MOSCOW: The Kremlin said on Saturday that journalists from “unfriendly countries” would not be allowed into the St. Petersburg International Economic Forum, which President Vladimir Putin has used to showcase the Russian economy to global investors.
“It has indeed been decided this time not to accredit publications from unfriendly countries to the SPIEF,” Kremlin Spokesman Dmitry Peskov told TASS, using the acronym for the forum which is held annually in Russia’s former imperial capital.
“Interest in SPIEF is always great, all other journalists will work on the site,” Peskov said. “Unfriendly countries” is a definition used by Moscow to describe those who have sanctioned it over the war in Ukraine.
Reuters’ Moscow bureau was told by the organizers of the forum on Friday that accreditation for its journalists had been canceled after receiving an earlier confirmation of accreditation on Thursday.
Reuters sought written clarification but none has been issued yet.
The Kremlin has repeatedly said it will not close “the window” to Europe which Tsar Peter the Great sought to open 300 years ago even though the West has imposed the most onerous sanctions in recent history over Russia’s invasion of Ukraine.
Kremlin: Western journalists won’t get accreditation for Russian economic forum
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Kremlin: Western journalists won’t get accreditation for Russian economic forum
- “It has indeed been decided this time not to accredit publications from unfriendly countries to the SPIEF,” Kremlin Spokesman Dmitry Peskov told TASS
- “Interest in SPIEF is always great, all other journalists will work on the site“
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
