Saudi artist embracing heritage through craftsmanship

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Through the earth, I come back home, by Hana Almilli. (Supplied)
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Through the earth, I come back home, by Hana Almilli. (Supplied)
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Echoes of my Alienation by Hana Almilli. (Supplied)
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Echoes of my Alienation by Hana Almilli. (Supplied)
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Closeup of Echoes of my Alienation by Hana Almilli. (Supplied)
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I told my dreams to come and so they came, Jacquard weaving by Hana Almilli. (Supplied)
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Updated 03 October 2023
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Saudi artist embracing heritage through craftsmanship

  • The art of weaving, Sadu, has been added to UNESCO’s Intangible Heritage list
  • Saudi craftsmanship and family legacies are being kept alive through weaving and creative works

RIYADH: Saudi craftsmanship and family legacies are being kept alive through weaving and creative works.

Contemporary weaver Hana Almilli explores patterns with sadu weaving, creating masterpieces with a traditional twist.

Almilli told Arab News: “In a world that is constantly evolving, being a part of the few who are actively preserving tradition while exploring their artistry feels like a meaningful contribution. It’s a testament to the enduring value of heritage and the capacity of art to transcend time and space.”

Sadu weaving is an ancient tribal weaving craft that artistically portrays Arabian nomadic people’s rich cultural heritage.

As a multimedia artist and arts and culture management professional, Almilli said she feels a sense of duty in keeping traditions alive, “not only for my family, but also for generations to come to be able to keep histories through tangible assemblages.”

While in her third year studying abroad for a bachelor’s degree in architecture, Almilli had an epiphany that would soon change her educational track.

She said: “I wanted to delve into my artistic practice and also regain the textile practice that was always a part of my childhood. I decided to take a knitting course to regain the memories I had with my grandmother when I was little, as she was a knitter and loved crocheting as well.”

Almilli then switched to studying a bachelor’s degree in textiles.

“I knew this was what I wanted to do for my degree. Something that is a form of revival of heritage was a revival of my nostalgia and healing,” she said.

It was during this time that Almilli dived deep into researching her Saudi heritage.

“I am a Saudi. When I traveled abroad for my studies, I felt alienated and longed for my home, family, friends and life. I wanted to feel close while I was far away. Whether researching patterns, looking for books about Saudi, Sadu weaving, or indirectly incorporating it within my work through contemporary patterns, it will always exist in my work in some form,” she said.

She graduated from California College of the Arts in 2019 with a bachelor’s degree in textiles with a minor in creative writing.

In 2022, she received a master’s degree in arts and culture management from Rome Business School in Italy.

Belonging to Turkish, Syrian, Kurdish and Saudi lineage, Almilli’s path is persuaded by “questions of identity.”

She said: “Enquiring perpetual alienation, my ideology developed into discovering and representing the term Al-Ghorba (estrangement in a foreign land). Consequently, my visual structure interrogates nostalgia through weaving, dyeing, embroidering and photography techniques.

“My art practice is research-based, and within it, I explore the idea of recreating affected and resurrected identities through the material culture of textiles and assemblages,” she added.

Almilli said her work is driven by memory, nostalgia, identity, emotion and more.

“Those elements always combine to create a curiosity to research my heritage further and write poetry pieces in response, which eventually leads to visualizations of my works,” she said.

“It is something I hold close to my heart, and which I take immense pride in. Being able to intertwine tradition with my artistic expression is a truly rewarding experience. It’s like breathing life into the past while simultaneously creating something new and innovative.”

The art of weaving, Sadu, has been added to UNESCO’s Intangible Heritage list.

The Saudi Heritage Commission told Arab News that it strives to launch programs aimed at preserving and highlighting Saudi culture.

“These programs and projects promote three main values and goals, which are: Enhancing awareness among citizens of the importance of heritage, establishing rules and regulations and issuing licenses, and protecting the portfolio of cultural wealth and archaeological sites, and managing them effectively,” the commission said.

The Heritage Commission launched six projects that highlight elements of intangible heritage. One of the projects involves preparing intangible heritage files for registration on UNESCO lists.

“From this standpoint comes the importance of preserving the intangible cultural heritage with its cultural components. Therefore, the Heritage Authority works, through its strategy to develop the sector, to align with the goals of Saudi Vision 2030.”


City of London delegation to promote investment on pioneering Saudi trip

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City of London delegation to promote investment on pioneering Saudi trip

  • Kingdom has ‘astonishing ambition’ when it comes to development, official tells Arab News
  • Square Mile hopes to learn lessons from Vision 2030 funding for culture, sport, entertainment

LONDON: A delegation from the City of London — the UK capital’s oldest financial district, and a center for trade and commerce since Roman times — will use a visit to Saudi Arabia this week as an opportunity to learn about the very latest in modern infrastructure and city-building.

Tom Sleigh, chair of the City’s Planning and Transportation Committee, told Arab News in an interview on Thursday that the tour will also provide substantial opportunities to develop investments in real estate, cultural projects, and entertainment.

“I think it is very clear for everyone that Saudi Arabia has just got astonishing ambition when it comes to the built environment, when it comes to the development of cities, when it comes to investment in culture and sport and entertainment,” he said.

“That level of ambition, of course, helps when you have substantial funding behind it, but that ambition is really impressive. And I think other cities, and I would include London, need to remember that ambition really matters.”

The City’s two-person team, which departs for the Kingdom on Saturday, is part of a wider delegation represented by Opportunity London, an inward investment scheme for the capital.

Members of authorities across the UK capital are taking part in the visit, as well as representatives from “energy companies, developers and investment firms,” representing a cross-section of interested parties, Sleigh said.

The committee chair is no stranger to the Kingdom, having worked in Al-Jubail about 20 years ago.

Yet the rapid changes brought on by Vision 2030 in Saudi Arabia have not gone unnoticed in the City, leaving Sleigh eager to return, and, among other things, see the “incredible” changes in Riyadh.

He will focus on two areas of major importance to the Kingdom: gigaprojects and the cultural sphere.

A visit to Diriyah, the historic development project on the outskirts of the Saudi capital, will demonstrate shared trends with the City of London, Sleigh said.

“It’s a pedestrianized city, but with three subterranean basements for cars, so it’s really interesting. And there are loads of commonalities between Diriyah and us in the sense that we’re promoting pedestrianization and moving people onto the roads and the traffic off.”

Saudi Arabia’s investment in boosting its cultural output is also attracting attention.

“I have a strong interest in culture. I used to chair the Barbican Center, Europe’s biggest arts center,” Sleigh said. “I chair a theater and I advise the mayor of London on culture. So, we’re going to spend some time visiting (Riyadh’s) Sports Boulevard, visiting some of the cultural assets, and seeing how culture and the arts are expressed and funded, and showcased in Riyadh. I think that will be really cool for us.”

Another focus of the delegation is Cityscape, a Riyadh conference taking place next week to explore city-building opportunities.

“We’re really interested in just how much is happening in Saudi at the moment and how much ambition the Kingdom has. And I would love to see if we can exchange more ideas … these conferences are all about knowledge exchange and knowledge sharing,” Sleigh said.

In his capacity as committee chair, Sleigh will also focus on promoting foreign investment in the Square Mile.

For the Planning and Transportation Committee, much of that goal involves long-term property planning — the City is home to most of London’s tallest buildings — and promoting business-friendly regulation.

“I think the equation is simple. You need to have commercial real estate and housing to be a successful city. That has to be funded by investors, but they only want to put their money if the place they’re investing in has a stable regulatory regime, and has a good legal system that you can trust through disputes and contract law,” Sleigh said.

“In our case in the UK, I think it helps that we speak English and we have Greenwich Mean Time. We sit between different financial zones.”

English common law and the City’s trustworthy planning system, built on centuries of careful decision-making, mean that “of all the places on the planet, if you want to build commercial real estate, the City of London is the most benevolent environment to come and do that,” Sleigh said.

“We’ve been doing this for 2,000 years,” he added. “We still have chunks of the Roman wall lying around and bits of the city. Planning is our most long-term function; we think very long term.”

But the successful, global cities of the future will focus on more than buildings, Sleigh believes.

“It’s about people. It’s about culture. It’s about community. So, we want to have cultural assets. We want to celebrate the archaeology. And it’s about clean, healthy, sustainable buildings and clean, healthy streets — focusing on pedestrianization and a really fantastic public transport network.”

Prospective Saudi investors in London will have access to an array of assets in the Square Mile that are among the city’s most iconic sites, including Smithfield market, the Barbican and around the new Museum of London, set to open next year.

Sleigh said: “We kind of get how busy cities need to have a cultural life. You can’t just be sterile, glass, steel buildings; you need other things.

“I think we recognize the importance of it in creating something more than just a place. It’s a place with people, a place with culture. I would love to see where there might be opportunities (with Saudi Arabia) to either share ideas or investment opportunities.”