Film AlUla’s Charlene Deleon-Jones talks filming in Saudi Arabia at Cannes Film Fest

Executive Director of Film AlUla Charlene Deleon-Jones shared the organization’s initiatives to create a sustainable film ecosystem during a Variety Fireside Chat session. (Supplied)
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Updated 22 May 2023
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Film AlUla’s Charlene Deleon-Jones talks filming in Saudi Arabia at Cannes Film Fest

CANNES: In a serene desert area speckled with giant rock formations that frame an ancient city, a UNESCO World Heritage site has become the latest film destination being sought after by international filmmakers. 

Saudi Arabia’s AlUla has attracted both local creatives and big-budget Hollywood productions. At the 76th Cannes Film Festival, Executive Director of Film AlUla Charlene Deleon-Jones shared the organization’s initiatives to create a sustainable film ecosystem during a Variety Fireside Chat session. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Film AlUla (@filmalula)

“We’ve seen massive changes from somewhere where previously you wouldn’t necessarily have been going to the cinema, to somewhere that is ready and open to support filming from around the world. Not just domestic film, but international film,” she said. 

Film AlUla has invested in the local film infrastructure — the facilities currently include 150 self-contained villas to accommodate visiting crew, set to be 300 by October, with two state-of-the-art soundstages set to launch in October.

Deleon-Jones Said: “We’ve been gifted the land around the studios as far as the eye can see. It’s prime for backlot and development as well.

“When you have government involved in opening up locations, it can become incredibly bureaucratic and difficult to do things. So how do we ensure that we’re compliant and not being wasteful with government funds, but making it as easy as possible for anyone who’s interested in film and have asked to film with us?”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Film AlUla (@filmalula)

In order make the process as smooth as possible, Film AlUla established a dedicated team of specialists to help with pre-production stages, scouting for locations and providing images according to script treatments and storyboards, and they also help with any required visas and paperwork. 

Upcoming blockbuster “Kandahar,” starring Gerard Butler, was shot predominantly in AlUla and was the first Hollywood production to film entirely in Saudi Arabia. 

Film AlUla is facilitating a community screening, dedicated to Saudi Arabia-based cast and crew members, including those who supported the production with transportation and catering services. 

AlUla will soon serve as a backdrop for various local and international productions, including films from the US, Bollywood, and Korean film industry. 

Deleon-Jones said: “The challenge is getting that right balance between watering grounds for domestic and regional productions, and also being available for international productions. 

“We have a very strong connection in association with the Red Sea Film Foundation and Festival. And I think what’s really fantastic about the work they do is it’s very open. They look at developing homegrown talent from a Middle Eastern and African perspective as well. 

“From a creativity perspective, we’ve hosted Middle East and African filmmakers in various different labs, and that’s something we intend to continue to invest time and energy in,” she added.


Saudi label KML unveils new collection in Paris

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Saudi label KML unveils new collection in Paris

DUBAI: Siblings Razan and Ahmed Hassan presented their Fall/Winter 2026–2027 collection at Paris Fashion Week on Tuesday, continuing the rapid rise of their KML label.

The duo has gained international recognition since launching the brand in 2022, most recently being named semifinalists for the LVMH Prize — a prestigious annual award for emerging designers.

Creative director Ahmed’s minimalist designs and sharp tailoring mean KML — owned by his sister, Razan — has built its identity around reimagining traditional Saudi garments through a contemporary lens. Jackets are paired with shawl-like elements, large leather belts recall those historically worn by Bedouin men, and skirts nod to silhouettes once worn by men in the Eastern Province, Jazan and the Hijaz.

The collection leans on wrap constructions, asymmetry and elongated proportions. (Getty Images)

The approach is reflected in the new collection, which features a restrained palette of black, white and muted earth tones, leaning on wrap constructions, asymmetry and elongated proportions.

Flowing skirts, structured wrap tops and robe-like coats dominate the lineup, with some looks referencing classical draping while others lean toward utilitarian dressing, defined by sharp shoulders, cinched waists and clean, architectural lines.

In a previous interview with Arab News, Ahmed said their grandmother was a huge influence on their lives as he and his sister grew up in Riyadh. He fondly recalled both her progressive nature and inimitable style. As a young boy, Ahmed would often accompany her to fabric shops so she could get her designs stitched by a local tailor. The experience left an impression, though fashion was not an obvious initial career path.

With no formal fashion education programs for men in Saudi Arabia, Ahmed instead studied architecture and became an intern at Zaha Hadid Architects, where he developed an appreciation for structure and form. Razan, meanwhile, pursued law at Prince Sultan University and she went on to practice full-time.

“One summer, we both realized we weren’t doing what we truly wanted to do, so I decided to go to the UK to study creative writing, and Ahmed went to Central Saint Martins (in London) for a few courses,” Razan explained.

That was the catalyst for KML. In August 2023, they launched their debut capsule collection and towards the end of that year they applied to the Saudi 100 Brands program. The Fashion Commission recognized their potential, helping KML launch collections at fashion weeks in Paris, Riyadh and Milan.