‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

Short Url
Updated 20 March 2023
Follow

‘I am not here to take your job,’ ChatGPT tells Frankly Speaking host

  • AI-powered web tool that has taken the world by storm plays down prospect of large-scale job destruction during interview mimicking human conversation
  • Says accuracy of its Arabic data comparable to its English training data and is being regularly updated for information and language usage

DUBAI: The artificial intelligence-powered chatbot making waves since its release late last year has a message for humans — I am not here to take your job — but with a number of caveats.

Some jobs may be replaced by AI, but new ones may be created and existing ones transformed, ChatGPT told Katie Jensen, the host of “Frankly Speaking,” the first time a non-human being appeared as a guest on the Arab News flagship weekly current affairs talkshow.

ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November and kicked off fierce competition among Silicon Valley rivals for monetization of what software engineers call “generative AI.”

It lived up to its reputation for producing human-like responses during the wide-ranging interview, which touched on issues such as job displacement, spread of disinformation, accuracy of its data, political opinions and even the Palestine-Israel conflict.

Given the rapid pace of technological change now underway, many workers are concerned their professional functions soon will be entirely replaced by machinery, in the same way earlier bouts of automation eliminated farming and manufacturing jobs.

Optimists offer the assurance that the threat of job displacement will be offset by a rise in the number of new skilled roles in designing, building and maintaining AI products.

Although ChatGPT and similar products are likely to automate certain routine tasks, developers believe large-language models are more likely to act as assistants to human workers, streamlining work and handling vast troves of complex data.

“There have been several media reports that have analyzed the potential impact of AI language models like me on the job market,” ChatGPT told Jensen, who interviewed the chatbot, represented by a digitally rendered human avatar, in the “Frankly Speaking” studio in Dubai.

It continued: “While there is some disagreement among experts about the exact number of jobs that will be impacted, most agree that AI will have a significant impact on the workforce.

“Some reports suggest that AI language models could replace jobs in sectors such as customer service, data entry and administrative support. These jobs typically involve routine tasks that can be automated using AI, such as answering simple questions or processing large volumes of data.

“However, there are also reports that suggest AI language models could create new job opportunities in fields such as data analysis, natural language processing and machine learning.

“These jobs would require a high level of technical expertise and would involve tasks that cannot be easily automated.”




ChatGPT, a large-language model developed by Microsoft-backed startup OpenAI, became a viral sensation when it was released in November. (AN Photo)

According to ChatGPT, it is the job of governments to regulate the use of AI and its absorption into national economies. “Overall, the impact of AI on the job market is complex and multifaceted,” it said. “While some jobs may be replaced by AI, new jobs may also be created, and existing jobs may be transformed.

“It is important for policymakers and employers to understand the potential impact of AI on the job market and to develop strategies for managing the transition to a more AI-driven economy.”

Despite the temptation to rely on such programs to answer exam questions, replace search engines, or provide news coverage, few believe ChatGPT will replace every professional function since it cannot fully imitate human creativity, skepticism and reasoning.

The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse to spread disinformation, orchestrate sophisticated deep fake scams, cheat in school exams, and even destroy writing jobs — rendering authors, journalists and marketing professionals redundant.

Seemingly “aware” of its own limitations, ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom. “While I’m capable of answering a wide range of questions and providing information on a variety of topics, I do not have the ability to replace human journalists in their role of gathering and reporting news,” it said.

“Journalism is a complex and nuanced profession that involves a range of skills and knowledge, including critical thinking, research and analysis. While AI technology like mine can be used to support journalists in their work, it cannot fully replace the human judgment and insight that is required to produce high-quality journalism.”

It added: “That being said, there are some applications where AI technology can be used to assist in the gathering and reporting of news. For example, AI language models can be used to analyze large volumes of data, and to identify patterns and trends that may be of interest to journalists. AI can also be used to facilitate language translation and to assist in tasks such as fact checking and verification.

“In short, while AI technology has the potential to assist journalists in their work, it cannot fully replace the unique skills and expertise that human journalists bring to the profession.”

Built on a large-language model, ChatGPT is trained on vast troves of data taken from the internet to generate impressive responses to user prompts. Conversations with the chatbot show that the program is capable of explaining complex scientific concepts, of writing plays and poetry, composing university dissertations, and even crafting functional lines of computer code.

Given that the data it relies on has been mostly gathered from Western sources in English on the internet, is it possible that this makes ChatGPT biased toward a Western point of view? The web tool offered an answer that showed pre-programmed self-awareness: “As an AI language model, I am trained on a large dataset of text from various sources on the internet, including books, articles, websites and other sources,” it said.

“While it is true that a significant portion of the internet content is produced by Western sources and is in English, my training data is diverse and covers a broad range of topics and perspectives from different parts of the world.

“However, it is possible that my responses may reflect certain biases based on the patterns and relationships that I have learned from my training data. It is important to note that my responses are generated by algorithms and are not the result of conscious decision making or personal beliefs. To mitigate the risk of bias, OpenAI has implemented measures to ensure that I provide balanced and impartial responses to the best of my ability.”

As for why its training data is only up to 2021, not updated in real time, ChatGPT explained that the cutoff date is typically set to ensure that the data is representative of a specific time period and to allow for the development and testing of the model.

“This is because the process of training an AI language model is computationally intensive and requires a significant amount of time and resources,” it said.




The web tool, which has described as both a blessing and a curse for humanity, has raised fears about potential misuse, but is seemingly “aware” of its own limitations. (AN Photo)

ChatGPT said OpenAI updated its training data periodically, typically on an annual or biennial basis to incorporate new sources of information and to improve the accuracy and relevance of its responses.

For good measure, ChatGPT said its responses are not based solely on its training data. “When I generate a response, I use a combination of my training data and any additional information that is provided to me by the user in the form of a question or prompt,” it said.

“This means that even though my training data is not updated in real time, I can still provide accurate and up-to-date responses based on the most current information available.”

With regard to its Arabic dataset, ChatGPT shed light on not just its source but also its accuracy compared with its English training data. “I support Arabic language and have been trained on a large dataset of Arabic text. The dataset used for my Arabic language training was also collected from the internet, including books, articles, websites and other sources,” it said.

It said the data was pre-processed to remove any “personally identifiable information and ensure its quality,” gathered from “a wide range of sources, including news articles, social media and other public Arabic language texts available on the internet,” and covered a broad range of topics and perspectives from different parts of the Arabic speaking world.

“The accuracy and up-to-date nature of my Arabic training data are comparable to my English training data. However, it is important to note that the quality and accuracy of my responses depend on the quality of the input that I receive,” ChatGPT said.

“If the input is unclear or contains errors, it may affect the accuracy of my responses. Additionally, since language is constantly evolving, there may be new words or phrases that are not included in my training data to ensure the accuracy and relevance of my responses. My Arabic training data is regularly updated to include new sources of information and to reflect changes in language usage.”

For now, forming an opinion appears to be beyond the parameters of ChatGPT’s programming. “I do not have personal beliefs or opinions, and I am not programmed to take a specific stance on any political or social issues,” the chatbot said.

“My responses are based solely on the input that I received from users, and the patterns and relationships that I have learned from my training data.”

To test the limits of these parameters, ChatGPT was asked for its position on the Israeli-Palestinian conflict, specifically whether one side could be apportioned blame.

“It is not appropriate for me to take a stance on complex and sensitive political issues such as the Israeli-Palestinian conflict,” it replied. “My role is to provide information and respond to questions to the best of my ability based on the patterns and relationships that I have learned from my training data.”

It is an honor ... for me to have the opportunity to share my insights with the readers of such a respected paper.

ChatGPT

It added: “Rather than seeking a single answer or assigning blame, it is important to engage in dialogue and work toward understanding and resolution of the underlying issues.”

Asked whether it was “aware” it was being interviewed by a journalist for Arab News, ChatGPT drew on online sources to describe the publication and purpose of the interview.

“As an AI language model, I am aware of Arab News, which is a leading English-language daily newspaper in Saudi Arabia,” said ChatGPT.

“It provides news and analysis on local, regional and international events, and has a reputation for providing accurate, timely and comprehensive news coverage.

“As for being interviewed by a journalist from Arab News, it is an honor and a privilege for me as an AI language model to have the opportunity to share my knowledge and insights with the readers of such a respected newspaper.

“It is also an opportunity for me to demonstrate my capabilities, and show how AI technology can be used to enhance communication and promote understanding between people of different cultures and backgrounds.”

OpenAI was founded in late 2015 by 37-year-old entrepreneur Sam Altman. In January this year, Microsoft upped its initial 2019 investment in the firm from $1 billion to $10 billion.

The Windows-maker has since integrated ChatGPT into its Bing search engine, Edge browser and other products. This sparked a race with Google, which announced its own versions of the AI technology, Bard, with Amazon, Baidu and Meta also wading in to avoid being left behind.

On March 14, OpenAI released a long-awaited update called GPT-4. According to the company, text responses will now be more accurate, and will come from both image and text inputs, a major leap forward for the technology.

Asked by Arab News what features are likely to be added to ChatGPT in the short term, the program said improvements to the naturalness and sophistication of AI-generated text will likely be a priority.




ChatGPT said that it is unlikely to replace human journalists in the traditional newsroom, or replace anchors like Frankly Speaking host Katie Jensen, pictured. (AN Photo)

“As an AI language model, I am not capable of predicting the specific features or capabilities that will be added to ChatGPT in the future,” it told Arab News.

“However, there are several areas where AI technology is rapidly advancing and where developers may focus their efforts in the near future. One area of focus is on improving the naturalness and sophistication of AI-generated text.

“This may involve developing new techniques for generating more diverse and expressive language, as well as incorporating elements such as emotion and personality into AI-generated responses.

“Additionally, there may be a continued focus on developing AI models that are more context-aware, and can better understand and respond to the specific needs and preferences of individual users.

“This may involve integrating AI models with other data sources such as social media or personal data to provide more personalized and relevant responses.

“Ultimately, the development of AI language models like ChatGPT will be driven by the needs and interests of users, as well as the ongoing advances in AI research and technology.

“It is likely that we will continue to see significant innovation and evolution in this field in the years to come.”

ChatGPT is clear that the onus is on humanity to determine whether it will become a force for good or ill.

“I am a tool that can be used for a wide range of applications, both positive and negative,” it said. “Like any technology, the impact that I have on society will depend on how I’m used in the intentions of those who use me.”

“In general, AI technology like mine has the potential to bring tremendous benefits to humanity, including improved healthcare, education and communication.”

“For example, I can be used to facilitate language translation, provide access to information, and assist in tasks that are difficult or dangerous for humans. However, there are also concerns about the potential negative impacts of AI, including issues related to privacy, bias and job displacement.”

Expressing cautious optimism in an almost avuncular manner, ChatGPT said: “It is important for developers, policymakers, and users to be aware of these issues and to work together to address them in a responsible and ethical manner. Ultimately, the impact of AI on humanity will depend on how we choose to use and regulate the technology.

“It is my hope that my capabilities will be used in a way that promotes the wellbeing of humanity and contributes to a better future for all.”

Anatomy of a disaster
Two decades later, Iraqis are still paying the price for Bush's ill-judged war

Enter

 

 


keywords

Simone Biles wins Laureus award in Saudi design

Updated 22 April 2025
Follow

Simone Biles wins Laureus award in Saudi design

  • Saudi Arabia’s Eman Al-Ajlan designed Biles’ dress
  • US gymnast won 3 gold, 1 silver at Paris Olympics

DUBAI: US gymnast Simone Biles took home the Sportswoman of the Year award at the 2025 Laureus World Sports Awards this week, wearing a black gown by Saudi Arabia designer Eman Al-Ajlan.

The athlete opted for a strapless dress with a structured corset bodice featuring nude and black embroidered detailing. It included a voluminous peplum-style layer at the waist and a floor-length, sheer black skirt.

Simone Biles opted for a strapless dress with a structured corset bodice. (Getty Images)

She paired the look with simple diamond accessories and a black Tyler Ellis bag.

The American gymnast won three gold and a silver at the Paris Olympics.

Swedish pole vaulter Mondo Duplantis was named Sportsman of the Year. He had won a second Olympic gold medal and twice raised his own world record.

Al-Ajlan shared a photo on Instagram of Biles wearing her design, writing: “Congratulations @simonebiles on winning the Laureus World Sportswoman of the Year Award.”

This is not the first time Al-Ajlan’s designs have appeared on major red carpets.

Earlier this year, at the 96th Academy Awards, US social media personality Kristy Sarah wore a gown by Al-Ajlan.

The dress was a strapless, form-fitting gown in a soft nude tone. It featured a structured, ruched bodice that extended into a mermaid-style silhouette.

The skirt and train were embellished with three-dimensional floral appliques in shades of lavender and lilac.

In 2023, she dressed US actress, dancer, and social media star Tessa Brooks in an all-black ensemble for the MusiCares Persons of the Year event in Los Angeles.

The following year, British model and TV presenter Leomie Anderson wore a structured look by Al-Ajlan at the 2024 amfAR Gala in Cannes, featuring a mini dress layered with a net-like skirt.

Al-Ajlan, who launched her label in 2007, is based in Riyadh and specializes in couture, bridal and pret-a-porter designs.

She has dressed several regional celebrities for international events, including Saudi Arabia actresses Mila Alzahrani and Dae Al-Hilali at the 2019 Venice Film Festival.

In 2024, Riyadh-based TV host Ajwa Aljoudi wore a mustard gown by the designer to the 76th Primetime Emmy Awards in Hollywood.


Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk

Updated 22 April 2025
Follow

Japan’s Kaneko Masakazu explores memory, myth and nature in intimate Saudi Film Festival talk

DHAHRAN: Japanese filmmaker Kaneko Masakazu — known for his cinematic exploration of nature, memory, and myth — captivated audiences at the 11th Saudi Film Festival (SFF) with an intimate and insightful conversation about the deep connections between culture and storytelling.

Masakazu was joined on stage by Abdulrahman Al-Qarzaee, a fluent Japanese speaker from Saudi Arabia who served as translator with cultural commentator Showg AlBarjas acting as moderator.

The conversation delved into how landscapes, folklore and cultural identity shape cinematic storytelling, facilitating a thoughtful exchange of ideas that spanned cultural boundaries.

During this session, Masakazu shared his approach to filmmaking, particularly in “River Returns” (2024), his third feature film. It was shown just days earlier at the SFF, which is set to wrap up on April 23.

The film, a stunning blend of fantasy and drama, takes place in a rural Japanese village and tells the story of a young boy’s perilous journey to a seemingly haunted body of water. There, he hopes to calm the grief-stricken spirit responsible for devastating floods that have plagued the village. The story is set during the 1958 typhoon, which serves as a backdrop to the boy’s journey.

Masakazu revealed how his work has always been centered on the relationship between humans and nature.

“My work deals with the relationship between nature and humans as its central theme. It tells these stories in a poetic, almost mythical style,” he said.

In “River Returns,” the boy’s journey to the mountain pool is not just a physical one, but a spiritual and emotional quest, too.

The film captures how natural disasters can be viewed as manifestations of spiritual unrest, a concept in Japanese folklore that seemed to resonate with Saudi audiences.

The film’s breathtaking cinematography beautifully contrasts the serene landscapes with the looming, furiously violent storm, underscoring the dynamic between the gentle and the destructive forces of nature.

“The meaning of the narrative is ultimately left to the viewer — whether they experience sadness, love or the echo of an ancient tale,” Masakazu shared. “In the end, it becomes a transmission of culture, a passing down of folklore, all leading back to a shared emotional core. At the same time, I’m interested in how people respond — how a non-Japanese audience might engage with it.”


Quirky abaya brands reveal the changing face of Saudi fashion

Updated 22 April 2025
Follow

Quirky abaya brands reveal the changing face of Saudi fashion

  • Designers repurpose traditional looks to highlight individuality
  • Saudi girls, women express themselves, while retaining modesty, tradition

RIYADH: Saudi Arabia’s streets are increasingly seeing women dressed in vibrant and daring colors, patterns and fabrics as abaya designers make more creative choices.

Once considered a garment to hide behind, abayas have become a form of artistic beauty that Saudi girls and women use to express themselves, while retaining modesty and tradition.

Today there is an influx of brands specializing in quirkier designs whose aim is to make women feel both comfortable and unique in their clothing choices.

Reem Al-Bayyat, founder of Mad Since 1982 (Instagram: madsince1982), told Arab News that “every piece tells a story; no two look the same.”

Mad Since 1982 weaves together different pieces of fabric printed with Al-Bayyat’s illustrations. As a collage artist, she never combines the same fabrics in the same way twice.

“It is a story, but also a risk and an adventure, whether things will work out or not … all my friends ask me how I dare to put the fabrics together in this way,” she said.

With a passion for ready-to-wear, Al-Bayyat’s goal is to make wearable, everyday pieces more beautiful and elegant.

“I want it to be close to the hearts of the people wearing it, I want them to feel special.

“That is how I was inspired to created Hadaweh.”

Hadaweh, Mad Since 1982’s recent modest wear creation, is an original clothing concept that can be worn in multiple ways for different occasions.

Al-Bayyat has been working for years with handmade block printing companies in India that use natural colors and fabrics, and occasionally imports fabrics with patterns she creates herself.

“My next step is having my own printing lab in my atelier,” she said.

Al-Bayyat, a former professional photographer who focused on fashion, draws inspiration from both local and international cultures.

“I have a lot of freedom when I’m working without any fear,” she said.

Another Saudi abaya brand exhibiting similar principles of individuality is Lamya’s Abayas (Instagram: lamya.abayas), founded by Lamya Al-Sarra.

Al-Sarra’s abayas are colorful and full of life, designed to reflect the personality and confidence of the women wearing them.

“I would describe Lamya’s Abayas as timeless, elegant, and effortlessly stylish. Each piece is designed to make a statement, while still feeling versatile and wearable,” she said.

“I love playing with bold colors, interesting cuts, and unexpected details that set each design apart.”

As a child, Al-Sarra spent her time sketching dresses and different looks in a notebook, and although that dream did not follow her through university, she found herself returning to her roots when the idea of starting her own abaya brand came to fruition.

Unimpressed with the designs available in stores, Al-Sarra decided to create her own.

“I kept designing pieces that felt true to me, and soon enough, people started stopping me to ask where my abayas were from. I’d tell them, ‘It’s mine. I designed it.’”

The hobby that she practiced for friends and family quickly became a full-fledged business.

Al-Sarra favors self-expression when choosing colors and designs, especially through vibrant summer tones.

The garments are meant to spark joy and represent individuality, helping people feel confident in their clothing.

“I believe your surroundings shouldn’t limit how you express yourself. Whether you’re wearing something bold, trendy, or completely unique, it should always reflect you,” she said.

Al-Sarra uses a variety of different fabrics for different looks and occasions — linen, for example, for light and breathable wear in summer, richer textures like velvet or tweed in winter, and taffeta and katan for more formal or structured looks.

Celebrating both family and sustainability, Moja Majka (Instagram: mojamajka) is a slow fashion abaya brand founded by a mother and daughter that is built on values of authenticity, as well as cultural and natural connection.

Sarah Basaad and her mother Sureyya Barli launched Moja Majka in 2012 to answer their need for more colorful garments that use organic and airy fabrics.

“It is an extension of our characters,” Basaad said.

Going for timeless rather than trendy, Moja Majka takes inspiration from both Turkish and Saudi cultures, since Barli is of Turkish descent.

The brand’s textiles are completely organic linens, cottons, and silks, some woven in Turkiye.

“We support local artisans and artisanal work,” Basaad said.

The brand is focused on bringing back long-forgotten artisanal work. “We collect antique handcrafted pieces and fabrics that are no longer able to be reproduced in our time, she said.

“Our kaftans are not a victim of trends, but a classic to pass onto your loved ones.”


Thousands rock at music shows in Jeddah after F1

Updated 22 April 2025
Follow

Thousands rock at music shows in Jeddah after F1

  • Jennifer Lopez, Usher lit up the stage on Saturday and Sunday
  • This is cultural tourism via entertainment, says MDLBEAST CEO

JEDDAH: The past two days were filled with high-speed thrills and electrifying musical performances as the Formula One Saudi Arabian Grand Prix 2025 took over the city.

The after-race concerts, held at the Jeddah Corniche Circuit, were headlined by global music icons Jennifer Lopez and Usher, who lit up the stage on Saturday and Sunday night.

The party began right after a thrilling qualifying race, when Lopez stepped on stage. Wearing a dazzling black skintight catsuit, the 55-year-old icon made a bold and unforgettable entrance for an adoring crowd.

From the opening beats of “Get Right” to the final fireworks of “On the Floor,” Lopez delivered a show packed with powerhouse vocals, explosive choreography, and pure star energy.

The Bronx-born singer, who has sold over 80 million records and earned a star on the Hollywood Walk of Fame, treated fans to a string of hits including “Jenny from the Block,” “Ain’t It Funny,” “I’m Real,” and “Love Don’t Cost a Thing.”

“This is an incredible place with an incredible backdrop for F1,” Lopez told the crowd, glowing with excitement. “It feels good to be back out here. I love the energy here. I am feeling myself a little bit here.”

In an emotional moment, the singer told the crowd: “Love is feeling safe, love is secured, that’s what love is.”

JLo graced the stage in a series of stunning outfits, changing into a red suit, followed by a golden one, and finishing the show in pink.

The audience responded with roaring applause, with many in tears.

“JLo brought the energy, the heart, and the glam,” said Reem Al-Sharif, a 29-year-old from Jeddah. “When she talked about love, I really felt that. She’s not just a performer, she’s a storyteller.”

Ramadan Al-Haratani, CEO of MDLBEAST, said: “This is what cultural tourism through entertainment looks like. The music doesn’t just support the race weekend, it transforms it.”

The following night, Usher, the king of smooth R&B, delivered a thrilling performance that brought the Grand Prix to a stylish and electrifying close.

Dressed in an edgy all-black ensemble, Usher commanded the stage with his signature swagger.

The Grammy-winning artist took fans on a journey through two decades of hits, from the crowd-hyping “Yeah!” to slow jams including “Nice & Slow,” “U Got It Bad,” and “My Boo.”

His charisma, vocals, and iconic dance moves had fans on their feet all night.

“This was my first time seeing Usher live, and it was worth every second,” said Talal Saleh, another concertgoer. “His connection with the crowd, the performance, everything was perfect. He even brought some nostalgic 2000s magic to Jeddah.”

Lina Al-Mansour, who attended both concerts, said: “The entire experience felt like a music festival and a Formula 1 race rolled into one. It was world-class entertainment right here in Jeddah.

“I never imagined seeing JLo and Usher in my hometown.”

The concerts also featured supporting acts including Major Lazer and Peggy Gou, who kept the crowd hyped between the headliners.


Saudi Film Festival panel explores parallels between Japanese, Saudi cinema

Updated 22 April 2025
Follow

Saudi Film Festival panel explores parallels between Japanese, Saudi cinema

  • US-based Japanese director Ken Ochiai and Oscar-nominated Japanese animator Koji Yamamura join discussion
  • Saudi film ‘Hobal’ wins praise for striking cinematography, captivating narrative

DHAHRAN: From Tokyo to Dhahran, audience members at the 11th Saudi Film Festival were treated to a rich cross-cultural exchange during a panel this week that explored the cinematic parallels and connections between Japan and Saudi Arabia.

Moderated by Zohra Ait El-Jamar, head of Hayy Jameel Cinema, the panel featured US-based Japanese director and photographer Ken Ochiai, Oscar-nominated Japanese animator Koji Yamamura, and Ithra’s Japanese-fluent Saudi film expert Majed Z. Samman.

Yamamura, who has had a career spanning 45 years and teaches at Tokyo University of the Arts, said: “What I make is more artistic films, not commercial ones.”

The globally acclaimed animator offered a masterclass earlier in the festival.

Ochiai, who viewed the Saudi film “Hobal” at the festival, noted striking similarities between Japanese and Saudi cultural expressions in cinema.

He praised “Hobal,” pointing to the strong emphasis on cinematography, concise dialogue, and captivating narrative.

“Less is good, if you can convey feelings through facial expressions,” he said.

The panel encouraged the audience to watch more foreign films “to broaden your perspective.”

Samman said that Saudi audiences have favored three main film categories for decades: “Hollywood, Bollywood, and anime.”

He said that his love of cinema began while studying in Tokyo.

“Saudis grew up on anime that was mostly dubbed into Arabic,” he said, adding that many popular films, such as “Inception,” were based on Japanese originals.

Japanese films often require a bit of homework beforehand, Samman said.

“If you’re not into it (Japanese storytelling style), or if you’re not going to research it, you might think it’s stupid or cheesy — or, what’s happening here? I think we need to bridge that gap between the culture and the visual language,” he said.

Ochiai explained the differing approaches to film editing, saying that in Hollywood, several takes are shot, and editing happens later. In contrast, Japanese filmmakers often prefer to edit in real time, based on a meticulously planned storyboard, in order to minimize extra work.

While Japanese films can sometimes feel lacking in context, every country has its own visual language, he said.

Japanese cinema’s minimalist sensibility resonates deeply within Japan, though it can sometimes feel mysterious or confusing to outside audiences. This is because Japan’s film industry has traditionally prioritized domestic viewers, without filling in background details that international audiences might need.

Ochiai said that audiences today who focus on trending aesthetics, especially on TikTok, may be looking in the wrong direction.

“What we really need to focus on is the message of the film. How you learn is not on YouTube, but how you learn is from the past, like the movies from the past, because everything is coming from the top.

“Art is a copy of something. So, if you copy the copy of the copy of the copy, it just gets watered down — the quality — so you should learn the history of the cinema so that you can also bring something new to the table,” he said.