Review: Netflix’s ‘Love at First Sight’ is sweet but instantly forgettable

Short Url
Updated 25 September 2023
Follow

Review: Netflix’s ‘Love at First Sight’ is sweet but instantly forgettable

CHENNAI: One of the hallmarks of a good movie or book is its ability to lace the structure with dramatic curves. This is even more of a necessity for a romance, and Netflix's latest foray into this genre, “Love at First Sight,” fails in this regard. Added to this is the unimaginative lighting and shots that are oh-so predictable. 

Helmed by Vanessa Caswill from a screenplay by Katie Lovejoy that is based on the book penned by Jennifer E. Smith, “The Statistical Probability of Love at First Sight,” the film begins with numbers. How many people fall in love at the very first sight. How many see through this and so on. But mercifully for 90 minutes, the show is okay — even sweet at times — but for the narrative flatness that might put one to sleep.

Hadley Sullivan, played by Haley Lu Richardson (last seen in “The White Lotus”) is 20, American and ready to fly to England to attend her dad's second wedding. She misses her plane and is bailed out with a business class ticket. 

Waiting to get on the flight, she meets Oliver (Ben Hardy). They have coffee together, and as luck would have it, they are taking the same flight. Again as luck would have it, his economy seat belt does not work, and the stewardess upgrades him to business. Luck again, when he finds her seated next to him. Honestly, there’s a bit too much of luck but hey, this is a rom-com after all.

Richardson essays a 20-something college student she is not convincing enough to carry off. But Hardy makes up for this with his quick wit, amazing energy and suffering sorrow when he sees his mother. He is on his way to attend a condolence prayer meeting that the mother insists even though she is not yet gone. It should be noted that British star Jameela Jamil gives the work some amusing levity as the omnipresent narrator. 

“Love at First Sight” is sweet but forgettable — worth an evening’s watch if you’re in the mood for a light rom-com with some emotional moments, but not worth a re-watch.  


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
Follow

‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”