In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

Pakistani Singer Ali Sethi performs during the first weekend of the Coachella Valley Music and Arts Festival in Indio, California, on April 16, 2023. (AFP)
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Updated 17 April 2023
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In step with global music trends, Coachella ropes in Korean, Pakistani, Indian artistes

  • The 2023 edition of the festival has more than half of artistes hailing from outside the US
  • India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets

Indio, United States: The original 1999 Coachella lineup was decidedly oriented towards rock acts and full of white men, but today, the premier music festival's lineup is more diverse and international than ever. 

The 2023 edition of the massive desert festival is a showcase of global talent, with more than half of the performing artists hailing from outside the United States, including artists from Puerto Rico, South Korea, Belgium and Pakistan. 

The centering of genre-spanning music performed in a variety of languages highlights the US industry's evolving response to global tastes, as streaming and social media offer obvious metrics on what's popular, and profitable. 

Bad Bunny, the Puerto Rican reggaeton master and world's biggest star, headlined the weekend's opening night with an adrenaline-pumping performance that paid homage to Caribbean music's influential lineage and had his fans screaming with delight. 

On Saturday night, the K-pop megastars BLACKPINK put on one of the weekend's buzziest shows -- and made history as the first Asian act to headline the festival -- with tens of thousands of revelers descending on the main stage for a bombastic set of pop bangers preceded by a mesmerizing, drone-powered light show and punctuated by pyrotechnics. 

For CedarBough Saeji, a professor of Korean and East Asian studies who specializes in K-pop, the festival lineup emphasizing the hottest acts from across the globe is long overdue. 

And when it comes to K-pop, "we've reached a point where the ongoing public demand for K-pop... is clear, even to people who may be watching the financial bottom line much more than they're watching trends," she said. 

"America's a very large music market, there's a lot of people there," Saeji continued. "It's a very, very important tastemaker -- but world cultural flows have shifted." 

"You don't have to be American to be the top group in the world." 

Major artists, including Spain's Rosalia, Iceland's Bjork and Nigeria's Burna Boy received top billings on the festival's main stage, while India's Diljit Dosanjh and Pakistan's Ali Sethi drew large crowds to their high-energy sets. 

"When I saw those brown faces in their best, sort of like, South Asian regalia with a twist, it gave me so much courage," Sethi told AFP following his set. 

For "those of us who are coming from other places, coming from other traditions, who are speaking languages -- musical languages, visual languages, and literally languages that haven't been heard here before -- that Coachella welcomes us and has us here, it's a new trip." 

Sethi was already wildly popular prior to his Coachella performance: his song "Pasoori" was Google's most searched song in 2022 and boasts more than half a billion views on YouTube. 

According to scholar Saeji, the internet has played a vital role in "leveling the playing field." 

"The internet is the reason why worldwide audiences have so much more awareness now of artists coming out of countries that aren't traditional hegemons," she said. 

"I predict that no matter how much the US music industry may try to continue to try to gatekeep, eventually, we're going to see a situation where we have charting music coming from multiple languages all the time." 

"And that's beautiful." 

Also on feature were France's Christine and the Queens, Argentina's Los Fabulosos Cadillacs and Belgium's Angele. 

And Palestinian-Chilean Elyanna broke ground as the first artist to perform a full set in Arabic at the festival. 

Turkish electronic artist Omer Mesci, who performs under the name Minus the Light, was born and raised in Turkey and told AFP after his set that it's particularly "inspiring" as a DJ to encounter an international slate of performers. 

"Music is music," he said. "That's what makes it beautiful. It's so colorful in terms of the music, in terms of the people." 

Rosalia -- the Spanish superstar who made her name as a flamenco revisionist before soaring to the top of pop with her blockbuster third album, "Motomami" -- was among the weekend's most hotly anticipated acts, with fans clamoring for her as she blasted through a set of her daring, kaleidoscopic songs blending styles. 

"Buenas noches, Coachella!" she shouted as cheers cascaded through the crowd. "You fill my heart with your presence. I come from Barcelona, that's why this stage is so special. It's because of you that I'm here." 


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”