Lebanese label Elie Saab shows Spring 2024 ready-to-wear collection at Paris Fashion Week

Saudi model Amira Al-Zuhair had all eyes on her as she walked the runway for famed Lebanese designer Elie Saab as he showcased the label’s Spring 2024 ready-to-wear collection at Paris Fashion Week on Saturday. (Getty Images)
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Updated 02 October 2023
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Lebanese label Elie Saab shows Spring 2024 ready-to-wear collection at Paris Fashion Week

DUBAI: Saudi model Amira Al-Zuhair had all eyes on her as she walked the runway for famed Lebanese designer Elie Saab as he showcased the label’s Spring 2024 ready-to-wear collection at Paris Fashion Week on Saturday.

The model showcased two unique-but-breezy looks on the runway for the collection titled ‘Moonlight Shadow.’

In the show notes, the label described the Elie Saab woman as, “always ready for moonlight gatherings in radiant day looks that bring blissful glimmers to the evening.”

“Flowing open-back summer dresses with scalloped hemlines are garden-fresh in oversized white English lace. Wisps of citrus organza flowers flourish from the monochromatic hemlines of billowing silk bomber jackets. Chunky tromp-l’oeil sapphires, rubies and platinum chains trace a white kaftan with a sleek cape,” it continued.

“Of course, the party is never complete without raffia leather platforms, mini top-handle bags and extravagant gemstone jewellery.”

Previously, Al-Zuhair also hit the runway for Japanese-helmed label Yohji Yamamoto and French jewelry brand Messika at Paris Fashion Week, just days after she walked for French label Balmain.

Japanese fashion designer Yamamoto, who is based in Tokyo and Paris, sent models down the runway in an assortment of all-black looks as part of the labels Spring/Summer 2024 collection.

Earlier in the week, Al-Zuhair opened the Balmain show during Paris Fashion Week. 

The rising star, who was born in Paris to a French mother and Saudi father, wore a white polka dot jumpsuit with colorful three-dimensional flower designs around the chest.  

When Gertrude Stein, a close confidant of house founder Pierre Balmain, penned “a rose is a rose is a rose,” she likely never envisaged its metamorphosis into a Paris runway’s guiding theme. Yet, designer Olivier Rousteing, embracing this iconic friendship, orchestrated a floral ode for Balmain’s Spring 2024 show. 

Rousteing channeled the essence of Balmain’s couture from the late 1940s and early 1950s, celebrating Balmain’s architectural wizardry. With every fold, cut and stitch, he echoed the legacy of the maison, fused with his own brazen touch. Sprinklings of the petit pois (polka dot), a staple from Monsieur Balmain’s era, added whimsy amid the blossoming rose narrative. 


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.