Theater and Performing Arts Commission launches acting program in three Saudi cities 

The Theater and Performing Arts Commission is gearing up to introduce the Actor Training and Improvisation Program in three cities. (@MOCPerformArt)
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Updated 09 July 2023
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Theater and Performing Arts Commission launches acting program in three Saudi cities 

  • The program’s sessions are scheduled to take place in Al-Ahsa from July 16 to 27, in Tabuk from Aug. 13 to 24, and in Hail from Sept. 25 to Oct. 5

RIYADH: Saudi Arabia’s Theater and Performing Arts Commission is gearing up to introduce the Actor Training and Improvisation Program in three cities.

The program’s sessions are scheduled to take place in Al-Ahsa from July 16 to 27, in Tabuk from Aug. 13 to 24, and in Hail from Sept. 25 to Oct. 5.

Experienced and specialized trainers will be involved in this initiative, as part of the commission’s strategic Skills Development Program.

It will be comprised of two training workshops spanning over a 10-day period, with each workshop allocated three hours per day.

The first workshop concentrates on acting, while the second workshop emphasizes improvisation. The goal is to train 40 students in each workshop, resulting in a total of 80 trainees per city and 240 trainees overall.

The training program is designed to achieve various objectives, including enhancing awareness of theatrical performance and providing trainees with a diverse set of skills. These skills encompass gaining a comprehensive grasp of theater-related language, vocabulary, acting techniques, improvisation, and a broader cultural understanding of these disciplines.

The curriculum covers theater work mechanisms, including preparation, planning, invoking intention, and significant roles. Additionally, it focuses on the cognitive application of acting and improvisation fundamentals, such as text analysis, actor training, and the harmonization of different elements.

The acting program begins with the exploration of the body, voice, and subtext on the first day, and progresses to include areas such as concentration and pressure, character development, group work dynamics, feedback techniques, costume rehearsals, and the practical application of theories. The curriculum concludes with a final performance.

The improvisation curriculum begins with the skills of failure and the joy of taking risks, followed by accepting ideas and building upon them, spontaneity, speed, cooperation, environmental elements, tangible objects, body movement, scene formation, and the basics of storytelling. It also covers the components of creating a character naturally, escalating and changing emotions during a scene. The curriculum concludes on the 10th day with acting and showmanship (improvisation) skills.

Through the program, the commission aims to stimulate continuous self-learning among trainees and promote the concept of collective theatrical performance. It also seeks to raise awareness about theater, solidify the value of new art while preserving cultural heritage, establish a database of performers, and contribute to their development. 

These efforts align with the commission’s ongoing initiatives to empower theater practitioners in the Kingdom.


Balad Beast brings global beats to historic streets

Updated 31 January 2026
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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”