SRMG champions innovation and creativity at Cannes Lions 2023, launches Billboard Arabia

SRMG CEO Jomana R. Al-Rashid at the SRMG Beach Experience at the Cannes Lions International Festival of Creativity. (Supplied)
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Updated 29 June 2023
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SRMG champions innovation and creativity at Cannes Lions 2023, launches Billboard Arabia

  • The SRMG Beach Experience brought together more than 50 influential speakers and was attended by over 3,000 guests, garnering 1.65 billion mentions across digital channels over four days
  • SRMG focused on the latest trends and disruptions, including the impact of new technologies, the evolution of audience demands, and how creativity fosters innovation
  • • SRMG and Billboard partnered to launch Billboard Arabia, introducing Music Awards, Charts, Arab Music Week, Women in Music and more to MENA audiences

CANNES: Saudi Research and Media Group (SRMG), a leading integrated media group from the MENA region, hosted an inspiring week at this year’s Cannes Lions International Festival of Creativity with insightful talks, a line-up of exciting performances and the launch of Billboard Arabia.

The SRMG Beach Experience represented the Middle East and North Africa (MENA) region’s creative hub at the global festival. From June 19-22, SRMG gathered over 3,000 guests, reaching a global audience of more than 1.65 billion across digital channels.

Industry leaders, trailblazers, entrepreneurs, international media, and advertising and tech companies were given insight into SRMG’s expansion strategy, and the creativity and innovation taking place across the region.

The company brought together some of the best and brightest minds for a series of dynamic discussions on the opportunities and challenges in the MENA media landscape, the impact of AI on creative industries, the power of community in building iconic brands, and the rise of the region as a thriving music and venture capital hub.

Speakers included media, tech and advertising leaders such as SRMG’s CEO Jomana R. Al-Rashid, co-founder and CEO of Brut Guillaume Lacroix, CEO of VaynerMedia Gary Vaynerchuck, CEO of Omnicom Media Group MENA Elda Choucair, co-founder and chief technology officer of Anghami Elie Habib.

Additionally, entertainment and creative titans, such as standup comedian and TV star Mo Amer, the most awarded creative in the Middle East Ali Rez, and co-founder of production house Good People Ali Ali, focused on the importance of captivating storytelling and authenticity in delivering relatable and inspiring content to audiences.

This year, SRMG reached another milestone in its growth strategy through a partnership with Billboard.

The new music platform, Billboard Arabia, is dedicated to celebrating Arab artists and spotlighting their stories, cultures and experiences. Over the next year, Billboard Arabia will introduce several charts, music awards, live events and exclusive content in one centralized location.

To celebrate the announcement, SRMG provided a platform for artists from the region to showcase their talents on a global stage at the festival. The SRMG Beach Experience held live concerts by rising Saudi sensation Mishaal, and regional Khaleeji hip-hop artists, including DJ Outlaw, Moayad, Jeed and Flipperachi. For the second edition of MENA Night, Naïka, Elyanna and DJ Rodge took to the stage for unforgettable performances.

Another key aspect of SRMG’s transformation strategy is to empower the next generation of creators and innovators. Therefore, for the first time, SRMG held the Saudi Young Lions competition, providing an opportunity for the winners to compete in the Global Young Lions competition.

The Saudi Young Lions’ winning team, Reema Ibrahim and Shoug Abdullah, made history by placing in the top seven of over 450 creative participants from around the world.

SRMG’s partnership with the Cannes Lions International Festival of Creativity makes it the first-ever official festival representative of Saudi Arabia. This partnership reflects SRMG’s commitment to elevating the regional media ecosystem by showcasing the opportunities and highlighting the creativity and innovation coming from the MENA region.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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