Crash landing on us! Swiss village reels from Netflix fame

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Tourists visit the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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A couple of tourists seat on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Tourists take photographs on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Tourists take a selfie photograph on the famous pier seen in a popular South Korean series on Netflix, in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Tourists pose for a photograph on the famous pier of a South Korean Netflix serie in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Tourists take a selfie photograph on the famous pier of a South Korean Netflix serie behind a paying turnstile in the village of Iseltwald at the shore of Lake Brienz, in the Swiss Alps, on June 2, 2023. (AFP)
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Updated 11 June 2023
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Crash landing on us! Swiss village reels from Netflix fame

  • The Netflix hit tells the unlikely love story of a South Korean billionaire heiress and a chivalrous North Korean army officer

ISELTWALD, Switzerland: “It’s a dream come true,” said Filipino tourist Isabel Palijon, staring in wonder at a wooden pier framed by the turquoise waters of a Swiss lake and the towering Alps behind.

And she is not alone. Ever since the hugely popular South Korean series “Crash Landing on You” aired a romantic scene shot on this very spot, the picturesque village of Iseltwald has been overrun by Asian tourists.
The Netflix hit tells the unlikely story of a South Korean billionaire heiress who accidentally paraglides into the peninsula’s demilitarised zone, crashing landing onto a chivalrous army officer serving North Korean leader Kim Jong Un.
Several flashbacks in the show take place in Switzerland, including a riveting romantic scene on Iseltwald’s wooden pier, where the male lead plays a beautiful piano melody that echoes across the water as the girl he will later fall in love with arrives by ferry from Interlaken.

“I wish someday someone would do that for me,” said Jiah Hni Gwee, a 35-year-old from Malaysia, looking longingly at the spot on the pier where the piano stood.
“It would be amazing and romantic.”
She was among dozens of tourists milling around the lakeside on a sunny day last week, as a large steamboat bearing a giant Swiss flag pulled up to the nearby dock, teeming with visitors.
The breathtaking scenery and the romantic setting have made the pier a must-see for so-called “CLOY” fans who make it to Europe.
The 16-part series started airing just as Covid-19 began and it became a must-watch in much of Asia during pandemic lockdowns.
A South Korean culture ministry survey found that CLOY was the second-most popular K-drama show among foreign viewers in 2021 after “Squid Game.”

But its success has caused an unexpected headache for Iseltwald, especially since last year when travel restrictions were lifted across much of Asia.
“The numbers have exploded,” local tourism office manager Titia Weiland told AFP.
She said it was difficult to calculate how many CLOY tourists had come but estimated that “for every local person living here, it’s been 1,000 visitors.”
She stressed that “almost everybody in Iseltwald — population 400 — is happy to have many tourists,” but acknowledged “it has been quite overwhelming.”
Last summer, up to 20 coaches began arriving each day, clogging traffic and sometimes blocking access to the village.
And locals complain that CLOY fans typically rush to the pier for a picture before moving on, often leaving a mess but little money.
In a bid to deal with the influx, the municipality last month announced only pre-booked coaches that pay for reserved parking spots will be let in.
And it installed a turnstile at the pier, which tourists can pass for a “selfie fee” of five Swiss francs ($5.50).

Sonja Hornung, the manager of the Strand Hotel that overlooks the pier, said the measures had made a difference and her restaurant gives customers a turnstile token.
“Last year, it was terrible, (but) it has gotten much better,” she said, hailing the slot system that has dramatically reduced the number of coaches.
Some tourists, however, were a bit dismayed by the turnstile — and the price.
“Oh, five francs!” Florita Lichtensteiger, a 64-year-old Filipino living in Switzerland, exclaimed as she showed up with several visiting relatives.
She grudgingly paid for them to go through, but did not follow, saying she had been here at least 10 times before. “All my guests want to see this place.”
“It’s not worth it,” said Nayeon Park, a 21-year-old from South Korea.
Weiland insisted that the payment was needed for the upkeep of the pier, which had seen the number of people walking on it skyrocket.
“It has to be safe.”
Iseltwald “is like paradise on Earth,” she said. “We want to really try to keep it that way.”


DCO and Arab News partner to combat digital misinformation, explore AI’s impact on media

Updated 06 February 2026
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DCO and Arab News partner to combat digital misinformation, explore AI’s impact on media

KUWAIT CITY: The Digital Cooperation Organization (DCO) and the international Saudi newspaper Arab News have signed a Letter of Engagement aimed at strengthening knowledge and expertise exchange on the impact of artificial intelligence in the media sector, as well as leveraging expert insights to develop best practices to combat online misinformation amid accelerating technological advancements.

DCO said this step aligned with its efforts to strengthen collaboration with international media institutions to support responsible dialogue around digital transformation and contribute to building a more reliable, inclusive, and sustainable digital media environment.

Commenting on the agreement, Deemah AlYahya, Secretary-General of the Digital Cooperation Organization, said: “At a moment when AI is reshaping how truth is produced, distributed, and trusted, partnership with credible media institutions is essential.”

She added that “working with Arab News allows us to bridge technology and journalism in a way that protects integrity, strengthens public trust, and elevates responsible innovation. This collaboration is about equipping media ecosystems with the tools, insight, and ethical grounding needed to navigate AI’s impact, while ensuring digital transformation serves people and their prosperity.”

Faisal J. Abbas, Editor-in-Chief of Arab News, emphasized that the partnership enhances media institutions’ ability to keep pace with technological shifts, noting that engagement with representatives of DCO Member States enables deeper understanding of emerging technologies and regulatory developments in the digital space.

He added: “DCO’s commitment to initiatives addressing online content integrity reflects a clear dedication to supporting a responsible digital environment that serves societies and strengthens trust in the digital ecosystem.”

The Letter of agreement was signed on the sidelines of the Fifth DCO General Assembly held in Kuwait City under the theme “Inclusive Prosperity in the Age of AI”, alongside the second edition of the International Digital Cooperation Forum, held from 4–5 February, which brought together ministers, policymakers, business leaders, entrepreneurs, and civil society representatives from more than 60 countries to strengthen international cooperation toward a human-centric, inclusive, and sustainable digital economy.