on a massive landfill island who gains online fame for his K-pop-inspired dances. The contrast between joy and horror is almost unbearable, and it brings to light the global inequalities that we have grown far too used to accepting. 

In “Biodome,” the opening story, Seoul is sealed beneath a protective dome and follows a civil engineer navigating prospects for an arranged marriage. Intimacy and connection feel constrained, shaped by a reality where even the air is controlled and the possibilities of life have narrowed.

“Bioark,” meanwhile, imagines humanity surviving aboard a massive ark after Earth’s land becomes uninhabitable, using this floating world to examine class and capitalism even at the end of everything. 

Kim has spoken in interviews about conceiving this short story collection as an exhibition, inspired by colors and life changing art experiences around the world. Each story, indeed, feels like a distinct work, yet is enriched by its neighbors. Read together, they form a gallery of love, grief and hope.

“A Love Story from the End of the World” is not a fun and cozy read, despite the title. It is heavy, often heartbreaking, and attentive to the ways we remain human even as the world falls apart. 

Readers who loved “How High We Go in the Dark” by Sequoia Nagamatsu or “What We Fed to the Manticore” by Talia Lakhsmi Kolluri, will find a familiar ache in these stories, and perhaps something to ponder long after the final page is turned.